IronMaiden
Joined: Nov 02, 2006
Posts: 564
Virginia Beach
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Posted on Nov 13 2006 09:10 PM
I can get a Twin reverb for 800 bucks but it looks a little beat up. What do I have to look out for? (Its for sale at a local music shop).
Also, is the 65 R.I. the only Twin reverb Fender makes? i.e. is there a regular twin as opposed to the 65 RI?
Im thinking of getting a new Kustom 72 for 800, or this beat up twin. I like the higher wattage on the fender and the fact that it is a fender, but the Kustom is sweet too.
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WoodyJ
Joined: Apr 05, 2006
Posts: 1549
Bethlehem, GA
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Posted on Nov 13 2006 10:47 PM
The Twin Reverb (original or '65 Reissue") is a great surf amp. It is very similar electronically to a Showman which you probably know is the Holy Grail of surf amps. Both are rated at 85 watts, but the Showman does not have reverb...unless it is a Dual Showman Reverb which is essentially a silverface 100W "Twin Reverb head". Are you confused yet? It gets more so:
In the mid '90's, Fender introduced the Twin Amp which looks very much like a Twin Reverb, but it has something like 14 knobs and an effects loop among other things. It was marketed as the "Evil Twin". I've never played through one, but I've heard that it isn't a "surf amp".
It sounds like the one you are looking at is a silverface model, which were made from 1968 into the late '70's. Generally the EARLY silverface amps are quite good, but if it has a master volume knob on the far right, these aren't generally considered as good as the earlier ones.
I'd recommend that you might find a better deal from a private individual, either in your local market or possibly on eBay. If the music store Twin is a non-master volume model, and if it carries a guarantee and sounds awesome, it may be an OK deal. If you look around, you can find good silverface or '65 Reissue Twin Reverbs for $700-ish. Fender made zillions of them, so there are plenty of good ones out there.
Also understand that a 30 year old amp may need some TLC, as in filter capacitors, tubes, speakers, etc, which can get expensive. For that reason, a really clean pre-owned '65 Twin Reverb reissue is a great alternative.
Not to sound like a surf nazi, but you'll probably like the "Fender sound" for surf music better than the Kustom. The Twin Reverb is one of the most versatile amps ever made, and they are loud as hell when cranked.
If you can find a copy of "the Fender Amp Book" by John Teague and John Sprung, it will tell you everything you need to know about every Fender amp ever made up to the time of publication, which was 1996 or so.
Hope this helps!
— Jack Booth
(aka WoodyJ)
The Mariners (1964-68, 1996-2005), 2025
The Hula Hounds (1996-2000)
The X-Rays (1997-2004)
The Surge! (2004, 2011-2012)
Various non-surf bands that actually made money (1978-1990)
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kick_the_reverb
Joined: Feb 26, 2006
Posts: 1339
Escondido, CA
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Posted on Nov 14 2006 10:05 AM
In my opinion, if there's a choice between an early silverface (up to 100w, not the 135w) and a reissue, I'd get the silverface.
This is based on my experience playing several reissues at diffenet times (and over time), and comparing them to the old amps.
Even if you can't tell the difference in sound (after you play a few examples, you will probably be able to tell), you might find out that the reisssues are not very durable, compared to the older point to point wired amps. Not to mention they don't go up in value.
I know some people had good experiences with their RI amps, but that wasn't my experience.
Ran
— The Scimitars
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WR
Joined: Feb 27, 2006
Posts: 3832
netherlands
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Posted on Nov 14 2006 10:10 AM
with Ran,
plus, if your anal about it, a decent tech can easily convert a 100 watter master volume circuit to an 85 watt non master volume circuit, all the essential ingredients are the same.
