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SurfGuitar101 Forums » Gear »

Permalink Surf with humbuckers

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JakeDobner wrote:

PrestonRice wrote:

JakeDobner wrote:

Well, so is somebody with a single coil guitar and fender amp as well. Copying gets one nowhere.

It worked for Dick Dale and the Ventures.

I don't like the Ventures, and I hardly think we can accuse Dick Dale of copying!

Dick copied like hell. He had some originals, but tbh, his best songs were his covers and renditions.

IMO.

horax wrote:

The Ventures are great, IMO. ;)

Not a fan. I just don't like their sound, and the fact that they have written hardly anything in the span of their many, many years, bugs me a little.

IMO.

The Ventures weren't about song writing. If you dislike them because of that I think you're totally missing the point on why they were so influential and you're missing out on some fantastic records.

I see Jake's point about copying. You should always try to come up with originals. But I'll admit it here every surf song I ever wrote is a copy of something else. It's surf music. Even the original stuff borrows heavily from it's influences. At least the more traditional surf that I like. Which is probably why I gave up in playing only in surf bands. One needs a variety, but I like my surf traditional to some degree.

"as he stepped into the stealthy night air... little did he know the fire escape was not there"

https://www.facebook.com/reluctantaquanauts/
https://www.facebook.com/TheDragstripVipers/

The originals the Ventures did write were still pretty amazing though.

Site dude - S3 Agent #202
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"It starts... when it begins" -- Ralf Kilauea

PrestonRice wrote:

Dick copied like hell. He had some originals, but tbh, his best songs were his covers and renditions.

The Wedge? The Victor? Night Rider? I think those were originals...

Site dude - S3 Agent #202
Need help with the site? SG101 FAQ - Send me a private message - Email me

"It starts... when it begins" -- Ralf Kilauea

What's cool about surf music (not so much in other genres) is that it seems that every group plays everybody else's songs. It's hard to tell who actually wrote what...and they all have their own little spin.

I'm donig a cover of Peace Pipe by the Shadows right now, and I've changed the trem infused middle eight simply out of necessity since I don't have a stomp box to turn on and off the trem effect. However, it STILL sounds good, and nobody can say I did it wrong because it's my OWN take on a classic song.

Surf rocks that way...even in Colorado where I am currently located.

BillAqua wrote:

The Ventures weren't about song writing. If you dislike them because of that I think you're totally missing the point on why they were so influential and you're missing out on some fantastic records.

I see Jake's point about copying. You should always try to come up with originals. But I'll admit it here every surf song I ever wrote is a copy of something else. It's surf music. Even the original stuff borrows heavily from it's influences. At least the more traditional surf that I like. Which is probably why I gave up in playing only in surf bands. One needs a variety, but I like my surf traditional to some degree.

There is being authentic, and then there is copying. Sometimes it just feels really unoriginal... Double-pick part, glissandoe part, trem arm part, rinse and repeat.

Brian wrote:

The originals the Ventures did write were still pretty amazing though.

Right on Brian!
Same with your comment on Dick Dale's Wedge and the Victor.

"as he stepped into the stealthy night air... little did he know the fire escape was not there"

https://www.facebook.com/reluctantaquanauts/
https://www.facebook.com/TheDragstripVipers/

JakeDobner wrote:

BillAqua wrote:

The Ventures weren't about song writing. If you dislike them because of that I think you're totally missing the point on why they were so influential and you're missing out on some fantastic records.

I see Jake's point about copying. You should always try to come up with originals. But I'll admit it here every surf song I ever wrote is a copy of something else. It's surf music. Even the original stuff borrows heavily from it's influences. At least the more traditional surf that I like. Which is probably why I gave up in playing only in surf bands. One needs a variety, but I like my surf traditional to some degree.

There is being authentic, and then there is copying. Sometimes it just feels really unoriginal... Double-pick part, glissandoe part, trem arm part, rinse and repeat.

So what do you suggest to make a surf song more original? And I'm speaking in the trad-surf genre only. I think there are certain styles of guitar playing that lend to genres that we expect to hear. I see no problem with reverb, double-picked parts, glissandos, and trem action in surf music. I listen to a surf album and almost expect that. But it's also what I want to hear when I'm in the mood for surf music. Similarly to how I like a bit of slap back echo when listening to rockabilly guitar.

I don't know if Ivan would like to be considered a trad surf guitarist, or someone like Ryan from Secret Samurai but when I listen to them they certainly aren't Dick Dale copies but I hear the influence of trad surf in their playing and both of those guys incorporate the style of play you seem bored of. I guess they are what you'd consider "authentic"?

When I think copying I think of Beatle and Elvis impersonators more so than guitarists who incorporate a certain style of play into their music.

"as he stepped into the stealthy night air... little did he know the fire escape was not there"

https://www.facebook.com/reluctantaquanauts/
https://www.facebook.com/TheDragstripVipers/

It certainly isn't getting rid of double-picking, glissandoes, reverb. The music just needs to come from a genuine place, as lame as that sounds. I feel like I can tell when somebody is just copping the surf style versus making music that they truly feel and want to make.

