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SurfGuitar101 Forums » Gear »

Permalink Any Squier Bass VI Lovers?

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kleptolia wrote:

I love my Squier Bass VI. It’s a tobacco burst, and I have no plans to paint it. I’m going to leave it stock. I think it would be interesting to have a band with no actual bass guitar, but use the Squier in place of the traditional bass section. The way it distorts is quieter than a regular guitar, but thicker than a bass. You don’t need to add extra fuzz to get it to break heavily. I think that opens the possibility for some unique timbres in a 3 or 4 piece band.

I’ve used one as a bass, and it is up to the task. It takes a degree of adjustment in technique, but you can get into Jazz Bass territory, fairly easily.

The artist formerly known as: Synchro

When Surf Guitar is outlawed only outlaws will play Surf Guitar.

I love the idea of a Bass VI and probably had a few different makes over my lifetime (Squier, Fender, Burns) and sold them every time.

For me, it's an instrument that doesn't really know what it is. It's not a Baritone guitar and it's not really a six string bass. I don't find it unique enough as a tonal palette. But maybe the question was more aimed at who actually loves them Smile

surfbulleit wrote:

I love the idea of a Bass VI and probably had a few different makes over my lifetime (Squier, Fender, Burns) and sold them every time.

For me, it's an instrument that doesn't really know what it is. It's not a Baritone guitar and it's not really a six string bass. I don't find it unique enough as a tonal palette. But maybe the question was more aimed at who actually loves them Smile

I know what you mean. It’s an interesting instrument, but its identity is a bit nebulous. The first time I heard of a Bass VI, was seeing it in the 1967 Fender catalog, and as a fairly new guitar student who wanted to double on bass, I thought that this was great, a bass which would be perfectly familiar to a newly minted guitarist. Of course, at that point, I knew very little about bass playing, and didn’t understand that the upper two strings on a VI wouldn’t be very useful for playing an actual bass part.

I see the Bass VI as a viable bass, if you use multiple pickups simultaneously and perhaps roll the tone back slightly, but it’s not my first choice as a bass. It lacks the heft of a P-Bass, Jazz Bass or even a Mustang Bass. The string spacing is very tight, and it’s not as easy to play as a bass, as it is with a pick.

What I have concluded, regarding the VI, is that it’s at its best when it’s used as what it actually is; an oversized Jaguar tuned an octave below standard guitar pitch. It works great as a lead instrument in the bass range. It has a nice twangy nature, and works well for Instrumental Rock and Country. You can choke it back easily, with the tone control, if you want something darker, but that’s not its greatest strength.

The artist formerly known as: Synchro

When Surf Guitar is outlawed only outlaws will play Surf Guitar.

synchro wrote:

surfbulleit wrote:

I love the idea of a Bass VI and probably had a few different makes over my lifetime (Squier, Fender, Burns) and sold them every time.

For me, it's an instrument that doesn't really know what it is. It's not a Baritone guitar and it's not really a six string bass. I don't find it unique enough as a tonal palette. But maybe the question was more aimed at who actually loves them Smile

I know what you mean. It’s an interesting instrument, but its identity is a bit nebulous. The first time I heard of a Bass VI, was seeing it in the 1967 Fender catalog, and as a fairly new guitar student who wanted to double on bass, I thought that this was great, a bass which would be perfectly familiar to a newly minted guitarist. Of course, at that point, I knew very little about bass playing, and didn’t understand that the upper two strings on a VI wouldn’t be very useful for playing an actual bass part.

I see the Bass VI as a viable bass, if you use multiple pickups simultaneously and perhaps roll the tone back slightly, but it’s not my first choice as a bass. It lacks the heft of a P-Bass, Jazz Bass or even a Mustang Bass. The string spacing is very tight, and it’s not as easy to play as a bass, as it is with a pick.

What I have concluded, regarding the VI, is that it’s at its best when it’s used as what it actually is; an oversized Jaguar tuned an octave below standard guitar pitch. It works great as a lead instrument in the bass range. It has a nice twangy nature, and works well for Instrumental Rock and Country. You can choke it back easily, with the tone control, if you want something darker, but that’s not its greatest strength.

Couldn't have said it better myself! I agree with the summary and conclusion Smile

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Last edited: Jan 31, 2024 15:32:23

I got the first Squier reissue a few years ago. Was great right out of the box but I restrung it for baritone A-A and it smokes. Love it through my Fender Excelsior w/tremelo!

ZoukBoy wrote:

I got the first Squier reissue a few years ago. Was great right out of the box but I restrung it for baritone A-A and it smokes. Love it through my Fender Excelsior w/tremelo!

That would be a great amp for a VI.

The artist formerly known as: Synchro

When Surf Guitar is outlawed only outlaws will play Surf Guitar.

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Last edited: Jan 31, 2024 15:27:54

Tqi wrote:

synchro wrote:

ZoukBoy wrote:

I got the first Squier reissue a few years ago. Was great right out of the box but I restrung it for baritone A-A and it smokes. Love it through my Fender Excelsior w/tremelo!

That would be a great amp for a VI.

It really would! I'd worry a little bit about an open back guitar cab for it though, but that IS what the strangle switch is for, right? Very Happy

The Strangle Switch is a great secret weapon, and a perfect tool for making a Bass VI even more unique.

The artist formerly known as: Synchro

When Surf Guitar is outlawed only outlaws will play Surf Guitar.

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