Photo of the Day
Shoutbox

SHADOWNIGHT5150: Bank accounts are a scam created by a shadow government
266 days ago

sysmalakian: TODAY IS MY BIRTHDAY!
252 days ago

dp: dude
233 days ago

Bango_Rilla: Shout Bananas!!
188 days ago

BillyBlastOff: See you kiddies at the Convention!
172 days ago

GDW: showman
123 days ago

Emilien03: https://losg...
45 days ago

Pyronauts: Happy Tanks-Kicking!!!
38 days ago

glennmagi: CLAM SHACK guitar
24 days ago

Hothorseraddish: surf music is amazing
4 days ago

Please login or register to shout.

Current Polls

No polls at this time. Check out our past polls.

Current Contests

No contests at this time. Check out our past contests.

Donations

Help us meet our monthly goal:

29%

29%

Donate Now

Cake January Birthdays Cake
SG101 Banner

SurfGuitar101 Forums » Surf Musician »

Permalink Dick Dale and Left-Handed Picking Dynamics

New Topic
Goto Page: Previous 1 2 3 Next

IvanP wrote:

Is trying to learn the subtleties of another guitarist's style incompatible with having your own style?

Not at all, but why re-string your guitar for that?

SurfBeat wrote:

Chris: My Showmens song list contains 52 songs of which I think six of them are Dale's and most of the remaining are vocals-R&B tunes from the late fifties. On that note, my band is not a whole Dick Dale show, it is but a small part.

But you do string your right hand guitar upside down, don't you? May I ask you to specify why you do this, as I don't seem to comprehend due to several reasons.

The Hicadoolas

JakeDobner wrote:

Let us not forget that Dick doesn't double-pick like most of us do. I, for example, play straight 16ths and am quite accurate and practiced at it.

Dick, almost plays triplets at time. Whether or not this is intentional or not I have no idea.

I'm pretty sure it is intentional (see video below). As I understand it DD has a certain number of rhythmic patterns, which he spontaneously "drums along" to the melody he plays. For me playing straight 16th (with a few accents along the way) is way easier than this, but that's probably just me. Wink

Los Apollos - cinematic surf music trio (Berlin)
"Postcards from the Scrapyard" Vol. 1, 2 & 3 NOW available on various platforms!
"Chaos at the Lobster Lounge" available as LP and download on Surf Cookie Records!

SanchoPansen wrote:

I don't seem to comprehend due to several reasons.

LMAO

image

I don't understand why some people are so astonished that someone who deeply loves Dick Dale and wants to understand how he gets that sound would string his guitar like Dick and play through a cranked Showman and reverb unit, even if just for a day or two. When something really strikes you in the heart, sometimes the inner geek takes over and you obsess about it. You dig into it and you figure it out. How is that any different than having 74 pages about the Surfy Bear reverb unit? Or all the other things discussed in great minutia here? It's nerdery and it should be celebrated. Smile

And figuring out how other people do stuff doesn't necessarily mean you are copying them. It depends on where you go from there. You are just learning from them. Maybe you copy them or maybe you just learn what they are doing to inform your own understanding. Or maybe you just use the bits that mean the most to you and adapt others. Everyone is doing that to some degree or another.

Site dude - S3 Agent #202
Need help with the site? SG101 FAQ - Send me a private message - Email me

"It starts... when it begins" -- Ralf Kilauea

I used to be a hardcore MoAM? fanboy and I absolutely understand geeking out about stuff like that. Bought a Mosrite, Vibrolux, learned to play like StarCrunch, etc. All in all something that brought me forward in the long run. So yes, copying styles/people can help to form your own style - everybody has his influences, or roots.
But I still don't get the point of stringing the guitar 'the wrong way'. Sorry. The way they are intended to be played is so much easier, makes more sense across the fretboard and I don't understand why someone would go through all this struggle. Maybe SurfNeat can shed some light on the whole thing?

