Seamoor, that's a lot of interesting information and ideas, thank you!
—Waikiki Makaki surf-rock band from Ukraine
https://linktr.ee/waikikimakaki
Lost Diver
https://lostdiver.bandcamp.com
https://soundcloud.com/vitaly-yakushin
sysmalakian:
HAPPY NEW YEAR!
327 days ago
SabedLeepski:
Surfin‘ Europe, for surf (related) gigs and events in Europe https://sunb...
288 days ago
SHADOWNIGHT5150:
I like big reverb and i cannot lie
221 days ago
SHADOWNIGHT5150:
Bank accounts are a scam created by a shadow government
221 days ago
sysmalakian:
TODAY IS MY BIRTHDAY!
207 days ago
dp:
dude
188 days ago
Bango_Rilla:
Shout Bananas!!
143 days ago
BillyBlastOff:
See you kiddies at the Convention!
127 days ago
GDW:
showman
78 days ago
Emilien03:
https://losg...
6 hours ago
#ShallowEnd is empty.
No polls at this time. Check out our past polls.
No contests at this time. Check out our past contests.
Joined: Mar 14, 2006 Posts: 2230 Kiev, Ukraine |
Seamoor, that's a lot of interesting information and ideas, thank you! —Waikiki Makaki surf-rock band from Ukraine https://linktr.ee/waikikimakaki Lost Diver https://lostdiver.bandcamp.com |
Joined: Mar 06, 2008 Posts: 584 Adelaide |
Seamoor, that's pretty heavy duty stuff For myself, I try and stretch myself by listening to different types of music to kick start the creative juices. You would probably label it "Broadening" maybe? I dunno, I think the start of a song is still a bit of a mystery (why some ideas burn inside waiting to get out) but then you have to put in the hard work to get it crafted into a better shape...but I don't play live much anymore. I'm sure I wrote more exciting tunes when I had a regular drunk audience! —Tim O |
Joined: Apr 03, 2008 Posts: 122 |
I am definitely on the side of the Mystery. I just want to hear more good music..
SeeMore Glass |
Joined: Feb 27, 2006 Posts: 3832 netherlands |
I like Zappa's attitude disclaimer: not meant to mock anyone, just my perspective on it all. —Rules to live by #314: |
Joined: Mar 06, 2008 Posts: 584 Adelaide |
|
Joined: Apr 03, 2008 Posts: 122 |
It's ironic, but FZ wrote several books, including his autobiography, numerous editorials, testified before congress, conducted the London Symphony, and was chosen to be the Minister of Culture by the Chezh Republic, over the protestations of James Baker of the Reagan administration. Shut up and play your guitar was his wry observation regarding people who resented his political activism and social commentary. It was his view of trogolodytic culture--a culture he was always attempting to shatter--as in his performance in Absolutely Free, where he would throw french fries at the audience and cry "Eat! Pigs!" or "If your children knew how lame you are they would murder you in your sleep." I always liked: "What's the Ugliest Part, of Your Body?" Seamoor Glas |
Joined: Mar 06, 2008 Posts: 584 Adelaide |
I suspected that about Zappa... I'm a bit coy about posting my thoughts on creativity because I'm a hobby musician among the big guns, or big guitars I should say, but I'm interested in the creative process...so here's a couple more thoughts... creativity is usually - 1% inspiration 99% perspiration One of the best way to write a "surf instro" is to beg, steal and borrow off your favourite music and then put your own stamp on it - there wouldn't be a genre (is that how you spell genre?) of surf if people didn't copy off of each other. I hear a tune and say to myself -"I want to do that!" though not outloud but in the recesses of my 'subliminal creative unconscious'; if that was actually a real phrase. So endeth my brief, and yet somehow mildly passionate, discourse —Tim O |
Joined: Feb 25, 2006 Posts: 19265 Des Moines, Iowa, USA |
When are the Iterators getting a myspace page? —Site dude - S3 Agent #202 "It starts... when it begins" -- Ralf Kilauea |
Joined: Apr 03, 2008 Posts: 122 |
There, I think you have reached the heart of the matter. 'Inspiration'. It can be almost anything, but the net result is some impulse to express yourself--the thing that inspired you provokes an upwelling need to express the feeling. I suspect that, for many, it isn't "I want to do that" exactly, i.e. copy what I hear--but be able to express the power that has moved me. To speak the language of that which spoke to me... It must be like the first CaveMan that was shown fire, or realized that fire could be tamed, managed, created, mastered, even with the knowledge that fire was dangerous and could hurt you bad, even kill you. What did the first people who saw fire, think of it? How long before they discovered it could be put to use? How long before they discovered it's secrets? How to make it? How to contain it? How to keep it caged? So here you are, for the first time, hearing something that turns you on that makes you say(somewhere) I want to do that. And you get a guitar--and then what? This is not going to be as easy as you thought. Between the initial spark--and the ability to express powerful feelings--is way more than 40 miles of bad road. But the "I want to do that" is the fire demon in the cage--it is the locomotive that drives the whole enterprise. In Hindu culture, they have an idea that they call the Gunas. There are 3 Gunas: Sattva, Rajas, and Tamas--they are the fundamental building blocks of the Universe--the basic elements that everything is made from. The goal in Ayurvedic medicine, or Yogic diet, is to bring the Gunas into balance. The first time I ever heard the idea, this guitar hero of mine explained it like this--You get an idea, that's Sattvic, and you want to express this idea, that is Rajasic, and then you have to move your fingers on the strings, and there you enter the realm of the Tamasic. Imagine the same thing with a sculptor: He gets an image in his mind, and goes to work, chipping and chipping away at the big stone. The idea is Sattva--the energy to express that idea is Rajas--and the inertial mass to be chipped and sanded and shaped is Tamas. When you first start out-- your ability to weild Rajas to manipulate Tamas is overwhelmed by Tamasic inertia--you can hardly even connect it to the Sattvic--but over time, the Tamas is transformed, and a space is created within which the Sattvic can be purely manifested. These ideas run throughout Indian classical music which is the mother of all Gypsy, or Rom music. Ultimately, you want to transform Tamas and Rajas into Sattva. That's how you put the Sattva in Bodhisattva... Seamoor Glas |
