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Hey there my name is Jamie, and i run The Dodge City Social Club, outback Australia's No1 surf guitar podcast from Merbein, Victoria, a region NOT known for its surfing culture!! Every 2nd Thursday for an hour it comes out on soundcloud and linked on fb, as well the show appears on SurfRockRadio and GTF Instrumental hosting platforms. Thanks to Sharawaji, DoubleCrown, TripleAgent and OtitisMedia and tons of other bands for your contributions...if you want your band to be on the show, hit me up here, or soundcould page or fb page..Lend me your ears and give it a listen...guaranteed to improve your day...!! Love ya's all!!
Jamie.
Hey there, just released a new single off my upcoming album. It’s my take of a classic with an upbeat, high energy, good vibes only feel. Kept it classic with the look too. Check it out and Thanks for listening!
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Hello! Los Meteoritos here, sending a message to all surf music lovers: New waves are coming from Argentina with the release of our new Los Meteoritos EP, "La Otra Orilla". Recorded in the heart of Buenos Aires LE Studio Zárate, with visuals by vj t0n and art by Andrés Domínguez, this EP consists of 3 new songs spanning the wide spectrum of the genre and promise to be a true Tsunami of Surf Music.
We hope you enjoy it! And save the date: September 21, 2023 - New waves come from 'The Other Shore'. See you there.
Our latest single Haunted Swamp from our upcoming album Necro A Go-Go is now live on all streaming platforms. Please check it out and let us know what you think!
NEW ALBUM: Reverberation Addict (Topsy Turvy Records)
Release date: October 6th 2023
The Routes are back with their fourteenth studio album “Reverberation Addict”.
Having tackled the music of Kraftwerk on their 2022 album “The Twang Machine”, The Routes have applied their sound (described by Iggy Pop as “beat-you-to-death surf music” on his BBC Radio 6 show) to the genius of Pete Shelley and Buzzcocks.
“Reverberation Addict” sees fifteen Buzzcocks songs reimagined and rearranged as 60s surf guitar instrumental bangers (à la The Ventures, Dick Dale, Terauchi Takeshi, Link Wray, The Surfaris and The Astronauts and more).
And what better endorsement or seal of approval is there than having UK graphic design icon Malcolm Garrett MBE RDI (and designer of the original Buzzcocks records) onboard for the design? Yes, it’s the real deal!
Whether you see it as musical blasphemy or musical alchemy, The Routes have provided the world with another potential future cult classic, destined to irk or jerk future generations for years to come.
Available as a regular black vinyl LP:
https://www.soundflat.de/garage-mod-surf-en/garage-mod-surf-lp/routes-reverberation-addict-black-lp
OR limited edition translucent blue vinyl LP:
https://www.soundflat.de/garage-mod-surf-en/garage-mod-surf-lp/routes-reverberation-addict-blue-transparent-lp
NEW EP: Sonidos Zzumbantes Del Surf Instromental
On 7th September The Routes have a new 4 track 7" EP "Sonidos ZZumbantes del Surf Instromental" coming out on Spain's Ghost Highway Recordings. It contains four Buzzcocks songs, arranged as 60s instrumental surf bangers
In honor of the 60th anniversary of the release of Flashin' Red by The Esquires songseeds records has released a new EP by The Esquires containing all new tracks recorded in the past year.
In 1963 Rick Clingman and Durby Wheeler were transplanted from Ohio into the instrumental surf hotbed of Southern California. Both 14 years old at the time they were instantly mesmerized by the surf bands they heard at the Azusa Teen Club. Within a year they had The Esquires up and running. Rick took up lead guitar and Durby took up Bass Guitar. They recruited a rhythm guitarist and drummer and after a few months of gigging and practice, went into Pal Recording in Cucamonga and laid down the A side Flashin' Red and B side What A Burn.
The Esquires were late to the instrumental surf trend. The week Flashin' Red was nominated as Pick Hit of the Week at some of the local radio stations in S. Cal. The Beatles took the top of the charts and instrumental surf was no longer of interest to most radio music programmers.
In the '90s indie record company Dionysus struck a deal with The Esquires to re-release Flashin' Red and What A Burn and their versions of a number of instrumental surf covers.
Rick: "When Flashin' Red was released radio station KASK in Ontario invited us in to do an in-studio live concert. Part of the deal was that they would record it and give us the tape. That tape provided the cover songs for the '90s release by Dionysus."
Flash forward to 2023. Rick is still at it. Writing songs and recording under the artist name: songseeds.
Rick: "I had always been disappointed that we abandoned instrumental surf so soon. It was the music that inspired me to start playing guitar. The idea of doing a 60th Anniversary remake of the song really got me excited. Then, while working on the new arrangement for Flashin' Red, I discovered a couple of new surf song ideas were floating around inside my brain. Probably the songs I didn't get to write in '63."
In the spirit of the minor trend of covering TV theme songs, Rick put together the idea of doing an instrumental surf version of the theme from the Perry Mason show.
Rick: "I auditioned a lot of TV show themes then searched the internet to see if I could find a good one that hadn't been done in the instrumental surf style. The Perry Mason theme was perfect."
Also on the EP:
Dawn Patrol is a slower mellower surf song that reflects the early morning quest to find the best, uncrowded waves.
King Tide is about surfing the big tides that have been hitting the coasts and the energetic excitement is reflected in the uptempo arrangement.
