I generally play my Surfy sounds with a touch of overdrive... does the ragged edge have a place in Surf music or is ultra clean a determining factor?
—Surf guitar on the rails...
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![]() Joined: Apr 28, 2011 Posts: 45 Auburn, WA |
I generally play my Surfy sounds with a touch of overdrive... does the ragged edge have a place in Surf music or is ultra clean a determining factor? —Surf guitar on the rails... |
![]() Joined: Feb 26, 2006 Posts: 12159 Seattle ![]() ![]() ![]() |
How overdriven? And yes, overdrive certain has a place in surf. It is surf! A Fender amp tuned up most of the way is going to have a nice amount of break-up. Playing without a PA in most cases, our amps are naturally turned up very high, it is just part of the genre. |
![]() Joined: Feb 25, 2006 Posts: 19342 Des Moines, Iowa, USA ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() |
Have you heard Dick Dale? —Site dude - S3 Agent #202 "It starts... when it begins" -- Ralf Kilauea |
Joined: Mar 04, 2006 Posts: 139 Massachusetts, birthplace of Dick Dale ![]() ![]() ![]() |
For me, distortion in a more contemporary sence, doesn't really have a place in surf. Overdriven tubes - YES, of course. But I hate surf nazzi-ism, so I suppose anything goes... Be creative. We did a gig with a guy named Gary Hoey who played an modern, incredibly distorted guitar and tried to tout himself as a surf act and for me, it just didn't work (didn't evoke the excitement of the beach / surf...). |
![]() Joined: Feb 26, 2006 Posts: 12159 Seattle ![]() ![]() ![]() |
Gary Hoey is just plain cheesy. |
![]() Joined: Mar 02, 2006 Posts: 11076 Berkeley, CA ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() |
I would say most surf guitarists have a fair amount of distortion in their tone, it's just minor compared to most rock music. Without it the guitar would sound too sterile IMHO. I've started using a Tube Screamer set low in front of my bandmaster, when I can't use my dual amp set up with the Valco dimed. —Danny Snyder I am now playing trumpet with Prince Buster tribute band 'Balzac' Playing keys and guitar with Combo Tezeta Formerly a guitarist in The TomorrowMen and Meshugga Beach Party Latest surf project - Now That's What I Call SURF Last edited: Sep 21, 2011 09:00:52 |
![]() Joined: Aug 23, 2006 Posts: 2123 The jungle ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() |
I recently started using an old, neat up ProCo Rat in front of a Keeley-modded Boss BD-2. My amp stays really pretty clean. Both pedals are set to minimal amounts of crunch; that is, I apply the distortion effect very sparingly. I may ditch the BD-2 if I can dial the Rat in well enough. I love that thing. —Last edited: Sep 21, 2011 04:54:38 |
![]() Joined: Feb 12, 2011 Posts: 54 Right Behind You ![]() |
I use a good amount of distortion on a lot of my stuff. All the way up to flat out JCM800 kinda tones. Psycho surfabilly! |
![]() Joined: Apr 28, 2011 Posts: 45 Auburn, WA |
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![]() Joined: Feb 25, 2006 Posts: 19342 Des Moines, Iowa, USA ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() |
Well... yeah. I'm tired of this "surf guitar is clean guitar" thing. Where did that come from? Has no one listened to Dick Dale, Eddie Bertrand, The New Dimensions, The Fender IV, The Atlantics, The Original Surfaris, etc. Sure it isn't Black Sabbath distortion but there is a fair amount of grit in the tone. It's crazy kids cranking their Fender amps, not country music pedal steel clean. —Site dude - S3 Agent #202 "It starts... when it begins" -- Ralf Kilauea |
![]() Joined: Feb 26, 2006 Posts: 12159 Seattle ![]() ![]() ![]() |
Absolutely Brian! It really hurts a beginner in the genre as well. When I started I had no idea why I couldn't get a perfectly clean tone that everyone was talking about. Then I learned nobody gets that tone, maybe through solid state.. |
![]() Joined: Feb 28, 2006 Posts: 2388 San Jose, Ca. ![]() ![]() ![]() ![]() |
JakeDobner wrote:
I agree with Brian and Jake. I've always thought it was kind of funny that so many here talk about the ultimate surf tone being ultra clean, and stressing clean headroom......... all the while expounding upon the BrownFace amps being vastly superior in to the Black and SilverFace versions, and then usually slamming them with a reverb tank. I agree that the Brownface are the ultimate, but not because of clean headroom, but because they break-up so sweetly (not to mention that wonderful tremolo). I love BlackFace Fenders too, but I like a little distortion, and BrownFaces deliver in spades. And so many love the reverb tank, not just for the reverb, but for the distortion that the tank introduces by slamming the front end of a tube amp. I'm not saying what is better or worse, right or wrong, or whatever. I just think that it is funny when people talk about CLEAN CLEAN CLEAN, and then expound upon the virtues of equipment that really isn't that clean. Semantics maybe? Bob —Bob |
![]() Joined: Jan 17, 2008 Posts: 2188 Atlanta, GA ![]() ![]() ![]() ![]() ![]() ![]() ![]() |
Brian wrote:
I was certainly guilty of chasing high wattage looking for clean headroom and clarity for a LONG time. Then I played my Vibroverb (mic'd) live and cracked up pretty good, and my whole tonal worldview shifted. Next I got a Bandmaster, and now those are my 2 main amps. I'd still love a BF Showman, but I'm honestly not sure how often I would use it. Besides, I have a Red Knob Showman that sounds great, and is loud as all hell when I need it (outdoors). I love the hot sound these amps get when you push them!! —
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![]() Joined: Sep 09, 2008 Posts: 3158 Guildford England ![]() ![]() ![]() ![]() ![]() |
Brian wrote:
yep. Last edited: Sep 23, 2011 09:14:39 |
![]() Joined: Jun 21, 2007 Posts: 3909 San Diego, CA ![]() ![]() ![]() ![]() ![]() |
DannySnyder wrote:
'atta boy! —Ryan |
![]() Joined: Sep 04, 2009 Posts: 1800 Temecula, CA ![]() ![]() |
DannySnyder wrote:
I agree with your opening statement |
![]() Joined: Jan 04, 2011 Posts: 1588 Berlin L-Berg ![]() ![]() ![]() ![]() ![]() ![]() ![]() |
Well, to bring up this old post. |
![]() Joined: Aug 27, 2008 Posts: 1570 New York ![]() |
I also use a Rat.. find it to be a very versatile distortion pedal. You can go from mild overdrive, to edgey distortion to a pseudo fuzz sound. Love it. |
![]() Joined: Oct 26, 2007 Posts: 542 ![]() |
I use a combination of three pedals for our surf - I have a Menatone Red Snapper set to give just a bit of overdrive and presence, which I leave on almost all the time, my own take on the Red Llama/TSF circuit that I kick on for solos and additional grit, and a preamp pedal that is on the whole time that helps open up the front end of my Pro Reverb and keep things popping. When I want dead clean - which I'll often switch to for passages in certain songs - I just turn off the Snapper and I'm good to go. I'll second the note about reducing the reverb, as well. I horsetraded overdrives for nearly two years before settling on the Snapper, and a big reason was that it was one of the few that could hold up through a decent dose of reverb. — |
![]() Joined: Sep 19, 2008 Posts: 206 Canada, eh? ![]() ![]() |
jackdelicious wrote:
Here's two versions of Squad Car. Eddie's sounds like the "Surf music ragged edge", the ragged edge of someone playing hard and an amp working hard. |