The Hicadoolas

IMHO ... DD always claims to play in the most natural way he can ... re-stringing upside down a right handed guitar is not natural so ... if The King inspires you to play one thing is to understand and appreciate his natural talent and one completely different thing is trying to achieve by "studying, practicing and even taking classes from him" that natural talent. You choose the way to go ... no wrong way here, but I rather prefer to develop what nature gave to me.

When you have to shoot ... shoot! Don't talk.
"Los Grainders" www.facebook.com/losgrainders
"Planeta Reverb" www.facebook.com/planetareverb

Last edited: Jan 31, 2017 09:01:19

Perhaps the missing piece of the puzzle is the fact that many fans of DD are middle aged or older and have multiple guitars. So why not restring one for an experiment? I'm still thinking about taking one of mine and putting on all E strings alternating between octaves.

Danny Snyder

"With great reverb comes great responsibility" - Uncle Leo

Playing keys and guitar with Combo Tezeta

Formerly a guitarist in The TomorrowMen and Meshugga Beach Party

Latest surf project - Now That's What I Call SURF

Or tune them all to the same E!

The Hicadoolas

Emilien03 wrote:

... re-stringing upside down a right handed guitar is not natural so ...

As a Brit I could say it isn't natural to drive on the right hand side of the road - yet so many countries persist in doing it..Guitars aren't "natural" - they are man made and probably started out with 4 strings - so is it natural to have 6? What about alternate tuning - it that not natural? At the end of the day people are free to string their own guitars how they like - we should just celebrate people who want to make music
Smile

Wherever you go, there you are

http://rogerfowles.co.uk/
https://www.youtube.com/watch?v=yKUsTNis44w
https://www.youtube.com/watch?v=HKauwombaC8

JakeDobner wrote:

Let us not forget that Dick doesn't double-pick like most of us do. I, for example, play straight 16ths and am quite accurate and practiced at it. Dick, almost plays triplets at time. Whether or not this is intentional or not I have no idea.

I agree with Simon, it is absolutely intentional. And he only does it sometimes, that's not what he's doing in something like Hava Nagila, The Wedge or Night Rider, for my money his greatest double-picking tracks.

I don't meant that as a knock to Dick he is one of the most important musicians of the 20th century. He influenced a lot of important musicians and his music holds up until today. My point is more that us/we today are a little too practiced at our double-picking. Technology and time has worked together to have raised the bar so far with 'rock and roll' guitar. Remembering that Dick was a big time progenitor.

I know you're not knocking Dick, Jake, but I strongly disagree with this. As someone that has paid a lot of attention to double-picking and worked on it a great deal for many years, I'm 100% convinced that NOBODY has ever matched Dick in double-picking when he was at his peak, '63-'64. No one has had the accuracy, the speed, the inventiveness, the aggression and the tone all in one package the way he did. He is the master, and ALL of the rest of us are still just pupils. I strongly suspect that nobody ever will match him, either. There's very cool stuff that other surf guitarists have done, both his contemporaries and the moderns guitarists that has gone way beyond what he did - but not with double-picking. He IS The King - and forever shall be!

Ivan
Lords of Atlantis on Facebook
The Madeira Official Website
The Madeira on Facebook
The Blair-Pongracic Band on Facebook
The Space Cossacks on Facebook
The Madeira Channel on YouTube

Okay, let me speculate a little about one possible advantage one might get from stringing his guitar upside down: The lower a string is located in respect to the players body the less he will have to angle his wrist for double picking, if he is picking with his lower or his whole arm like DD. With upside down tuning you have the string lowest, for which you need the most strength, and the one highest, which needs the least.

Los Apollos - cinematic surf music trio (Berlin)
"Postcards from the Scrapyard" Vol. 1, 2 & 3 NOW available on various platforms!
"Chaos at the Lobster Lounge" available as LP and download on Surf Cookie Records!

just reading the words "Night Rider" hurts my forearm.

