weird_oh84
Joined: May 24, 2023
Posts: 167
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Posted on Dec 09 2023 08:41 AM
How clean were fist wave shows?
I imagine they’d have to crank everything on the amps to 10 so that the crowds in the back could hear….which leads me to believe that the “Classic clean” sound we all love and chase after only existed on recordings and not in a live situation.
I imagine the sound was very overdriven and dirty (there are so few live recordings of live first wave gigs I cannot be certain, although Bombora album by the Original Surfaris is very gritty and hairy in a delicious way!)
anyone else think about this?
BTW, my fist love will always be Firstwave and ProtoSurf from the late 50’s & 60’s, but I don’t want to be a slave to chasing down heavy 3000 dollar amps that constantly need repairs in order to get the sound.
I’m learning to embrace my own unique sound based off the gear I already own…a G&L aComanche Tribute played through slightly overdriven Fender Rumble amp.
Right now I’m using a Tube Screamer clone for very light dirt but am waiting for my JOYO Sweet Baby pedal to arrive and take over.
Would love some insight and thoughts on the topic
Thanks!
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IvanP
Joined: Feb 27, 2006
Posts: 10331
southern Michigan
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Posted on Dec 09 2023 11:22 AM
I think that's definitely true. Exhibit A: Dick Dale's debut album, "Surfers' Choice", all recorded live. Dick's guitar sounds substantially more overdriven on there than any of his subsequent Capitol releases, all recorded in studio.
The Bobby Fuller Four live version of "Misirlou/Hava Nagila" is pretty crankin'!
— Ivan
Lords of Atlantis on Facebook
The Madeira Official Website
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IvanP
Joined: Feb 27, 2006
Posts: 10331
southern Michigan
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Posted on Dec 09 2023 11:25 AM
Exhibit B: check our Eddie Bertrand's tone here - it's pretty overdriven! (And check out the tempo of "Squad Car", even faster than the studio version, which he later said was not supposed to be that fast, that they didn't do it right. This live version would shed doubt on that claim!
— Ivan
Lords of Atlantis on Facebook
The Madeira Official Website
The Madeira on Facebook
The Blair-Pongracic Band on Facebook
The Space Cossacks on Facebook
The Madeira Channel on YouTube
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RobbieReverb
Joined: Feb 28, 2006
Posts: 2337
San Jose, Ca.
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Posted on Dec 09 2023 12:40 PM
I absolutely agree with your premise, Weird-oh84. Ivan, your examples are spot-on. It's always cracked me up that so many surf guitarists worship and opine about the ultra clean Fender sound, while playing through, or lusting after, Brownface Fender amps. Throw in a reverb tank, pushing the front end, and you're got significant (and glorious) grind. I wouldn't call it dirty, but it's that dancing on, and over, the line of breakup that is such an appealing sound. Playing the big halls, like the Rendezvous, would have required cranking their amps. Their rigs probably sounded quite a bit cleaner in the smaller club venues. Recording engineers, in those days, did not like, and often did not allow, cranked amps in the studio. So yes, I think you contention about live versus studio sound is certainly valid.
— Bob
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Samurai
Joined: Mar 14, 2006
Posts: 2229
Kiev, Ukraine
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Posted on Dec 09 2023 01:11 PM
I am just trying to imagine.
- Hey guys, we have 100w heads and big ballroom, but we should stay as clean as possible.
- But why???
- Because that will be the surf music golden rule! So turn your knobs down!
— Waikiki Makaki surf-rock band from Ukraine
https://linktr.ee/waikikimakaki
Lost Diver
https://lostdiver.bandcamp.com
https://soundcloud.com/vitaly-yakushin
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synchro
Joined: Feb 02, 2008
Posts: 4411
Not One-Sawn, but Two-Sawn . . . AZ.
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Posted on Dec 09 2023 05:51 PM
I think that it comes down to definitions. As Robbie Reverb commented, some serious grind going on. In one sense of the term, every amp is distorting, all of the time. Even a “clean” amp is changing the signal, somewhat, and we wouldn’t like the perfectly clean sound. I had a 50 watt Yamaha amp that was so clean that it sounded sterile, and it wasn’t pleasant to listen to.
The vaunted ‘62 Dual Showman sound was clean, in that the note definition was retained, but there was a lot of the above-mentioned grind, in the mix, and obviously, this increased as the volume was cranked up. But this strikes me as different from an amp breaking up to the point that note definition is lost. If I plug my SD-1 in between my guitar and a post ‘64 Fender amp, I’m not going to get this same grind.
I enjoy the sound of an amp when it’s breaking a sweat. It can be a very rich, evocative sound. I’m sure that was heard in plenty of the early Surf shows. However I do t think that they were aiming for a more distorted sound, such as the opening riffs of I can’t Get No Satisfaction. That sound hadn’t really become popular during the halcyon days of Surf.
