killbabykill34
Joined: Apr 03, 2010
Posts: 3201
Jacksonville, AL
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Posted on Dec 19 2013 08:25 AM
You can never go wrong with bringing this band back up, P2. I know that they were back in the studio this past summer. So I expect we will be graced with another album in the near future, which I can't wait for.
— THE KBK ... This is the last known signal. We offer Sanctuary.
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JakeDobner
Joined: Feb 26, 2006
Posts: 12159
Seattle
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Posted on Dec 19 2013 08:43 AM
Yes, please always bring the Raveonettes back up! The new album is largely plug-ins. Even live, he has cut out the use of amps. He runs his pedals directly into the board. The amp on stage is just a monitor.
No tank, from my knowledge. On their first three releases, there is nothing that makes me think he used a tank. Everything can be gotten from a Fender amp and actually sounds more like that reverb versus a tank.
Noah, I hope we get the new album soon! Sune recently was in the hospital so I hope he recovers quickly!
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killbabykill34
Joined: Apr 03, 2010
Posts: 3201
Jacksonville, AL
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Posted on Dec 19 2013 09:40 AM
Yes, I saw that he had surgury. I can't remember what for...apendix?
— THE KBK ... This is the last known signal. We offer Sanctuary.
www.thekbk.com
http://www.deepeddy.net/artists/thekbk/
www.reverbnation.com/thekbk
www.facebook.com/thekbkal
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JakeDobner
Joined: Feb 26, 2006
Posts: 12159
Seattle
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Posted on Dec 19 2013 12:29 PM
Yeah, I believe so. There was a complication with it though, which resulted in a longer recovery time/extended hospital stay.
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JObeast
Joined: Jul 24, 2012
Posts: 2762
Finknabad, Squinkistan
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Posted on Dec 19 2013 06:10 PM
Noel wrote:
The 'relevance' rubric is really prevalent in music criticism. When I was a college freshman in the music program at SFSU I took a class in American Popular Music History, conducted by SF Chron music critic Joel Selvin, who spun 45s every week to illustrate his lectures. Our primary text was The Sound of the Cities, about urban American music. The author was dismissive of anything that poked outside categories of 'social' music. Thus Jimi Hendrix was panned as 'irrelevant' after he left the chitlins n gravy circuit to pursue his creative vision in NY then UK.
There may be a kind of downstream Marxism in such 'anti-bourgeois' criticism of music.
IMO I think it's unfortunate (according to the wiki piece if accurate) that music critics of the day disparaged those musicians for not playing working class music. What kind of valid music criticism is that?
— Squink Out!
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