SF Fenders, best bang for the buck. (until they went ultra-lineair)
WR
— Rules to live by #314:
"When in Italy, if the menu says something's grilled, don't assume it is."
https://www.facebook.com/The-Malbehavers-286429584796173/
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IronMaiden
Joined: Nov 02, 2006
Posts: 564
Virginia Beach
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Posted on Nov 14 2006 10:15 AM
kickthe_reverb_
you might find out that the reisssues are not very durable, compared to the older point to point wired amps. Not to mention they don't go up in value.
I know some people had good experiences with their RI amps, but that wasn't my experience.
Ran
I'm talking about a used 'new' RI, not a real 1965 amp. Ive heard they are not durable either. I dont know enough about amps to feel confident in buying a used one off some idiot at guitar center thats trying to make a commission.
Screw it I think Im just gonna get a new Supersonic and play Butt-Rock just because I can.
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WoodyJ
Joined: Apr 05, 2006
Posts: 1549
Bethlehem, GA
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Posted on Nov 14 2006 12:31 PM
Iron,
There are "bad" reissue Fender amps, just as there are "bad", ill-maintained vintage Fenders.
There are also some excellent ones. My experience with a '65 Deluxe Reverb reissue and a '65 Twin reissue, both bought used, was just fine. No issues, no problems, and I eventually sold both of them for what I had in them. Both were sold to thin out a too-big amp inventory, not because there was anything wrong with them. My RI Deluxe sounded pretty much the same as the "real" '65 Deluxe reverb that I've had since it was new.
Check eBay to get an idea of what early silverfaces and RI Twin Reverbs are going for. If your Guitar Center is like the ones around here, their prices are substantially above "market value". There are plenty of these amps out there, and I assume you wany a good one that will give you good service. All things being equal, sure, I'd opt for the early silverface over the RI, but I think you'll find a big difference in price since the early silverface amps are now considered "vintage" pieces. As I said earlier:
Also understand that a 30 year old amp may need some TLC, as in filter capacitors, tubes, speakers, etc, which can get expensive. For that reason, a really clean pre-owned '65 Twin Reverb reissue is a great alternative.
One thing there is no shortage of on this forum is opinions, and you know the old saying "opinions are like..." But we are just trying to help you to make a good decision on a major purchase. When you find the right one, it will be a keeper!
— Jack Booth
(aka WoodyJ)
The Mariners (1964-68, 1996-2005), 2025
The Hula Hounds (1996-2000)
The X-Rays (1997-2004)
The Surge! (2004, 2011-2012)
Various non-surf bands that actually made money (1978-1990)
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IronMaiden
Joined: Nov 02, 2006
Posts: 564
Virginia Beach
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Posted on Nov 14 2006 12:51 PM
Yeah I think im gonna just get the New 65 Reissue for around about 1,000. Out of all the amps ive tried out in the last few weeks the twin sounded the best (Vox ac30 2x12, Supersonic, Kustom Coupe, Hotrod deville, and even a Peavey 100 watt tube that was super small and under 500, but yeah a peavey?)
Ill tell you what though the hotrod deville sounded pretty damn sweet for 600 hundy, but a lot of people talk shite about that amp.
The only thing though all these amps sounded good at low volume, and they dont let you crank it up to see if it distorts (like the amp I have now which is a crate tube 30 watt) but everything ive heard about the twin is that it stays clean at high levels.
I used to play punk and if I were to get something for punk it would definitely be the vox ac 30, that thing sounded really good with awesome reverb/trem. But definitely more like a Marshall.
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WoodyJ
Joined: Apr 05, 2006
Posts: 1549
Bethlehem, GA
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Posted on Nov 14 2006 02:58 PM
Iron,
No single amp does it all...that's why it's fun to have several!
The RI Twin Reverb is loud and clean. It probably comes closest to doing everything a combo amp should do. While not a "surf amp" per se, the AC30 is a WONDERFUL, toneful amp as well.
Back to the Twin reverb...here's what The Fender Amp Book says: "The (blackface) Twin Reverb speaks with a deep voice, sonorous and confident. It is possibly the quintessential combo amp, having a wide tonal range, the sweet sound of spring reverb-as well as tremolo-and enough reserve power to fill most environments without being miked...Fender should continue its tradition of the Twin as first choice for touring professionals, rehearsal studios, and rental businesses. Old Reliable".