— The artist formerly known as: Synchro
When Surf Guitar is outlawed only outlaws will play Surf Guitar.
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ElMonstroPorFavor
Joined: Sep 01, 2006
Posts: 2714
New Orleans, LA
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Posted on Dec 10 2023 04:00 PM
I actually think about this outside of surf as well. You read about how animated some rhythm & blues artists are but when you hear the recordings they're stifled and tame.
Especially when you consider that a lot of surf musicians were teenagers, of course they're different when they're thrown into a studio with no crowd to feed off of, not to mention hide their mistakes.
I realize I'm talking more about performance than gear, but I think we're just not able to get full context for a lot of 50's and 60's music.
— Storm Surge of Reverb: Surf & Instro Radio
Last edited: Dec 10, 2023 16:01:46
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Cranium
Joined: Sep 16, 2009
Posts: 73
Pajaro Valley
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Posted on Dec 10 2023 05:41 PM
Weird, I haven't logged on in a while, and I came here specifically to see if there's any mention of anyone using the Rumble with guitar.
And this is the first post I see! I feel like the Rumble makes a great surf amp with a tank in front of it.
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stratdancer
Joined: Dec 11, 2013
Posts: 2533
Akron, Ohio
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Posted on Dec 11 2023 05:38 AM
These early "aggressive" volume pioneers should always be held in high esteem for the ground they broke. IMHO there was nothing like it on the planet before this time period. Leo and this group of maniacs quickly evolved an attack unheard of in musical expression through volume, BPM and picking style. Hats off forever and heavy adrenalin based musical expression was born! To deliver this music took skill and confidence at that volume.
Duplicating this in the real world today and especially at lower volumes is a challenge. I eventually moved to using the Quilters with the gain and limiter features to create that loud compressive sound at a lower volume so I can enjoy playing in a small room and not destroy my hearing even more.
— The Kahuna Kings
https://www.facebook.com/pages/The-Kahuna-Kings/459752090818447
https://thekahunakings.bandcamp.com/releases
Last edited: Dec 11, 2023 05:40:58
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Samurai
Joined: Mar 14, 2006
Posts: 2229
Kiev, Ukraine
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Posted on Dec 11 2023 06:44 AM
stratdancer wrote:
These early "aggressive" volume pioneers should always be held in high esteem for the ground they broke. IMHO there was nothing like it on the planet before this time period. Leo and this group of maniacs quickly evolved an attack unheard of in musical expression through volume, BPM and picking style. Hats off forever and heavy adrenalin based musical expression was born! To deliver this music took skill and confidence at that volume.
Duplicating this in the real world today and especially at lower volumes is a challenge. I eventually moved to using the Quilters with the gain and limiter features to create that loud compressive sound at a lower volume so I can enjoy playing in a small room and not destroy my hearing even more.
Btw, that’s interesting. I think I have never touched limiter knob on my Quilter, is it worth giving a try?
— Waikiki Makaki surf-rock band from Ukraine
https://linktr.ee/waikikimakaki
Lost Diver
https://lostdiver.bandcamp.com
https://soundcloud.com/vitaly-yakushin
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stratdancer
Joined: Dec 11, 2013
Posts: 2533
Akron, Ohio
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Posted on Dec 11 2023 06:53 AM
Lorenzo explained it to me that is basically tames the gain and turns it into simulated tube compression. What you end up with is the sound of Showman on 7 at bedroom volumes and up. For band practice volumes and by myself I have the gain at 6 1/2 and limiter at about 8.
— The Kahuna Kings
https://www.facebook.com/pages/The-Kahuna-Kings/459752090818447
https://thekahunakings.bandcamp.com/releases
Last edited: Dec 11, 2023 06:54:24
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stratdancer
Joined: Dec 11, 2013
Posts: 2533
Akron, Ohio
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Posted on Dec 11 2023 07:05 AM
This is the tone I want at low volumes. Quilters are the only way I have found to even get acceptably close to doing this. Randy's amp had to be pushed to the edge on this recording. You can really hear the breakup on the lower notes. It's incredible!
— The Kahuna Kings
https://www.facebook.com/pages/The-Kahuna-Kings/459752090818447
https://thekahunakings.bandcamp.com/releases
Last edited: Dec 11, 2023 07:11:39
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Samurai
Joined: Mar 14, 2006
Posts: 2229
Kiev, Ukraine
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Posted on Dec 11 2023 07:19 AM
stratdancer wrote:
Lorenzo explained it to me that is basically tames the gain and turns it into simulated tube compression. What you end up with is the sound of Showman on 7 at bedroom volumes and up. For band practice volumes and by myself I have the gain at 6 1/2 and limiter at about 8.