-Pierre
The Obsidians! (Ottawa surf)
The Obsidians debut EP

Laughing

Los Apollos - cinematic surf music trio (Berlin)
"Postcards from the Scrapyard" Vol. 1, 2 & 3 NOW available on various platforms!
"Chaos at the Lobster Lounge" available as LP and download on Surf Cookie Records!

One thing that I can almost guarantee will never be duplicated is The Wedge from The Tigers Loose. Especially the intro. I've never heard anyone produce that much speed, accuracy and dynamics. My jaw dropped the first time I heard it.

The Kahuna Kings

https://www.facebook.com/pages/The-Kahuna-Kings/459752090818447

https://thekahunakings.bandcamp.com/releases

simoncoil wrote:

JakeDobner wrote:

Let us not forget that Dick doesn't double-pick like most of us do. I, for example, play straight 16ths and am quite accurate and practiced at it.

Dick, almost plays triplets at time. Whether or not this is intentional or not I have no idea.

I'm pretty sure it is intentional (see video below). As I understand it DD has a certain number of rhythmic patterns, which he spontaneously "drums along" to the melody he plays. For me playing straight 16th (with a few accents along the way) is way easier than this, but that's probably just me. Wink

I hadn't seen this video before but it's classic Dick ...bopping from topic to topic claiming he invented everything . I didn't know he invented the echoplex ! Busy guy ....

Wow, lots of good input, advice and opinions with the exception of SurfBeat. Frankly his comments seemed condescending, nonsensical and smarmy.
Suggesting that Ivan "focus on your own personality" is really laughable. There's not many folk in the modern Surf realm that have made an impact like Ivan and The Madeira and their catalog of original music is unparalleled imho.

Restringing a guitar upside down is impractical for me. I value the muscle memory that I've developed over the years and it would likely be a counterproductive endeavor I fear.
Kind of like playing 16s would be foolhardy for me as well.

The upstroke vs down-stroke thing is definitely something I keyed in on and practice. As mentioned DD's timing is also something to pay attention to.
Ironically I find DD's slower tunes more interesting. His playing on Esperanza & Taco Wagon (especially live) really displays a lot of the subtle nuance that impresses me, where as his faster songs are actually easier for me to play and mimic.

As far as "tributes" go, I really like the 1 off tribute sets. I got to see an Astronauts tribute set at one of the Instro Summits and it was a blast! The fellows really did an amazing job. Keep doing them I say.
I kind of think most all of the dedicated Surf / Instro players are paying "tribute" on some level, likely more to the genre than a particular guitarist / band.

Personally, there's only two Surf / Instro guitarists that I keep coming back to over and over; Dick Dale and Link Wray. I love many other Surf bands and songs but DD & LW seem to hold my attention in perpetuity.

Based on all the input and my own experience I think it's fair to say that replicating DD's playing to a T is impossible, but that really isn't my goal. Just trying to capture what I can and if somebody else can provide some advice or a heads up that'd be great.

METEOR IV on reverbnation

Las_Barracudas wrote:

Wow, lots of good input, advice and opinions with the exception of SurfBeat. Frankly his comments seemed condescending, nonsensical and smarmy.
Suggesting that Ivan "focus on your own personality" is really laughable. There's not many folk in the modern Surf realm that have made an impact like Ivan and The Madeira and their catalog of original music is unparalleled imho.

Mr. Barracuda, I take umbrage over your significant misrepresentation of my statement, so I am calling you on it. Boy am I glad on logged on today.

Under normal circumstances, because I was raised to show respect to others and in consideration of my vocation, I would have just sent you a personal note pointing out your misrepresentations, however, because you made your statement public, coupled with the more significant matter that I DID NOT make a negative comment about Ivan, nor any other band on this site, I will take the lead you started.

As a matter fact, if you take the time to look at threads I have posted about Ivan, and others, you would clearly see I have always complimented his talents, as well as others. In fact, having performed on many occasions with Jim Messina, I've told Ivan several times during the past year he did a fantastic job copying Jim's material at SG. Ask Ivan if you can't find the post.

