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Joined: Sep 24, 2007 Posts: 2728 |
This post has been removed by the author. Last edited: Sep 23, 2009 21:30:51 |
Joined: May 17, 2006 Posts: 657 Buenos Aires |
frankly, this is really depressive http://www.youtube.com/watch?v=VKr-WKT4aiA El Papu & los Fantasticos Reverberantes |
Joined: May 17, 2006 Posts: 657 Buenos Aires |
well, always things could be worst.... http://www.youtube.com/watch?v=1jBoPYwpiVw&feature=related —El Papu & los Fantasticos Reverberantes |
Joined: May 09, 2008 Posts: 1368 Isle of Kent, MD |
Dude, Art —Surfcat MARCH OF THE DEAD SURFERS! (2024) - Agent Octopus |
Joined: May 09, 2008 Posts: 1368 Isle of Kent, MD |
Man, Just to get back "on topic", did anyone listen to our cd "Angle of Attack"? Any further comments? —Surfcat MARCH OF THE DEAD SURFERS! (2024) - Agent Octopus |
Joined: Feb 27, 2006 Posts: 5308 the outer banks of north carolina |
oh-kay.........i lasted 17 seconds. — |
Joined: Feb 27, 2006 Posts: 5308 the outer banks of north carolina |
12 seconds — |
Joined: May 17, 2006 Posts: 657 Buenos Aires |
I listen to your songs at myspace..............to be short and concise, the songs got great melody and are good writed, and I really agree with you in try to scape of the " I IV V" thing..........I really don´t like the sound...........I´m a vintage sound lover and if it´s a bit LO-FI, better............sounds to "plastic" to me in my experience the best it´s to record "live" all the band together with a classic vintage sound rig, not reverb plug-ins, speaker emulators and that kind of shit nobody borns knowing everything, take it as experience, and be cool because the most important thing is there: good songwriting —El Papu & los Fantasticos Reverberantes |
Joined: May 17, 2006 Posts: 657 Buenos Aires |
WORLD RECORD !! —El Papu & los Fantasticos Reverberantes |
Joined: May 09, 2008 Posts: 1368 Isle of Kent, MD |
Thanks Big Papu, Surfcat MARCH OF THE DEAD SURFERS! (2024) - Agent Octopus |
Joined: Feb 27, 2006 Posts: 3832 netherlands |
Im sure that's what 99% of the people think, but I agree with Zak (and others) 100% here. the dogma in musical theory is that music is melody, harmony and rhythm, but mostly, it is sound. would you rather hear Ivan Pongracic playing Pipeline, or his dog barking ' red sunrise'? also from my experience, any crowd, whether it's die hard surf fans or average joes that dont know dick dale from the beach boys, will go crazy over a well and show-y executed, great and raw sounding set of 'boring' I-IV-V surf and rock and roll classics, but will loose interest faster than you can dial in a reverb tank in tame and flat sounding brilliant compositions. of course, neither band will sell any cd's, you'd need to have both for that. that said, I listened to your myspace songs, and it's really not as bad as suggested here. the drums sound a bit overcompressed but I kinda like the sound, the guitars are tame but not more tame than on over half the surf recordings put out these days. a bit too modern sounding due to some weird stereo delay effect, and too clean for my taste though. anyway, my opinion in a nutshell: great songs, not an awesome recording, not that bad either. I agree though, if next time you have a good mic setup, mix, turn everything quite a bit upper and grab a few before recording, it might well turn out KILLER recordings. —Rules to live by #314: |
Joined: May 09, 2008 Posts: 1368 Isle of Kent, MD |
WR, In my travels with various cover bands I found it was very easy to entertain a crowd with performance (even Reverb Galaxy wears white spacesuits ) and dynamics at the expense of composition. I find this is unfortunate, but people go out to be entertained, not to listen. Do those same people buy cds at those performances? Probably not. They just want to hear the familiar, then go home. It's not that I am not a fan of I-IV-V; it's the foundation of rock n roll! I just think that too many bands out there use it as a crutch instead of spending time and good effort to write refreshing melodies with interesting arrangements. For me, a good melody will stay with me all my life. It can be reinvented into various styles/genres of music and still sound new, yet familiar. With all that said, and I think like everyone else on this post, I have digressed, you and Zak are absolutely right. Any good song is killed with a lackluster production. Although, I still find our cd a collection of good songs, played with enthusiasm, and am very proud of what me and the boys have put together. —Surfcat MARCH OF THE DEAD SURFERS! (2024) - Agent Octopus |
