Hi new to this forum. ANyone have an expierence using the Danelectro DSR-1 Spring King Spring Reverb. I need a good surf reverb unit on a tight budget. I have about 100-140 to spend. This one seem to get good reviews. Thanks in advance.
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Joined: Nov 10, 2000 Posts: -180 |
Hi new to this forum. ANyone have an expierence using the Danelectro DSR-1 Spring King Spring Reverb. I need a good surf reverb unit on a tight budget. I have about 100-140 to spend. This one seem to get good reviews. Thanks in advance. |
Joined: Mar 01, 2006 Posts: 83 San Diego |
I have one. I have it only for a backup. It can be pretty surfy, but it's no Fender reverb. My ear liked it better than the Holy Grail which a lot of people like. The Holy Grail just didn't sound right to me when I muted the strings. But, if you can hold your GAS for a while, I'd really recommend trying to save a little more and get a reissue Fender reverb. There really is no substitute. Rick |
Joined: Feb 26, 2006 Posts: 12159 Seattle |
You can find a used Fender Unit for $300. |
Joined: Nov 10, 2000 Posts: -180 |
hi, excuse my ignorance. Are the Fender's "pedals" or are you talking about using the reverb built in a fedor amp? |
Joined: Feb 27, 2006 Posts: 1054 Chicago IL. |
They are talking about an actual Fender Reverb unit. Remember the Bassman, Bandmaster and Showmans, which are traditionally known for being surf amps lack reverb. So... Leo Fender came out with a tank you plug into the amp, inbetween the guitar. If your just getting into surf this will soon consume your life...and there's the whole debate whether or not to get a reissue or a vintage one. Here's mine. She was built in 1964, and I like to think Leo had his hand on her at one point. —"as he stepped into the stealthy night air... little did he know the fire escape was not there" https://www.facebook.com/reluctantaquanauts/ |
Joined: Apr 03, 2006 Posts: 107 |
yea i just got one yesterday, i really like it, very surfy and i also like using the tone knob with a small amount of reverb to brighten/darken the tone and the way the volume knob works is cool (changes much of the signals goes thru the springs) |
Joined: Nov 10, 2000 Posts: -180 |
would the danelectro hold me over until i get really hardcore into the surf thing? My amp is very good, but the reverb was not ment for surf by any means. |
Joined: Apr 03, 2006 Posts: 107 |
well i will say as someone just getting into surf, it suits me very well, so probobly yes. i think for a beginer 300 bucks is way too much to spend on an effect |
Joined: Feb 26, 2006 Posts: 3546 mojave desert, california |
stigger108: I think that a Spring King will do a real good job to get you going into the surf reverb sound...but, eventually, if you end up digging the reverb, then I'm pretty sure you'll be looking for a Fender Reverb Unit. When I started playing, I had a stand-alone St. George Reverb unit: a made in Japan transitorized thing...but, it worked okay to get me reverberated. Also, I had a Boss Digital reverb pedal...kind of sterile sounding, not really what I was looking for, but it did produce some reverberation-like sounds. Also, I used a Boss digital delay pedal...but, still not really "that" surf sound...more like a U2 / Edge type sound. Once I got the '63 re-issue Fender tube reverb unit, I was hooked...
good luck, Last edited: Apr 15, 2006 17:36:17 |
Joined: Feb 27, 2006 Posts: 1054 Chicago IL. |
Reverb is like scoring H, you'll need it more and more, and it starts off with a little pedal and becomes a full blown tank obsession. —"as he stepped into the stealthy night air... little did he know the fire escape was not there" https://www.facebook.com/reluctantaquanauts/ |
Joined: Nov 10, 2000 Posts: -180 |
yeah i see the reissue reverb unit on musicans friends website for reasonable coast. There is no way I can afford the vintage ones. Some fender amps such as the twin reverb have built in, do you still need the reverb unit if you have a good fender amp with built in reverb? |
Joined: Feb 26, 2006 Posts: 12159 Seattle |
The built-in reverb is good but it is nowhere near as good as a reverb unit. |
Joined: Feb 25, 2006 Posts: 19286 Des Moines, Iowa, USA |
If you want that classic surf sound you must have an outboard reverb unit. It provides gobs more reverb than built-in units. Edit: There are a few exceptions. The Fender custom shop amps (Vibro King and Dual Pro) had outboard units built into them. —Site dude - S3 Agent #202 "It starts... when it begins" -- Ralf Kilauea |
Joined: Feb 27, 2006 Posts: 25561 Anaheim(So.Cal.)U.S.A. |
It depends on the sound you are going for. But also depends on when you get in a band, on if you play Lead or Rhythm, some bands like the Eliminators have tons or reverb on the Lead, and very little on the Rhythm. Which is ok, but not really the way I like trad surf to sound. This coming from a revebless bass player of course Jeff(bigtikidude) |
Joined: Feb 26, 2006 Posts: 3546 mojave desert, california |
Reverb sounds good on some bass parts, I like to use it on the Danelectro six-string bass... Duane Eddy, right? -dp |
Joined: Feb 26, 2006 Posts: 3546 mojave desert, california |
...ebay is a good source for the re-iss Fender 'verb... I got mine off of the ebay for approx. $300...works great, looks great... -dp |
Joined: Mar 04, 2006 Posts: 52 Encinitas, CA |