Giving you the benefit of a doubt that you innocuously misunderstood my post, to clear the matter up for you, and possibly others that read your erroneous post I offer the following.

Shortly before I wrote the post I had just attended a musician/vendor conference where about 75% of the performers were from copy-cat bands, Beatles, Hendrix, Jeff Beck, Clapton, and a multitude of other acts. The few other bands who were in attendance that did not dress up like the individuals mentioned got little, if any attention.

Mr. Barracuda, my comments were focused specifically on those types of bands that have proliferated venues, thereby making it almost impossible to compete against for gigs. My comments were unrelated to Ivan or any other band on this site, or anyone who has performed at a SG festival and were performing representations of SURF bands from the past.

Although I have never been asked to perform at an SG event, nor likely would my Showmen be called upon to perform at one because my Showmen play Hodad music, not 100% surf, I can fully understand why bands who do perform there, like, Ivan, maybe the boys from the Aqua Sonics who I tried to fill a spot at a recent music festival, do a tribute set to a specific band. It is a surf music festival.

It has been argued that I could do, or just do, Dick Dale's music. That is not a fact, At least 1/2 of my song list is composed of vocals, 1/5 Dales, the rest originals or music from the Astronauts, Genteels, Wailers, Tornadoes, etc. For that reason, I don't tribute anyone, but I don't denigrate anyone here who does.

Now get off my back and apologize.

Last edited: Feb 02, 2017 16:33:04

stratdancer wrote:

One thing that I can almost guarantee will never be duplicated is The Wedge from The Tigers Loose. Especially the intro. I've never heard anyone produce that much speed, accuracy and dynamics. My jaw dropped the first time I heard it.

I completely agree, that was truly incredible picking!

METEOR IV on reverbnation

Oops! Embarassed I didn't expect to start an argument! Sorry about that. Gentlemen, it's all OK. SurfBeat has indeed been very complimentary towards my playing in the past, which I greatly appreciated. It appears that he has not kept up with modern surf music, but I certainly can't blame him for that. It's a bit of a different animal and won't be to everybody's taste - and I'm sure most first-wave surf musicians' tastes have also changed a great deal over the past 50 years. It's very nice that he still posts and shares his reminisces with us.

And thank you for your extremely kind compliment, Las Barracudas!

Finally, re: tribute acts. I think Danny was correct above that some of us were conflating one-time tributes to professional tribute bands. SurfBeat wasn't putting down the former, only the latter - and with his new comment, I can completely understand why. I'm sure we're all aware that there's been a proliferation of classic rock cover bands, which is a bit sad to see, no question. But then, probably most of us here are over 40 and would agree that much of the popular music of the past 20 years leaves a lot to be desired! (Damn kids, get off my lawn!) So, maybe the tribute acts are warranted! Smile Still, it is frustrating and sad, and it's certainly not something a musician should do as his/her primary gig. But I don't think SurfBeat was putting down (though I did understand him that way initially) our little tribute sets at the SG101 convention. He WAS extremely complimentary about the Messina tribute, so clearly there are some tributes he likes! Smile

Anyway, it's all good, I was not insulted nor even annoyed at any point. Thank you all for your compliments again! Now, back to the dilemma: restring and retune like DD - OR all Es, like Danny! Big Grin

Ivan
Lords of Atlantis on Facebook
The Madeira Official Website
The Madeira on Facebook
The Blair-Pongracic Band on Facebook
The Space Cossacks on Facebook
The Madeira Channel on YouTube

Interesting thread, at least the parts about DD's double picking. I agree with Ivan. DD double picks like no one else. He has a fluidity that feels right. The way he can transition from standard picking to double picking, use the dynamics and timing. It never feels forced or worked.
Maybe the upside down stringing may have a minor part, but I think its more to do with the brain and central nervous system: natural born ability.

Goto Page: Previous 1 2 3 Next
Top