But I have Blossom Point so probably no need in second limiter
— Waikiki Makaki surf-rock band from Ukraine
https://linktr.ee/waikikimakaki
Lost Diver
https://lostdiver.bandcamp.com
https://soundcloud.com/vitaly-yakushin
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synchro
Joined: Feb 02, 2008
Posts: 4411
Not One-Sawn, but Two-Sawn . . . AZ.
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Posted on Dec 11 2023 08:03 AM
Samurai wrote:
stratdancer wrote:
Lorenzo explained it to me that is basically tames the gain and turns it into simulated tube compression. What you end up with is the sound of Showman on 7 at bedroom volumes and up. For band practice volumes and by myself I have the gain at 6 1/2 and limiter at about 8.
But I have Blossom Point so probably no need in second limiter
I would agree.
Just my humble opinion, but I think that a lot of what people like about overdrive is the compression/limiting, which is a natural side effect of overdrive.
— The artist formerly known as: Synchro
When Surf Guitar is outlawed only outlaws will play Surf Guitar.
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chiba
Joined: Sep 02, 2022
Posts: 501
Central VA
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Posted on Dec 11 2023 10:44 AM
synchro wrote:
Just my humble opinion, but I think that a lot of what people like about overdrive is the compression/limiting, which is a natural side effect of overdrive.
Definitely agree w/you here. A lot of tube amps, once you get them above 7 or so you don't necessarily get a lot more volume, but you get more compression, sag, etc.
— --
Project: MAYHEM by Hypersonic Secret now available!
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beatcomber
Joined: Jun 30, 2019
Posts: 127
Massachusetts, USA
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Posted on Dec 11 2023 01:33 PM
weird_oh84 wrote:
BTW, my fist love will always be Firstwave and ProtoSurf from the late 50’s & 60’s, but I don’t want to be a slave to chasing down heavy 3000 dollar amps that constantly need repairs in order to get the sound.
My 1963 Bandmaster was recapped about 10 or 12 years ago and has been bullet-proof ever since.
I think your concern about the reliability of vintage amps is not justified. If anything, a vintage handwired amp that has been properly sorted out should be more reliable than a modern amp made with a printed circuit board.
— THE HYDRONAUTS…Surf Music from the shores of old Cape Cod.
Last edited: Dec 11, 2023 13:36:01
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beatcomber
Joined: Jun 30, 2019
Posts: 127
Massachusetts, USA
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Posted on Dec 11 2023 02:02 PM
IvanP wrote:
Exhibit B: check our Eddie Bertrand's tone here - it's pretty overdriven! (And check out the tempo of "Squad Car", even faster than the studio version, which he later said was not supposed to be that fast, that they didn't do it right. This live version would shed doubt on that claim!
I wonder what kind of sound reinforcement they had at larger venues like the Hollywood Bowl in 1963. I’m pretty sure they didn’t mic amps and run them through the PA back then, everything was a lot more primitive.
Most likely they used all the volume they could wring out of their amps to reach the back rows. That’s why JMI in the UK developed the 100-watt Vox AC100 - the world’s most powerful guitar amp in 1964 - specifically for the Beatles’ touring needs.
— THE HYDRONAUTS…Surf Music from the shores of old Cape Cod.
Last edited: Dec 11, 2023 14:04:13
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DeathTide
Joined: Apr 13, 2018
Posts: 1373
New Orleans
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Posted on Dec 11 2023 03:11 PM
beatcomber wrote:
I think your concern about the reliability of vintage amps is not justified.
100% this. Especially old Fenders. I actually had a big response typed up when you first posted. I ended up deleting it but then you said it. OP, you've been misinformed! My advice is to get a brown fender now while they are still semi-affordable. 6g6B Bassmans are very cheap in my opinion. Treat it well and it will last your whole life.
— Daniel Deathtide
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synchro
Joined: Feb 02, 2008
Posts: 4411
Not One-Sawn, but Two-Sawn . . . AZ.
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Posted on Dec 11 2023 04:03 PM
chiba wrote:
synchro wrote:
Just my humble opinion, but I think that a lot of what people like about overdrive is the compression/limiting, which is a natural side effect of overdrive.
Definitely agree w/you here. A lot of tube amps, once you get them above 7 or so you don't necessarily get a lot more volume, but you get more compression, sag, etc.
That can be a great sound, and you don’t need heavy breakup.
— The artist formerly known as: Synchro
When Surf Guitar is outlawed only outlaws will play Surf Guitar.
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CaptainSensible
Joined: Nov 08, 2006
Posts: 644
Leesburg, VA
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Posted on Dec 14 2023 09:35 AM
The Rhythm Rockers album sounds like you’re watching them play in your living room. Good stuff.
— Sean
Last edited: Dec 14, 2023 09:36:11
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