I'm a big fan of both Ryan and Ivan, who wouldn't be? Their music is really their own but they have that amazing surf sound.

There was this band called the Aquanauts of Reluctance that was pretty rad as well!

how about what the stray cats did to rockabilly? they too the original concept and sound and took it to another place.

JakeDobner wrote:

It certainly isn't getting rid of double-picking, glissandoes, reverb. The music just needs to come from a genuine place, as lame as that sounds. I feel like I can tell when somebody is just copping the surf style versus making music that they truly feel and want to make.

I'm a big fan of both Ryan and Ivan, who wouldn't be? Their music is really their own but they have that amazing surf sound.

There was this band called the Aquanauts of Reluctance that was pretty rad as well!

I think I understand and I'm certainly not trying to argue with you Jake. So it's a perceived thing than? You've seen way more surf bands than I have. But it certainly would be a sad thing to see a surf band that was just copying a style and not making the music they truly wanted. Surf music is so far off the beaten path of mainstream music you'd think one would have to have a certain level of passion when taking the time to learn the music and start a band. Although I have seen bands lose members and have replacements who certainly looked as if they were just going through the motions.

"as he stepped into the stealthy night air... little did he know the fire escape was not there"

https://www.facebook.com/reluctantaquanauts/
https://www.facebook.com/TheDragstripVipers/

What Brian Setzer did to Rockabilly was just downright amazing.

I mean, in all honesty, who could take such a rigid genre and modernize it to the point of sheer awesomeness the way he did?

thinking out of the box results in either:
a) sheer genius and world wide acclaim
b) ridicule and messed up attempt of being original

Either way, what is there to lose?

so1om wrote:

how about what the stray cats did to rockabilly? they too the original concept and sound and took it to another place.

Yeah. But Setzer was well versed in the classics. He knew his Cliff Gallup, James Burton, and Scotty Moore riffs inside out. He also incorporated elements like slap back echo to keep the music sounding somewhat traditional. Although I guess it depends on what era of the Stray Cats we are talking about because they certainly veered to the very non-traditional side of rockabilly with their later releases.

Setzer actually went beyond that though and revitalized a style of music and brought it back to the top 10 radio. We haven't seen that in the surf genre, or since for rockabilly music.

"as he stepped into the stealthy night air... little did he know the fire escape was not there"

https://www.facebook.com/reluctantaquanauts/
https://www.facebook.com/TheDragstripVipers/

exactly.

As much as I hate to say it, a big catalyst for the revival of surf music has to go to Quentin Tarantino.
His use of surf rock in Pulp Fiction and even Kill Bill (1 and 2) was huge for me.

I had never given surf much thought in my younger days, but after buying the PF soundtrack, I found myself listening over and over and realized it was the reverb drenched tones that was so compelling.

Thanks for the kind words and mention Jake and Bill! Especially, since I'm both a Reluctant Aquanauts and 'Verb fan as well! Jake, I still wear my 'Verb T-shirt almost weekly! (very well made shirt Yes )

I agree with both of you actually. There is sometimes a thin line between "influence" and "derivation". Like Bill, when I'm in the mood for surf, I do depend on a certain sound. Otherwise, I do tend to listen to something else to satisfy some other part of my brain.

Oh, and I can only echo Jake's sentiments about The Reluctant Aquanauts. I often listen to the last, unreleased Aquanauts recording that Bill linked to a few years ago here. I listen to it when I'm looking for that sound! Would love to see an RA comeback Bill!

Ryan
The Secret Samurai Website
The Secret Samurai on Facebook

Last edited: Jul 08, 2013 13:17:45

PrestonRice wrote:

horax wrote:

The Ventures are great, IMO. ;)

Not a fan. I just don't like their sound, and the fact that they have written hardly anything in the span of their many, many years, bugs me a little.

If writing their own material caused issue with me listening to music, the mass majority of the early rock, country, and pop artists would be thrown from my library.

THE KBK ... This is the last known signal. We offer Sanctuary.

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Yay!!! Fun thread!

I just dislike the sound of the Ventures, they feel empty and emotionless, and I don't quite get them, if you know what I mean. I just don't see the appeal behind another "surf-esque" cover band.

I'm not saying I hate covers, or the Ventures, but when an instrumental cover band becomes as big a success as the Ventures have, something's off.

IMO.

Preston, I understand your 'empty and lifeless' comment. However, I would challenge you to pick up their Live in Japan 1965 album. It is sure to kill that opinion, as it is one of the more rockin instro releases I own from that time period.

THE KBK ... This is the last known signal. We offer Sanctuary.

www.thekbk.com
http://www.deepeddy.net/artists/thekbk/
www.reverbnation.com/thekbk
www.facebook.com/thekbkal

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