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SurfGuitar101 Forums » Surf Music General Discussion »

Permalink Dakotas version of The Cruel Sea

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I have been playing the Ventures version of The Cruel Sea for a long time. I recently discovered the original by The Dakotas. The lead picking in the chorus or B section is really fast. Was the guitar player, Mike Maxfield, a really quick picker? Or was this recording was sped up?

While the notes during those parts may seem fast, they're only triplets of the same note. There are probably thousands of surf tunes with more intricate (non-repeating) and faster notes than on Cruel Sea.

_

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Last edited: Jun 02, 2023 14:49:09

Yes, the notes repeat but they aren't triplets and the tempo is very fast. This is my take on the first 4 bars. I can't keep up with the recording...yet.

image

Ok, so with this I am going to become even more unpopular than I already am, but heck if I care. I don't think the Ventures were good guitar players. Good guitar players can fairly easy create their own tunes and the Ventures covered 90 to 95% of their oeuvre, heck even most of their biggest hits were covers. And if you just play covers, it's just a matter of practice, practice, practice without any real creative input. To compare: Hank B Marvin was miles ahead of the Ventures because at least he came up with original melodies, albeit that a lot of them were just rip offs of other original melodies (compare "Sleep Walk" vs "Midnight).

With that out of the way; the Dakotas' version is indeed really fast - I know that, because I can double pick really fast, but have trouble keeping up with them. But then again, I only played it a handful of times and wasn't really interested in covering it. I suppose you keep practicing and at some point you will get up to speed with the tune, so to say.

So now all that remains is that I am REALLY curious about examples mr. Fintastic can give me of the thousands of tunes that are faster than the original version of "The Cruel Sea".

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Last edited: Jun 02, 2023 19:37:08

I agree that is pretty fast, I doubt I could play as clean as that. I can't say for sure but I wouldn't be surprised if it was sped up. The drums sound a bit unnatural to me.

Danny Snyder

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I am now playing trumpet with Prince Buster tribute band 'Balzac'

Playing keys and guitar with Combo Tezeta

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Latest surf project - Now That's What I Call SURF

Jojobaplant - the Ventures don't need me to defend them but IMHO they added their own spin to the tunes they covered and improvised to a degree. I like the solos on their version of Out Of Limits as an example.

Growing up in the US, I had no idea about Hank Marvin and The Shadows. For a very long time I thought Jorgen Ingmann originally recorded Apache. I have become a fan of The Shadows in recent years after hearing Wonderful Land.

DannySnyder - George Martin and the engineers at EMI were known to change speeds on recordings, so it is certainly a possibility. There doesn't seem to be much internet wisdom about the details of the session.

Last edited: Jun 03, 2023 07:43:49

@Phrygian: you are of course just as entitled to your opinion as I am to mine. Doesn't each cover band gives a tune it's somewhat own spin to a cover, unless you try to replicate the original to a T or are a wedding band? Covering one or two tunes can be a great practice, but if you base your entire being as a band on it, I don't think you're creatively adding something to the world of music. And sure, some parts of what they're doing is sounding indeed very good - Out of limits is indeed a good example. But over the whole, imo, good musicians should be able to create new music, new melodies etc. with the occasional cover as complementary to their oeuvre. But that is just my opinion.

Yes Apache is indeed a bit of a strange duck in the pond. Written for ukelele, it was given to Marvin cs, who then recorded it and a little later to Jorg Ingmann who recorded it as well. The Shadows got a massive hit with it over here, whilst Ingmann went and got a massive hit in the US. Funny thing is that indeed, the Shads were hardly known in the US whilst Ingmann's version didn't do anything in Europe and was as much known over here as the Shadows were known in the US. We did know that Apache was a hit for him in the US, but only as a foot note. I think it wasn't until the very late 80's that Ingmann's version got played more regularly on European radio stations outside Denmark, where he was from.

Btw, if you're interested in good guitar-work, check out the Tielman Brothers. Andy Tielman, the lead guitarist is a masterfully guitarist and the band had just as much an influence on European instrumental and non-instrumental rock as the Shadows had. Their original version of "Black Eyes" has become a classic.

Edit: having said all that about the Ventures, I do think their Bumble Bee Twist reworking of the classic piece as well as Joker's Wild are great tunes.