Playing live or recording, I have never put reverb on my bass...that would be called "conventional wisdom". "Lead" bass parts, however, could be fair game for some FX (reverb or whatever). Perhaps like some of the parts Victor Wooten has laid down on his albums. ~ Jonathan |
Joined: Feb 26, 2006 Posts: 250 Port Fierce, Florida |
Man, you ain't kiddin. I started out with the onboard reverb suiting me just fine. Then I picked up a cheapo Slap-Echo pedal, as I was getting into the rockabilly thing more. By the time I was approached with the idea of starting.joining a surf band, I figured I could "make-do." Try as might, the drip wasn't there, so I looked into having the amp itself modded to make the reverb wetter, but it wasn't worth it. I bought a Peavey Valverb for $150, which I liked alot, but as a rack unit, it wasn't the most practical thing to use on a stage (not having or wanting any other rack effects). I sold it and bought a Fender RI reverb unit - bingo. Replaced the tubes with NOS....even better. Then our rhythm guitarist had to go and get herself a real '65 unit... My apologies to the original poster shopping for a Dano Spring King for continuing to derail this thread....but I was you once. Skip the middle steps, save another buck-fitty or so, and get the tank. — |
Joined: Nov 10, 2000 Posts: -180 |
is it essential to replace the tubes on the Fender with NOS? How much does this modiication coast? Is it ewasy to do the instal yourself? |
Joined: Feb 26, 2006 Posts: 3546 mojave desert, california |
stigger: the tube swap mod is NOT ESSENTIAL... the re-issue reverb unit sounds great straight from the factory...but, the sound of the re-issue is not 100% "vintage" to many people's ears. Part of this phenomenon seems due to modern construction techniques and components. The re-issue reverb has three tubes: a Fender 6V6 driver tube, a 12AT7 tone tube and a 12AX7 (or 7025) reverb recovery circuit tube. (All the Fender label tubes are Chinese or Russian produced, I believe) Additionally, the re-issue has a modern-style circuit board and capacitors rather than the "hand-wired" circuitry and vintage-style capacitors of the vintage tank. As I mentioned, many like the re-issue's sound straight from the factory. Some say the re-issue is "brighter" and has a little less "drip" or "boing" than the vintage unit. Some say the "depth" and "warmth" of the vintage tank surpasses the performance of the re-issue tank. Part of the difference between re-issue and vintage units seems to lie in the re-issue unit's factory tubes. The tubes in the re-issue are different values from the old-time vintage unit, mainly due to modern tube availability. The vintage unit had American made GE or RCA tubes: one 6K6, one 12AT7, and one 12AX7 (aka 7025). The swap from the re-issue Fender 6V6 to the NOS GE 6K6 seems to add "depth" and "warmth" to the sound of the re-issue unit. Additionally, swapping out the Fender 12AT7 and 12AX7 for two NOS 12AT7 tubes seems to mellow out excessive (and some say, annoyingly harsh) highs, especially at louder playing volumes. The tube modification is subtle...but, if vintage tone is what you seek, then a tube swap DOES produce results (at least to my ears.) I swapped my stock Fender re-issue 6V6 tube with a NOS GE 6K6 with excellent results. You can still find GE and RCA 6K6 tubes on ebay, and at tube retailers online for about $10-$12. Installation is easy: simply remove the old tube from its socket, and replace with the NOS tube. Just be careful not to break anything (tube, socket, pins etc.)...the procedure is as easy as replacing a lightbulb. I use a rag to grasp the tubes, the oil and dirt on your hands can leave smudges on the glass that can develop into "hotspots" on the tube. The tube and the socket have a center "guide pin" that guarantees proper pin/socket alignment. I also swapped out the stock 12AT7 and 12AX7 for two NOS Mullard 12AT7 tubes...and the tone of the unit again improved subtly. Smoother balanced tone overall. The Mullards were a little costly, about $15 each. The 12AT7 and 12AX7 tubes are smaller tubes without a center guide post, just be careful to match up the pins to the socket correctly (the tube has a one-pin "gap" that matches a coresponding "gap" in the socket) I like the NOS GE tubes, they sound great, and they are still relatively easy to find...often they still come with the original box! The Mullards sound great too, but they are becoming "premium" tubes...and they sport a premium pricetag. Many here seem to like RCA tubes, but I haven't really tried those out myself. There are lots of tube makes available out there: groove tube, sovtek, phillips, sylvania, telefunken, ruby tubes, svetlana etc. All have assorted merits: price, perfomance, availabilty, authenticity etc. However, the GE, RCA and Mullard tubes seem most popular makes around these parts. There is a capacitor modification that can be performed on the re-issue tank...but, I haven't tried that. Perhaps someone out there who has performed the "cap mod" will chime in?... There are also several "re-issue Fender reverb unit modification guides" out there on the web...but, I will let someone else chime in on that topic, too So, in conclusion, I would say that the tube swap is easy to do and relatively inexpensive (less than $50)... it's not an essential modification, but it does produce satisfying sonic results. good luck, Last edited: Apr 16, 2006 00:19:05 |