Joined: Feb 25, 2008 Posts: 166 Northeast |
I'm really enjoying "Blue Sunset." Very nice song. also in current rotation: "Medieval Cowboy" & "Two Heavies And a Cruncher" (Greaseballs), "Nose Walkin" & "Tunisian Moon" (LTM), "Castle Island Dream" (Fathoms), "No Surf Today" (F&TPB). |
Joined: May 09, 2008 Posts: 1368 Isle of Kent, MD |
Haven't heard "Castle Island Dreams", which cd is that on? —Surfcat MARCH OF THE DEAD SURFERS! (2024) - Agent Octopus |
Joined: May 22, 2006 Posts: 500 Hamilton, Ontario |
I agree that many surf recordings have overly clean guitars that don't translate well to recordings, but I think the way they're recorded also contributes to that "generic" sound others have mentioned. I think surf music, more than most modern "rock", benefits from capturing a bit more of the room sound when recording, particularly drums and guitar, and maybe in a livelier room than usual. That can help give a more "live" sound, and a more natural and "vintage" sound. I close mic the drums to get some flexibiltiy on eq & compression of the kick, snare & toms, but I rely a lot on my overheads and room mics for the overall tone or "sound", and I don't apply any effects to those. Similarly, I use a close mic and a room mic on guitar as well, and blend in more or less of the room mic as needed to get the right bite & liveliness out of the guitar. Compression is good, but you don't want to totally kill the dynamics of the guitar either. —http://www.facebook.com/?sk=lf#!/rockinrio.delrosa |
Joined: May 09, 2008 Posts: 1368 Isle of Kent, MD |
I think the key for us, is that we didn't want to sound "lo fi" and we didn't want to record in the traditional sense of surf records. We were kind of trying to mesh the surf genre with a little bit more of a layered sound similar to 70's and 80's recordings of our favorite artists. The songs are arranged in a different fashion than a lot of the more mainstream or popular surf bands of yesteryear and today. I like Rio's take on the mixture of close and room sound. Sounds like you can still capture the bite with the air. Art —Surfcat MARCH OF THE DEAD SURFERS! (2024) - Agent Octopus |
Joined: Feb 25, 2008 Posts: 166 Northeast |
their new one. |
Joined: Nov 21, 2008 Posts: 2 |
Art- |
Joined: May 09, 2008 Posts: 1368 Isle of Kent, MD |
Bassghost, Mike Andreski, our engineer, recorded using Pro-Tools through some analog API mic pre's and a Focusrite Red Range. So I guess it was a digital/analog mix. I'm a big fan of the API's, since I use to work for them when they were located in Springfield, VA in the 90's. The mic pre's have a real warm tone, that really captures the low end. I think the "forced analog" sound you referred to may have been some of the post effect treatment. Added reverb/processing that wasn't captured up front. I have been experimenting with topping my sound with a little more drive and 'verb, but I kind of like the clean tone-it doesn't really allow you to hide a lot of fingering mistakes, so you have to play pretty dead on notes, as opposed to any kind of overdriven/distorted tone. . Art —Surfcat MARCH OF THE DEAD SURFERS! (2024) - Agent Octopus |
Joined: Feb 25, 2008 Posts: 166 Northeast |
one way I come to find songs I like is that they will turn up playing in my head a day or two after I've listened to them. This is some dreaming-while-awake type thing. There's no other explanation for how something can just be there all of a sudden, for no good reason. Anyway, "Balkan Stomp" just did this. The fourth "shift" in the song and the cool transition after that (all of which reappears later) was there, playing. Sometimes when this happens, I won't know the exact song. It's often a riff or a section that sneaks up. So I'll set to figuring it out. Good way to be (re)introduced to a song. |