Albums:
_Introducing; Impala '59; An Evening with; Herr Magnatech Bittet Zum Tanz; Europa

Changing label.

https://magnatech.bandcamp.com
https://www.facebook.com/magnatechmusic
https://www.magnatech-music.com

Last edited: Jun 03, 2023 08:22:46

JoJo,
You certainly are entitled to your opinion. The Ventures had two quite original and musically distinct lead guitarists with Nokie Edwards and Gerry McGee. I can listen to a Ventures tune and can usually distinguish who is playing lead guitar. They're style is their "fingerprint". Might that not be a mark of a good guitar player?
A "yes" to that question by me and my opinion.
SO - I would quite well disagree with your statement that the Ventures were not good guitar players. BTW - usually half their albums were original tunes (as in they wrote them themselves; some guitar-oriented musicianship there, perhaps?). The other half being covers. That formula had an interesting side effect:
It kept them going financially for decades.

The Dakotas version is OK; I still prefer the Ventures version and, yes, I can play it at speed - on a super-fast-action Mosrite, of course. Do anything long enough (it's called "practice") and you eventually "come up to speed" - so to speak.

Cheers,
J Mo'

For just one example, relevant to this site, checkout the writing credits here:

https://www.discogs.com/release/1749028-The-Ventures-Surfing

9/12 written by The Ventures.

But songwriting credits aside, you really think Nokie Edwards wasn't a good guitar player? (confused stare)

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The difference in speed between the original Dakotas and Ventures versions of "The Cruel Sea" is not that much. And it wouldn't surprise me if the former was sped up just a hair, it sort of has that feel to me. But obviously we have no real way to know. But either way, the playing on both is excellent IMO. And yes, the right hand stuff is pretty quick. But I think a lot of modern speed players (from various styles) would scoff at the idea that either are pushing the boundaries of speed.

As far as the comments about the Ventures not a) being very creative or b) not being good guitar players - well, I think you're off the mark on both counts. The Ventures, IMO, actually stylized the entire idea of being an instrumental guitar band, and have kept at it for decades. They have probably brought more instrumental guitar music to more people than anybody. Of course, they definitely did instrumental versions of lots of tunes, including lots of classic songs from many different genres. I think a lot of the arrangements were very creative.

As far as writing, of course, Brian's 1963 Surfing album 9/12 original count certainly belies any idea that they couldn't or didn't write good stuff. The classic "Surf Rider" that so many talk about the Lively Ones version, was a cover of a Ventures song from that Surfing album. That album is chock full of good original stuff. And this from a band that is generally not considered strictly a 'surf band'. I always considered it to their credit that they could actually work as a 'surf band' but also do so much more. If you look at the credits for lots of their albums on discogs.com, you'll see that it waxed and waned. Some albums were themed on other peoples' music, and others had more original stuff. That was their formula for success and it has worked very well.

As far as guitar playing goes - well, they definitely had their own style and played pretty intricate stuff very well. Of course, there are lots and lots of really fine guitar players out there, have been for decades. I tend to avoid discussions of 'Who is a better guitar player than whom?" - comparisons are pretty pointless, this is music, not track-and-field. But I think the guitar playing of the various Ventures guitarists stands on its own. Within the style they purveyed, I think they were very good guitarists. And I also think they were very influential. Certainly were for me and countless other guitarists I know.

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Jojo - I was not aware of the Tielmann Brothers. I just watched Black Eyes. Excellent playing indeed! Nice LPs also! I will check out more of their recordings.

DaveMudgett - the Ventures version is a bit slower than the Dakotas' version; roughly 176bpm vs 186bpm. I find the 8th and 16th note pattern that Mike Marshfield played more difficult than the steady stream of 16th notes in the Ventures version. The double stops in the Ventures version are very cool though. I like both!

JohnnyMosrite wrote:

JoJo,
BTW - usually half their albums were original tunes (as in they wrote them themselves; some guitar-oriented musicianship there, perhaps?). The other half being covers. That formula had an interesting side effect:

That's fine that you think of them that way - I don't hate them, I have nearly all their albums, but I stand by my opinion. What you state in this fragment is actually not correct. I didn't have time to sift through all the albums, so I just took a quick look at their first 5 albums whereas covers are concerned. The 5 albums combined have a total of 6 original Ventures tunes (when written by Bogle, Wilson cs), the rest are covers or not written by themselves:

Walk don't Run: 1 original
The Ventures: no originals
The colorful Ventures: 2 originals
Another Smash: 2 originals
and
Mashed Potatoes and Gravy: 1 original.

