Menu
Instrumental rock-n-roll review magazine New Gandy Dancer (NGD) issue 112, just printed, gives a four star (highest) rating to the Insanitizers' "Whimsical Surf Version Two" CD.
They write, "Frantic, fun & full of guitar rock originals ...Great tearing surf and driving instrumentals with some really nice covers secreted in there, like the theme from Alfred Hitchcock, "Mozart 40" and "The Sugar Plum Fairy" - all powered up of course!
"Dance Like A Robot" is a strong starter for ten, with its rollicking & rolling axes and "Waterboard Surfing" is a racey, wild surfer. "Hot Sauce" is a BIG sound reminiscent of Davie Allan's material or indeed The Ventures' "In Space" album. This set definitely can't fail."
Waka Jawaka is an interesting band. It definitely has the signature surf sound, but this isn’t tribal surf or even the surf music that makes you think of catching a wave in southern California. Rather, this band’s sound is surf infused with a lounge/exotica sort of sound. There is also a little rockabilly, particularly in the song “Salon Kitty,” which is a surf-lounge-rockabilly hybrid. I can say one thing for sure. I haven’t heard many songs that would fall into that category. This band throws another twist into the mix with “Fly Me to the Jaws.” This one has a guitar solo that sounds straight out of the 70s.
This band has a really clean sound. If they hit any off notes on this album, I sure didn’t pick them up. While some surf music is perfect for a night with a bonfire on the beach, this is really more suited to a dark bar lit with tiki torches while you sip on rum drinks (umbrella optional). If you ever found yourself in such a place and this band was playing, I have no doubt you would enjoy yourself thoroughly.
Bandcamp: http://wakajawaka.bandcamp.com/
Facebook: https://www.facebook.com/wakajawakaoficial
Free Download: http://www.mediafire.com/download/qdleoqmi0a133ou/Waka_Jawaka-Introducing....rar
The new 20 song CD release "Wild Surf Guitars" by the Insanitizers received awards from two CD review publications and top ratings from a third within the past month.
Indiemusic.co just recognized "Wild Surf Guitars" as a best new release among indie music of all genres (publication date June 3, 2013). Their review is here.
This is the conclusion of the review: If this was a throwback sixties beach film, and this band was the movies heroes, it’d wrap up like this: “The Insanitizers win this heat and take the tournament! The Insanitizers are new Kings of Wild Surf Guitars!”
Yeah; it’s like that.
"Cry of the Coyote" rock-n-roll CD review magazine published in France gave this CD the "Cry of the Heart" award with top ratings. They wrote, "this CD lives up to its title."
"New Gandy Dancer" instrumental rock CD review magazine rated this CD 4 of 4 stars and wrote, "busy surfing set with lots happening. It's rewarding to hear a group dedicated to their art...genuine 1960s surf guitars, bass and drums. The all-original songs are simply soaked in high twanging, reverbed guitars and easy to remember melody lines."
Available at DeepEddy.net , DWMMusic.com , and CDBaby.com/cd/insanitizers4
Microsoft does it, Apple does it, and now the Insanitizers have issued a revised version of their surf guitar CD "Whimsical Surf." Why revise? Because the Insanitizers found how to make their guitars sound both energetically edgy and gorgeous. Here is the first professional review of this new CD:
From “Cry of the Coyote” rock-n-roll CD review magazine published in France. Review received Jan. 4, 2013.
"Conrad Swartz's band decided to revisit the content of their previous album, while I await their next CD. This gives me the chance to appreciate the humor of such titles as "Polkzart" (the 40th symphony of Wolfgang Amadeus as a super fun polka), "Fantwango" (a rocking tango), and "Fowl ball" or "Beerocracy" (puns on "foul ball" and "bureaucracy"). I rediscovered versions of "Sugarplum" ("Dance of the Sugarplum Fairy" by Tchaikovsky) which rocks well and of "Puppetor" ("Funeral March of a Marionette" by Gounod) in flamenco rock style. They added supplementary guitars, changed the solos on some songs, and concocted new arrangements and new melodies on others. I was thrilled by the first version, but the second is even more rockin’ and the guitars gallop. Everything on this album is a keeper, what a great time for fans of rockin' surf!"
"Whimsical Surf Version 2" CD by the Insanitizers is now available at DeepEddy.net and CDBaby.com/cd/insanitizers3.
The BBs had a hit with Kokomo in 1988 and they represented the USA when foreign troops (America, France, Russia, Great Britain) left the city of Berlin after the reunification of our country.
The band toured regularly our country, but this time it was different.
In Berlin there were nearly 10.000 people, in Stuttgart 8.000 and in Moenchengladbach (open air, at 6 o ´clock it strarted raining) 6.000
What was suprising to me was the articles afterwards, which were written by someone who knows the history of the BBs.