Though not available to record on the new version of Flashin' Red, Rick recruited Durby to design the EP cover.
Rick: "Durby has been working with graphic design for many years and it was really great to have him do the design and layout for the EP cover."
The EP titled "Flashin' Red Again" is available on all the streaming platforms. Check it out.
https://distrokid.com/hyperfollow/theesquires/flashin-red-again
RECORDING TECH NOTES
Rick: "When I started the project the first thing I knew I needed was a Fender reverb unit. Found one of the '90s reissue models in great shape.
I used a 2002 American Deluxe Stratocaster on all of the leads and some of the rhythms and a 1980 Les Paul Custom on some of the rhythms.
Although I don't still have the '63 Strat I used on the original Esquires recordings (rats), I do still have my 1966 Fender Precision Bass and that's what I used on all of these tracks.
All of the guitar tracks including bass used the same input chain: Manley DI into an AMS Neve 1073 preamp into an Apogee Symphony audio interface and recorded with Logic Pro on a Mac Studio. No amplifiers or amp sims were used.
For drums I used Logic Pros built-in MIDI Drummer."
Brook Hoover plays guitar in The Surf Zombies, an Iowa based surf/instrumental/garage band. The interview was conducted by David Lilly.
David Lilly: What was it that led you to playing guitar? Do you play other instruments?
Brook Hoover: I received an acoustic guitar for Christmas when I was 14 and took lessons from a local guitar teacher. Sight-reading was going pretty slow, but I found I could match pitch from records, tapes and tv shows and that led to jamming with my friends in the basement and a life-long love of music. I play drums and bass in order to produce demos and song ideas. I also like to sing.
David: Keith Richards strongly encourages starting with acoustic. I understand what you’re saying about sight reading. Once I learned a song on clarinet, I didn’t need sheet music. I’ve rented electric guitar, electric bass and tried harmonica over the years. I’ve never stayed with anything though. I suspect that’s due to not having anyone to jam with. Do you enjoy playing by yourself just for the sake of playing and it being fun for you?
Brook: I live to explore and practice the most basic fundamental aspects of guitar playing. The hardware is pretty interesting too. I am especially fond of Fender amps. Just locating the notes on the fretboard and understanding the patterns is pretty therapeutic for me. I really think it is healing to listen to music as well as play notes. I study more complex excerpts of songs but can't remember much. I live to improvise and write.
David: What kinds of music do you like to play the most? Also, what or who do you like to listen to?
Brook: I love to dig in and play blues chords and try to fashion melodies, riffs and chords to fit chord progressions. Also studying basic jazz chords and progressions. Improvising and creating new music is probably my favorite thing to do. I also enjoy designing lessons for beginning-level students.
I listen to Iowa Public Radio (https://www.iowapublicradio.org/ ) for a variety of new and classic music that is under-represented by commercial radio. Also I have many old favorites that are the usual suspects of rock and blues pioneers. Anything from the 20's-current is something I'd listen to. I am fascinated by Jeff Beck. I spent the last few years obsessing over Los Straitjackets and The Damned. A lot of British stuff. Hard rock, Bowie, Iggy Pop and always The Ramones. Obscure local releases by my friends and colleagues in Iowa takes up a good amount of listening time. And then I have to review a lot of my own mixes and demos to try to remember them to finish them or perform them live is probably the bulk of what I listen to. Also IPR.
There is more to this story, continue reading ...
Zvuki Dedov, meaning Sounds of Grandpas, embraces the beauty of imperfection and the nostalgia of old technology. Inspired by stumbling upon a Tarantino movie OST CD as a child, this Eastern European artist embarked on a 10-year journey to discover the essence of 60s American music. The result is their latest single, "Volna" (The Wave), a revival of the surf rock genre that captures the timeless vibes of the past.
Headbang to the beat on streaming platforms:
https://distrokid.com/hyperfollow/zvukidedov/volna
Stomp the gas pedal for a post apocalyptic road trip unlike any other! 12 tracks of modern surf mayhem, with another classic Rude Commissions cover art masterpiece.
The visual story that started with an ink sketch on the cover of Hang Zen and a beachside rumble on the cover of Showdown, now explodes into a furious chase across a post-apocalyptic landscape on the cover of Road Trip. Musically, Road Trip blows up the wasteland with a road trip for the ages! Hot rods, motorcycles, and a desperate chase under the bloated sun of a dying world. Will our erstwhile monk escape to peacefully surf again, or will the gang catch up and learn a deadly lesson written in fire, steel and blood?
Buy it now - Link
This is the way.
Katoomba, The Blue Mountains, Australia - July, 2023 -
Kincaid and the Memetics release "Storm Front," our new garage surf-inspired sonic adventure.
It’s a blend of lo-fi and low brow production garage surf with 11-tracks.
Available on major platforms, the album beckons you!
Follow Kincaid and the Memetics on:
Instagram: https://www.instagram.com/kincaid_and_the_memetics/
Facebook: https://www.facebook.com/profile.php?id=100081270662207
Bandcamp: https://kincaid01.bandcamp.com/album/storm-front
Spotify: https://open.spotify.com/album/66EMQVdzTVxB47YYQY2P99?si=tO2RTWJQQNOc37TUyKD5kQ
Enjoy!
Patrick Kincaid
