raylinds wrote:

While I have been happy with my Strat (pictured above), I liked the idea of having a surf-specific guitar. I play a lot of blues and Hendrix on it and do a lot of bending, so I didn't want to put heavy strings on it.

To be honest, I always assumed that Jaguars were just Strats without the middle pup, and the Jazzmaster was very similar, but slightly different pups.

After reading this thread I became intrigued by Jaguars, Jazzmasters, and Mosrites.

I spent a good deal of time on YouTube listening to some surf music played on these guitars. I first researched Mosrites. Funny thing was that most of the live footage of The Ventures had Nokie on Strats (and he sounded like Nokie on both guitars)! I did manage to find some proper samples of the Mosrite sound. I liked the sound but, other then the pickups being a little hotter, I didn't think it was enough of a different flavor than the Strat.

I have always loved the sound of The Astronauts, so really explored Jazzmasters. In the end, though it was the Jaguar sound that got me. I also liked the idea of the short scale that would allow me to use 12s and still have the same playability as my strat.

I think I really could have been happy with any of the three, but I just placed and order for a AVRI sunburst Jag.

The Jaguar was a major component of early Surf. Some feel that it's the ultimate Surf guitar, and while I agree that it has its own unique charms, one could make an equally persuasive argument that the Strat was the ultimate Surf axe. Having owned and played both, I would only venture to say that either guitar is quite capable of being a great Surf instrument, but they are quite different from one another.

The control set on a Jaguar is really quite appealing to me. To be able to preset the rhythm sound you want and switch in and out of that mode easily strikes me as a great idea. The main control set still functions normally and no flexibility is lost by having a separate control set for the rhythm preset. I assume that Leo Fender dreamed this up, and as was usually the case, his idea was pretty good.

One thing a Jaguar does surprisingly well is a bright, Bakersfield sound. For a while I played in a quartet and the other guitarist had a Tele. We played a Country song and I took a solo on it which ended up sounding more like a Tele than the other guitarist's actual Tele. It surprised both of us.

The artist formerly known as: Synchro

When Surf Guitar is outlawed only outlaws will play Surf Guitar.
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I bought Squier vibe 60 and it is great surf guitar. Love the sound and tone.
Exactly this one - https://www.awkwardsound.com/squier-fender-classic-vibe-60s-stratocaster-review/

So I've had my MIM vintage Jaguar and Jazzmaster for a few weeks now. I put Fender Pure Vintage pups in the Jaguar and Seymour Duncan Vintage in the JM. I put .012 flats and did a very precision setup on both.

These are really very different sounding guitars, but I can see a place for both. I think I like the JM more for chord rhythms and the lead for mellower surf. While not necessarily mellow, Pipeline sounds right on the JM.

The Jag sounds great on more aggressive Dick Dale type stuff like Miserlou. I thought the scale might bother me because I am big, but it doesn't.

It's nice to have the luxury of having both. I can also leave roundwounds on the Strat for a real aggressive sound and other styles.

Last edited: Jun 19, 2020 14:21:44

ArabSpringReverb wrote:

raylinds Did you get Seymour Duncan 'Vintage For Jazzmaster ' ? I bought a set from an SG101-er and put them in my MIM jazzmaster and I love them ..most people go with the Antiquity series but these Vintage are great too. Just what I was looking for .
I know what you mean about very different sounding and I think it is mostly due to the scale length . I use the same strings on my Jm , Strats and Jag , and the strat and JM seem more alike than the Jag and jazzmaster even though the jag and JM have the same hardware ,similar body and electronics .

Yes, SD Vintage for Jazzmaster. I liked the samples I heard better than the Antiquities that sounded brighter.

The control set on a Jaguar is really quite appealing to me. To be able to preset the rhythm sound you want and switch in and out of that mode easily strikes me as a great idea. The main control set still functions normally and no flexibility is lost by having a separate control set for the rhythm preset. I assume that Leo Fender dreamed this up, and as was usually the case, his idea was pretty good.

Actually, it was Freddy Tavares who came up with that switching scheme; believe it was also used on some of their steel guitars...or at least, one's Freddy had made for himself.

Of all the things I've lost, I miss my mind the most...

Now that I have owned my Jazzmaster and Jaguar for over six months, I thought I would share my impressions here.

Despite their very similar look, these are very different guitars. The Jazzmaster has a mellower and richer sound and the Jag has a more aggressive biting sound, though the controls allow for a lot of tone shaping.

I find myself going for the Jazzmaster for most surf songs, as it has a really authentic first wave sound. However, the Jag sounds incredible when a more aggressive sound is called for and it, too, provides an authentic, but different, authentic retro surf sound.

I think I could make do with either of these as my only surf guitar, but am extremely happy that I have both.