The hassle of Brian and Mike about Smile, the never ending "No. 1 Surfing group in the country" image, the "better" productions like "Some Music To Your Day" from the early 70s, lots of old stuff but none hits like Our Cra Club (flipside of fun, fun,fun however) and so on and so forth.
The death of Dennis (drowning accident-not mentioniong his drinking and drug abuse) and of Carl (lung cancer after smoking too much in his life) were mentioned.
I remember concerts when Feel Flows, The Trader had been highlights sung by Carl,
Cool Cool Water and other sophisticated songs were done without Brian, even the disco version of "Here Comes the Night" was done perfectly live.
The concerts with 50 songs had all what you needed, so an encore wasn´ t necessary.
Brian seemed to be nailed to his chair at the piano - how long will he live??
Until he dies (from his song "Until I Die"!).
Once someone in the audience in New York asked "Where is Brian"?
Mike answered: "Brian is in the songs!" How true this is.
Party talk some 10 years ago: "The best concert I ever saw was that of the Beach Boys!" I asked "when was that?"
Answer "In Essen in 1966!!
I hope a fine dvd will be released later this year to witness the best of 50 years!
Ruediger
New Gandy Dancer - Issue 97: "All originals little album Stateside . . . and this is the sound we like! Crystal clear, sixties style playing on stuff we haven't heard before. Bit of Ventures, bit of surf but in a flow of their own. Well performed and written (did I say all originals?), the best track of which is "Link Man" a rousing 12 bar delivered with panache. **** (Davy)
I’ll try to keep this brief…Put the top down, set the cruise control & hit the open road with Mister Neutron’s newest CD - Nor’easter. Here are my favorite picks and my thoughts on the latest Mister Neutron arrival…
Nor’easter opens with an acoustic duet by Damien Fanelli and guest Mike Caro performing The Big Island. This is an amazingly beautiful piece that shows off the depth of creativity of the composer. Thank you for breaking out of the Jersey barriers that so many seem to want to put around surf bands today. I could definitely get used to this new type of composition from Damien. Mike Caro also makes an appearance on Vlad The Impaler adding an eerie sounding organ to the surf cocktail.
There is more to this story, continue reading ...
Los Kahunas: "Otro Reverberante Encuentro con..."
2007 Oleoducto discos / No Fun records
The newest release from Argentina's Los Kahunas has arrived just in time for the New Year. "Otro Reverberante Encuentro con: Los Kahunas" (according to my girlfriend: "another reverberated encounter with...") shows great variety, while still retaining the Kahuna's signature sounds. Big Papu's Jazzmaster can be heard on guitarra lida (lead guitar), Antonio Carlos plays his chiming Danelectro guitarra ritmica (rhythm guitar), Alexis B. keeps the beat on his Slingerland kit and new addition Damian Baldi walks the bottom end on his Danelectro bajo (bass). Additional musical guests help round things out on contrabajo, solo de guitarra, organo and guitarra acustica.
The disc begins with the rambunctious 6G15: yes, finally, a surf tune dedicated to Leo Fender's legendary stand-alone reverberation circuit design designation number. 6G15 has a unique and memorably discordant melody line (you'll know the note I'm talking about when you hear it!) followed by some killer DickDale-ness and ultimately ends with a crashing kick straight to the unit! Excellent drums by Alexis B. throughout this tune.
There is more to this story, continue reading ...
I'll confess, when I first heard it, i didn't think I would really like this album. I don't know, it just seemed so . . . "different". But then after giving it a few more listens, I realized that the inventive melodies and irresistable hooks had already begun working their way into my subconscious. Unexpectedly, through the day a tune might pop into my head and be playing in the back of my mind. You know the feeling? I'd think, "now where have I heard that? . . . some classic 60's song I've heard a million times?---No, wait . . . it's from the 'Verb album!".
That's when I knew I was in trouble. Almost without exception, the albums I now find I can't live without have affected me this way, and The 'Verb's "Reverberated For your Pleasure" is now in that catagory.
This album is almost epic in its scope, and ambitiously conceived. These are finely crafted pop compositions that almost masquerade as 'surf' tunes. To be sure, many do fall very solidly into that genre. Fans of dripping reverb, glissando and surf beats (and aren't we all?) will have plenty here. But there is also so much more going on. The sheer volume of melodic content is astonishing. The 'Verb apparently have ideas to burn and seem to lavish them more generously on a single song than some bands do on an entire album. Often I get the impression that these are instrumental versions of songs that originally had lyrics. To listen to this album from beginning to end is to be taken on a "musical journey" (if you'll pardon the cliche) through a mini history of modern instro/pop music. Yet while I think I can detect influences, they are so filtered through The 'Verb's unique approach that they are transformed into something new. Here are some song by song impressions:
There is more to this story, continue reading ...