Joined: Mar 02, 2006 Posts: 11046 Berkeley, CA |
OK Seamoor, it's obvious you spend a lot of time thinking (and writing) about music. Why don't you share some of the results of this thoughtful process with us? —Danny Snyder Playing keys and guitar with Combo Tezeta Formerly a guitarist in The TomorrowMen and Meshugga Beach Party Latest surf project - Now That's What I Call SURF |
Joined: Apr 03, 2008 Posts: 122 |
Ah, but this would take me away from composition--the only part of music that I truly enjoy. Today I will compose a couple of tunes. I will work on it for about an hour and capture it using 1-bit dff format. Later this week I will get together with my partners in crime and we will review what we've done this week. But I've become like the Widow of the Winchester fortune. I have to hear the sound of hammers banging to drive off the ghosts of the Winchester dead. I don't wanna hafta put up music on a web page. That sounds like work. When I started this experiment--I began with a certain surmise--why the artistic output of different artists varied widely. Frank Lloyd Wright designed the Guggenheim when he was 95. Kurt Vonnegut gave up writing and became a line artist for the next 25 years. Frank Zappa composed volumes of work relentlessly in a space of 25 years. Other artists produce a flurry of work like fireworks--Syd Barrett, fr isntance, and then never produce another thing. Many famous musicians show the evolution of craft, only to reach a peak, and then follow a long slow decline. I would argue that is the pattern of the Rolling Stones--but I don't really want to argue the point. I wanted to know the secret of those guys whose work consisted of a non stop, ever rising, never ending, trajectory. One of my surmises is that they stayed in the idea laboratory and left the packaging marketing and promotion to others. All those banal aspects of commerce are brutal to the spirit of creativity, which is a shy and delicate creature preferring moonlight in the garden of forking paths rather than the fierce sun at high noon in the marketplace of the casbah. I was an entrepreneur once--and my business was based on many years of laboratory research and development. I loved working in the lab, I loved solving problems and addressing the new challenges. But once the business was self sustaining and growing I became overwhelmed by ordinary business concerns related to accounts payable and receivable. It was just a business. It killed all of my enthusiasm, entirely and after 7 years I walked away from it and began a new career from the bottom rung. It was a very expensive, but very valuable life lesson. One I shall not forget. I get EVERYTHING out of the act of creating new stuff. I get nothing from showing it to others. I don't do it for the consumption of others. I do it to learn the secrets of the Universe. Oh, we burn disks and exchange them with friends, to share what we've been up to--But the fantasy of a public presence, taking on gigs, putting out cd's, putting up a website--would take us away from our core passions without giving us anything in return. Don't misunderstand me. I am not disparaging the goal of becoming a public institution--I love all these guys with the drive to create a band, gig, make cd's, tour, and become icons--I buy their cd's and go see them perform in public--it just isn't MY goal. I found the fountain of youth, and I'm stickin by it. And there is a superstitious fear that if I left the gold mine to go to town to cash in my goods, I wouldn't be able to find my way back. It has happened to more than one artist who then ended up wandering in the wilderness for the rest of their days, searching for what they once had and lost. That's the Bob Dylan story in a nutshell--like something out of Greek mythology. Seamoor Glas |
Joined: Apr 24, 2006 Posts: 1618 Ithaca, NY |
So... no myspace? |
Joined: Mar 06, 2006 Posts: 796 Oakland |
— Science friction burns my fingers. |
Joined: Sep 24, 2007 Posts: 2728 |
This post has been removed by the author. Last edited: Sep 23, 2009 17:35:00 |
Joined: Mar 02, 2006 Posts: 11046 Berkeley, CA |
Seamoor, we're not operating in a vaccuum here. If you're going to engage the forum in long conversations and expect appropriate responses, we have to know to whom we speak. I have a pretty good sense of where all the active members on this forum are musically and it shapes my interpretation and responses to their posts. You can continue to be enigmatic, but you'll find less and less meaningful exchange. —Danny Snyder Playing keys and guitar with Combo Tezeta Formerly a guitarist in The TomorrowMen and Meshugga Beach Party Latest surf project - Now That's What I Call SURF |
Joined: Sep 24, 2007 Posts: 2728 |
This post has been removed by the author. Last edited: Sep 23, 2009 17:35:27 |
Joined: Feb 26, 2006 Posts: 5090 San Francisco |
Seamoor, Buy Speed of Dark @ Bandcamp |
Joined: Apr 24, 2006 Posts: 1618 Ithaca, NY |
Yes, in all seriousness I would like to hear some music with as much thought put in to it as you claim to give. I'm intrigued. |
Joined: Feb 27, 2006 Posts: 25534 Anaheim(So.Cal.)U.S.A. |
I wonder if Seamore is a guy from Cowabunga's past. maybe in a band called the Swiss family skiers? I could be wrong. —Jeff(bigtikidude) |
Joined: Apr 03, 2008 Posts: 122 |
Gold Hat: Hola, senor. We are Federales. You know, the mounted police. Gold Hat: Look here, amigo. You got the wrong idea. We don't wanna get your gun fer nothin'. We wanna buy it. Look. I have a gold watch with a gold chain, made in your own country. The watch and the chain - they worth at least two hundred pesos - I 'change it fer yer gun. Y'better take it, thatsa good bizness for you!! Adios |