Anyone have any affordable suggestions in the $200-300 range?
Thx,
Mike
Canadian Surf
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Joined: Feb 26, 2006 Posts: 3804 North Atlantic |
Anyone have any affordable suggestions in the $200-300 range? Thx, Canadian Surf |
Joined: Mar 15, 2006 Posts: 1487 San Francisco |
For me, I've always been impressed with teh Shure Beta 52 A. Hell, I think you can't go wrong with Shure mics for any kind of recording... Check it out on Musician's Friend: ~B~ |
Joined: Apr 05, 2006 Posts: 1544 Bethlehem, GA |
Ditto on the Shure Beta 52. It's the "SM57 of Bass mics". —Jack Booth The Mariners (1964-68, 1996-2005) |
Joined: Feb 27, 2006 Posts: 1060 Berlin, Germany |
I found that the Sennheiser 421 is great for live and in the studio I would try a ribbon mic. KK —The Exotic Guitar of Kahuna Kawentzmann You can get the boy out of the Keynes era, but you can’t get the Keynes era out of the boy. |
Joined: Feb 26, 2006 Posts: 1337 Escondido, CA |
My Shure Beta 52 must be defective, it never sounded right. AKG D112 always sounded better. Ran — |
Joined: Mar 29, 2006 Posts: 309 Springfield, Oregon |
I have to disagree, a ribbon has too much presence rise for a bass drum plus a bass drum will just destroy a ribbon element if it gets too close. I like an AKG D112 or EV RE-30, although the EV is kinda old and hard to find. |
Joined: Feb 26, 2006 Posts: 5095 San Francisco |
The EV RE-20 is a great large diaphram mic, commonly used for lower frequencies- Kick drums, bass amps, and FM Djs... -ferenc —Buy Speed of Dark @ Bandcamp |
Joined: Feb 26, 2006 Posts: 3804 North Atlantic |
Thanks for the great tips. We're now recording the kit with one LDC mic, kind of looking at the set as one instrument, instead of a bunch of parts to mix into a whole. After listening to a bunch of early recordings, we thought we'd give it a try. If it works, life will be easier (sort of?!) Mike —Canadian Surf |