Just saying.

It is possible to find ppl not being great guitarists and still like their music. Heck, there's loads of bands whose music I enjoy, but their craftmanship I abhor.

Not sure which albums exactly I have from the Ventures as there are so many and they're all at my mom's, but I have close to hundred and at least the first 20 are among them. A family member was a big fan of them and when he died I got them. And I enjoy them, except perhaps the ones they made in the late 70's, early 80's; but that's more because they were starting to take on a sort of disco-like sound.

Cheers to you as well!

Albums:
_Introducing; Impala '59; An Evening with; Herr Magnatech Bittet Zum Tanz; Europa

Changing label.

https://magnatech.bandcamp.com
https://www.facebook.com/magnatechmusic
https://www.magnatech-music.com

Last edited: Jun 03, 2023 11:23:52

DaveMudgett - the Ventures version is a bit slower than the Dakotas' version; roughly 176bpm vs 186bpm.

What I said was that the difference was not that much. I don't think 176 vs. 186 BPM is that much - both these tunes move pretty quickly. But yes, it is a bit slower - about 5.7% slower. But if it was live double-stop picking on guitar, that presents additional speed challenges, as compared to single note picking. IMO, there's also a significant difference between speed picking a pair of double-course strings like mandolin vs two more physically separated strings on 6-string guitar. Of course, we don't know if that was double-tracked in the studio either - I would have guessed that it was just based on how precisely clean it is.

I guess bottom-line for me is that we don't know how these tracks were produced, so drawing conclusions about guitarists' raw ability to execute at speed is pretty hard.

Dave

The Delverados - surf, punk, trash, twang - Facebook
Chicken Tractor Deluxe - hardcore Americana - Facebook and Website
The Telegrassers - semi-electric bluegrass/Americana - Facebook

Nokie Edwards was a brilliant, and innovative guitarist. Very ahead of his time and super influential. Nobody else played leads like that in the early sixties. Opinions not withstanding, it's ludicrous to claim otherwise.

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Phrygian, that Cruel Sea B section is fast but it's actually not that hard to play if you pick the right spot to play it in.

He's doing a bunch of arpeggios, descending from Cmaj, Amin, Gmaj, Fmaj, Emaj and when I first went to play it, I was fingering them way up on the neck Yngwie style but then I remembered an invaluable truth: surf stuff that seems hard to play was probably written in a position that made it much easier to play.

You can play the entire B section in the first 5 frets. For the Cmaj arpeggio: Start on the high E string, on the G, then to the A, then back to the G, then to the open E string, then the first fret of the B string, and so on. Then the Amin arpeggio starts on the open high E string. Anyway, if you weren't playing it there, give it a shot. It makes it pretty accessible, even at Dakotas pace.

DaveMudgett - I wasn't trying to be difficult with my comment on the differences in tempo between the two versions, but I often find that slowing down a tough passage by 5% makes a difference in my ability to keep up.

Redfeather - I am struggling to keep up with picking the repeated notes in the 1st and 3rd bars of the little staff I posted above. The arpeggios and the position to play them are not the issue for me. For this section I like using F shapes, beginning at the 8th fret and descending with the chords.

Last edited: Jun 04, 2023 13:46:26

Phrygian wrote:

I have been playing the Ventures version of The Cruel Sea for a long time. I recently discovered the original by The Dakotas. The lead picking in the chorus or B section is really fast. Was the guitar player, Mike Maxfield, a really quick picker? Or was this recording was sped up?

YES, it sounds like the Dakotas song, Cruel Sea has been sped up. If you compare the other songs like "Magic Carpet" on the same EP "Meet The Dakotas" released in 1963, the pitch of the snare is higher. However I bet it was only sped up a bit.

Thanks to everyone who responded!

JoJo,
Ok then. But perhaps I've missed something in your forum post and you can elaborate here. Who would you consider a good guitarist - superior to the Ventures, of course - for the music we are discussing?
If you are going to answer Hank Marvin, then a preliminary polite but quite dismissive smile would be had at this end.
But to each, his own
J Mo'

Some pretty nice picking, very accurate.
but this version of the song definitely sounds speeded up to me.

Joel

Last edited: Jun 06, 2023 21:13:44

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