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I see my post was a bit confusing, i meant i thought that what Los S
were doin was whammying.
I think chorus, flanger and phaser all three do pitch modulation, of
course blended with the original signal
You could of course always doubletrack when recording, and whammy on
only one of the tracks. I read once in an interview with Robert Smith
that the cure hardly ever used pitch effects in the studio, that most
of it was done with double tracking and detuning, speed control or
just the natural chorusing you get with doubletracking anyway.
Or you could build a 12-string guitar with only sings strings whammy.
With a bigsby style trem, it shouldn't be to difficult, technically.
--- In , Kahuna Kawentzmann
<kawentzmann@y...> wrote:
>
> --- mono_tones_1 <rockverb@h...> wrote:
>
> >
> > I thought that 'chorusing was just all the time
> > whammying. (which
> > pretty much is chorusing, right? )
>
> I'm no expert on 70s style effects, but I think you
> some straight signal along with the whammy-ed sound.
> Or maybe whammy-ed the opposite way?
>
> KK
>
>
>
>
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