There are a lot of surf purists on here who will tell you that you must have a tube Fender amp to get "that" sound. While that is pretty much correct, there are lots of other great sounding amps out there that aren't Brand F that are very surfable. Back in the day, those of us who couldn't afford a Fender amp (which was most of us!) went to Sears and got a Silvertone Twin Twelve or whatever finances would allow, and even those things sounded great to our untrained ears.
Lest you think I'm a Twin junkie, while I've had one in the past, I don't currently. I replaced the RI Twin I had with a WAY more expensive Dual Professional, and I immediately wanted my Twin back because it sounded significantly better. My current high-power combo is a '95 Custom Vibrasonic Reverb with a Weber Cali 15. It is very similar to the current Twin Reverb Custom 15, and it kills. It is a reissue which I bought used at a guitar show about 9 years ago, and it has been completely trouble-free.
Buying a good amp is like pursuing a woman...half the fun is in the thrill of the chase! Enjoy!
— Jack Booth
(aka WoodyJ)
The Mariners (1964-68, 1996-2005), 2025
The Hula Hounds (1996-2000)
The X-Rays (1997-2004)
The Surge! (2004, 2011-2012)
Various non-surf bands that actually made money (1978-1990)
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IronMaiden
Joined: Nov 02, 2006
Posts: 564
Virginia Beach
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Posted on Nov 16 2006 09:48 PM
Hey guys: Is there a difference in the red/gold jbl speakers they used to put in the 65 twin RI and the Blue ones they do now? Ive noticed up to 2004 the gold/red ones. Also, the Blonde 65 RI 40th anniverssery Twin has Emminence speakers what difference are they from the JBL?
Thanks in advance...Sorry for all the questions but 1,000 dollars is alot of money for me right now (Im in school) and I just want to make a wise choice.
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kick_the_reverb
Joined: Feb 26, 2006
Posts: 1339
Escondido, CA
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Posted on Nov 17 2006 10:22 AM
I gave my advice, you decided to ignore it, ok with me, but now I hear that you're going to pay $1000 for a RI - it's your money, but I advise you one last time to not do it.
I won't bother you again, it's just that for me $1000 is a lot of money and I hate to see you blow it on something that is not worth it.
Have fun,
Ran
— The Scimitars
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IronMaiden
Joined: Nov 02, 2006
Posts: 564
Virginia Beach
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Posted on Nov 17 2006 12:07 PM
kickthe_reverb_
I gave my advice, you decided to ignore it, ok with me, but now I hear that you're going to pay $1000 for a RI - it's your money, but I advise you one last time to not do it.
I won't bother you again, it's just that for me $1000 is a lot of money and I hate to see you blow it on something that is not worth it.
Have fun,
Ran
I would prefer to get a real one but the problem is 1) they are around about 1,000 (or more for a mint one on ebay) and 2) You have to buy it without playing it. And like I said earlier I don't know enough about amps to ask the seller all the right questions to know if im getting ripped or not. (I know the basics like silverface, and no master volume) but Im weary of getting an amp that is 40 years old and then having to replace the speakers and/or tubes, reverb or whatever.
And finally, if the R.I. Twin does suck that bad I could just sell it or return it and maybe lose 100 bucks or so. They don't lose value that quick. On the other hand if I get a crappy 40 year old amp i would have to rip someone else off to get most of my money back.
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WoodyJ
Joined: Apr 05, 2006
Posts: 1549
Bethlehem, GA
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Posted on Nov 18 2006 08:09 AM
Iron,
The RI doesn't suck, IMO. Remember my comment about opinions. Also remember that we are all trying to help you make a good decision on a major purchase.
Arguably a REALLY GOOD ($$$) early silverface may have slightly better tone than the RI, but unless you have very sensitive Eric Johnson ears, you probably couldn't tell any significant difference. Supposedly Eric can detect the difference in battery brands in his effects pedals.
