
Posted on Feb 13 2008 09:02 AM
We got some fine press in the Hartford Advocate. This will be appearing in print tomorrow, but I was able to grab it on line today. The show is mentioned in the last 2 paragraphs:
http://www.hartfordadvocate.com/article.cfm?aid=5792
Picture on front page, left side:http://www.hartfordadvocate.com/
Local Motion: Boppin' and Surfin'
Dead Cat Bounce bring their coordinated licks to Szechuan Tokyo, and the Octomen charge up the Zen Bar
By Dan Barry
With four horns out front, you would think that Dead Cat Bounce is risking certain doom. If one player falls out of lock step, the melody will instantly turn from gold to lead, and all eyes will be on him. But no one does. Weaving through complex, postmodern bop licks like trick archers, the Bounce is as awe-inspiring to watch as to listen to.
It's hard to find points of reference for the stuff that Dead Cat Bounce is doing, namely because it's so wonderfully accessible while still being challenging and intelligent. For example, they took a lick from John Coltrane's "Spiral" and re-cast it as a big, honkin' Dixie groove. If you've ever seen any episodes of the Japanese anime Cowboy Bebop, you might remember its speedy, upbeat jazz soundtrack. The band who wrote and played that material, the Seatbelts, seem similarly interested in seeing just how fast they can play while still retaining accuracy â the hallmark of bebop. Hip-hop fans could call to mind Jurassic 5, who, in their own words, "take four MCs and make it sound like one" by unifying their voices at unpredictable points.
But even these comparisons fail when the Dead Cat Bounce saxmen inevitably fly off the handle and start taking simultaneous solos. It's like some kind of free-jazz freakout held together only by the consistency of their rhythm section. Since their members are scattered across Connecticut and Massachusetts, the band doesn't frequent the Hartford area as much as I might wish. Sadly, they don't have any dates booked at this time, but you can keep your eye on deadcatbounce.org for gig listings and more info.
On Saturday, I had a new experience when I caught a surf rock show at Farmington's Zen Bar. Now, if you don't think Dick Dale is cool, your opinion is wrong, but outside of his music, I never really thought to seek out surf rock as a genre. I guess I incorrectly figured that you needed surfers and sunny beaches to have a good surf scene.
I caught a wonderful set by the Octomen, a three-piece who combine old-school, feelgood stuff with contemporary dark surf. Some of their more modern pieces featured turbulent, demanding basslines, and at one point, sticksman Mike Reddington even launched into double-time thrash drums! Guitarist Rattlesnake Ralph's playing was soaked in reverb, and as an encore, he nailed the tremolo on Dick Dale's "Misirlou" (better known as the Pulp Fiction theme). The crowd at the show was incredibly diverse, featuring hot-rodders and rockabilly toughs, the more stylish set that frequent Zen Bar, go-go dancers, and even an older woman in the corner wearing a leopard print jacket and a lei! For more information about local surf music, go to nesmasurf.org.
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Aloha,
Blue StingRaye