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SurfGuitar101 Forums » Surf Music General Discussion »

Permalink Carl Wilson's Sound

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Okay, I am not looking to get flamed by brining up the beach boys, but I think Carl had a pretty nice clean sound. For the most part it sounded pretty dry. I know he used a Jag for a lot fo the early shows. Recordings I think he used strats and jags, until the later years. Anyone know anythign about what else influenced his sound? Amps? Reverb? Effects? Etc...

Sorry if this is not an appropriate place to bring up the beach boys. Rolling Eyes

Carl was simply brilliant. Note the dual showmans & reverb tanks in the background.
http://youtube.com/watch?v=6v7ppsclOfk
http://youtube.com/watch?v=Zl7yGdZyPqw

I think Carl is plugged into the Bandmaster with the cab and head with mismatching grill cloths. Brian is probably plugged into that Showman.

A Jaguar + flatwound strings + a little reverb = Carl's tone.
Here's a better clip

http://www.youtube.com/watch?v=31NNd1rb6Z8

Listen to the beginning. It's that beautiful Jaguar sustainless thud that so many would try to stay away from during the late 60s early 70s.

"as he stepped into the stealthy night air... little did he know the fire escape was not there"

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He made that Rickenbacker sound pretty nice too. Carl Wilson rules, he could sure sing too.

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BillAqua
I think Carl is plugged into the Bandmaster with the cab and head with mismatching grill cloths. Brian is probably plugged into that Showman.

A Jaguar + flatwound strings + a little reverb = Carl's tone.
Here's a better clip

http://www.youtube.com/watch?v=31NNd1rb6Z8

Listen to the beginning. It's that beautiful Jaguar sustainless thud that so many would try to stay away from during the late 60s early 70s.

Thanks Bill. That is one of my favorite Beach Boys songs.

BillAqua
It's that beautiful Jaguar sustainless thud ...

I wouldn't call the "sustainless thud" beautiful but that's what makes the Jaguar the ultimate surf guitar!

T H E ✠ S U R F I T E S

I never noticed before... was Dennis a lefty, forced to play a righty kit?
--fd

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carl in my opinion had by far the best sound in the entire genre of rock n roll. a lot of the beach boys songs are corny (ten little indians, the shift, ect.) but they have some killer solos. his solos are unmatched, not really by talent because they're not that hard to play ro write, but i think they sound cool as hell.

carl even wrote some really good instros, take surf jam or stoked for example.

does anyone know what guage he used? of course, when you play anything on the e or b string on a strat it makes it sound a lot tighter for some reason, so amybe his string werent extraordinarily big like it sounds.

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PolloGuitar
I never noticed before... was Dennis a lefty, forced to play a righty kit?
--fd

Yeah. And I think he was better than people gave him credit for. He definitely "rocked out" more than anyone else in the band, plus was the heartthrob. I like to say he was the hardest hitting drummer in rock and roll until Keith Moon and John Bonham came along.

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Klas

BillAqua
It's that beautiful Jaguar sustainless thud ...

I wouldn't call the "sustainless thud" beautiful but that's what makes the Jaguar the ultimate surf guitar!

I agree.

JakeDobner

Klas

BillAqua
It's that beautiful Jaguar sustainless thud ...

I wouldn't call the "sustainless thud" beautiful but that's what makes the Jaguar the ultimate surf guitar!

I agree.

How can you not call that sustainless thud beautiful? Go buy a Les Paul you hippie! Smile

"as he stepped into the stealthy night air... little did he know the fire escape was not there"

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spskins

PolloGuitar
I never noticed before... was Dennis a lefty, forced to play a righty kit?
--fd

Yeah. And I think he was better than people gave him credit for. He definitely "rocked out" more than anyone else in the band, plus was the heartthrob. I like to say he was the hardest hitting drummer in rock and roll until Keith Moon and John Bonham came along.

I agree. I've seen some old videos of him rockin out and just wailing on the drums. He also had the hair to shake back and forth.

Science friction burns my fingers.

I think it's funny everytime someone complain that the Jaguar is low on sustain when that's actually one of the things that makes it great.

Same thing goes for early 60s fuzz sounds. Prior to buying a Maestro Fuzz-Tone reissue, I read a review posted by a classic rock fan, who thought something was wrong with his box since it had a lot less sustain than the natural ringing of the strings Laughing

T H E ✠ S U R F I T E S

Klas
I think it's funny everytime someone complain that the Jaguar is low on sustain when that's actually one of the things that makes it great.

Same thing goes for early 60s fuzz sounds. Prior to buying a Maestro Fuzz-Tone reissue, I read a review posted by a classic rock fan, who thought something was wrong with his box since it had a lot less sustain than the natural ringing of the strings Laughing

For some weird reason, playing "Miserlou" through a fuzz box seems like it'd be a neat idea. Kinda Dick Dale meets The Music Machine. That, or I could play "Talk, Talk" with tremelo picking?

Matt

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Sustain is for sissies. Laughing

I love Carl's tone. I've always said that 2-note solo in "Don't Worry Baby" is one of my all time faves.

Paul
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skeeter
I love Carl's tone. I've always said that 2-note solo in "Don't Worry Baby" is one of my all time faves.

they didn't call him Carl "Lead Guitar" Wilson for nothing Smile

I was at this one. I even got paid to be there. Lot's of stuff going on they couldnt show on TV.

http://www.youtube.com/watch?v=MTFEvW-6zSw

Last edited: Oct 26, 2006 08:02:06

Hell yeah. Love to hear him WAIL on the sax on "Shut Down"... wonder how many takes he screwed to get that two-note solo right...
Cool

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skeeter
I love Carl's tone. I've always said that 2-note solo in "Don't Worry Baby" is one of my all time faves.

I highly suspect that was the work of someone like Tommy Tedesco or some other studio cat, not Carl Wilson. Sorry, skeeter! (But maybe I'm wrong...)

The first true surf tune that I think really made an impression on me was the Beach Boys' version of Moon Dawg. I learned it note-for-note back in '87 or so. I had the Challengers best-of by then, too, but I really dug the Beach Boys, maybe even a bit more. I used to daydream of someday having my own surf/instro band - and playing on some Carribean island for hotel guests! I guess my fantasies didn't quite turn out as I imagined, but probably for the better!

Ivan

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IvanP
I highly suspect that was the work of someone like Tommy Tedesco or some other studio cat, not Carl Wilson. Sorry, skeeter! (But maybe I'm wrong...)

Ivan

I don't have my Beach Boys day by day book here at work, but it lists the studio personnel on each track. Carl is on practically every song! Even when Carl was out touring with the band, the parts would be saved for him, though he was often tracked alongside TT, Carol Kaye, Glen Campbell, Jerry Cole, Barney Kessell, and Billy Strange and its hard to tell now who played what. But for that period 1964 into 1965, Brian has just started to use the Wrecking Crew on mostly drums, basses, and keyboards-most of the guitars are still played by Carl.
PS the sax at the beginning of Shut Down Part 2 is played by Mike Love. Carl has a nice solo through a Leslie speaker on that song too. Its a nifty little tune if you're looking for a good instrumental BB song.

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