The one I had had the gold/brown label stock speakers and it sounded great. PM me with your e-mail address and I'll send you a Mariners CD... all the lead parts were recorded with my ex-RI Twin, listen to it and then tell me how bad it sucks.
If you can get one of those blonde Anniversary twins in your price range, that would kill. A buddy of mine who owns a local music store uses one of those as his main gigging amp, and he has plenty of vintage stuff in his collection. He has been playing 40+ years and he loves the RI Twin. It is loud, clean, and reliable, with a nice, wet inboard reverb.
Here's an anology: Compare a nice, well-kept '67 Mustang GT with a brand new '07 Mustang GT. The '67 definitely has the cool factor, but which one would you want to depend on to drive to work every day if it was your only car?
I'm probably as much of a trad gearhead as anyone on this board. I have 10 or 11 old Fender amps at the moment, a couple I've had since 1965. Trust me when I say that if YOU like the way the RI Twin sounds, go for it. It is a great amp for the money.
— Jack Booth
(aka WoodyJ)
The Mariners (1964-68, 1996-2005), 2025
The Hula Hounds (1996-2000)
The X-Rays (1997-2004)
The Surge! (2004, 2011-2012)
Various non-surf bands that actually made money (1978-1990)
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WaimeaBay
Joined: Jul 05, 2006
Posts: 969
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Posted on Nov 18 2006 08:18 AM
woody, i am thinking about buying a RI myself. I may take your word for it without hearing the cd 
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DannySnyder
Joined: Mar 02, 2006
Posts: 11079
Berkeley, CA
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Posted on Nov 18 2006 10:02 AM
Is it only me, or does anyone else think you can get a vintage showman head and generic speaker cab for $1000 with a little patience? Heads go for $600 to $800 and speaker cabs are available for $200. The advantage is you can try all types of speaker variations unlike the twin, and they just look cooler!
I don't know where you live, but if Craigslist is an option, be patient and wait for a vintage amp that you can try out. There's other ways too, classified pages, word of mouth, etc..$1000 is plenty for many blackfaces and early silverfaces.
— Danny Snyder
"With great reverb comes great responsibility" - Uncle Leo
I am now playing trumpet with Prince Buster tribute band 'Balzac'
Playing keys and guitar with Combo Tezeta
Formerly a guitarist in The TomorrowMen and Meshugga Beach Party
Latest surf project - Now That's What I Call SURF
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IronMaiden
Joined: Nov 02, 2006
Posts: 564
Virginia Beach
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Posted on Nov 25 2006 02:49 PM
Just to update...I just bought a new 65 RI 40th anniversery twin reverb for 1,000 bucks. Ive been looking on ebay for a used one for a few weeks and they are all selling for around 800. I figured to just get the new one which is warrentied and has all new tubes, etc...Also it is Blonde, which you cant beat if you ask me. 
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Flowmaster_G
Joined: Nov 09, 2006
Posts: 140
Los Angeles, California
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Posted on Nov 26 2006 12:27 AM
DannySnyder
Is it only me, or does anyone else think you can get a vintage showman head and generic speaker cab for $1000 with a little patience? Heads go for $600 to $800 and speaker cabs are available for $200. The advantage is you can try all types of speaker variations unlike the twin, and they just look cooler!
I don't know where you live, but if Craigslist is an option, be patient and wait for a vintage amp that you can try out. There's other ways too, classified pages, word of mouth, etc..$1000 is plenty for many blackfaces and early silverfaces.
Absolutely. I paid $600 for my 1966 Showman head on ebay last year and another $360 for a killer 15" cab w. tone ring baffle made for me by Zack of Vibroworld. Add the 15" Weber VST Californa speaker (JBL D130 repro), and voila!. Cost: about $1,200 including a quad set of JJ's and a full-through cap job and service to clean/tune the head.
g
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