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SurfGuitar101 Forums » Gear »

Permalink Early 90’s Made In Mexico Fender Stratocasters

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I am saving up for a new Guild guitar but recently saw 2 early 90’s MIM Strats from the Ensenada plant , I believe before that infamous fire happened.

I have read about the magical early 90’s MIM Starts and how amazing they are because of the QC at the time.

both are selling for under 500 each… deal or pass?

would love to hear your guys thoughts on the early 90’s MIM Strats!

Not great at all. Electronics are terrible and fret size is medium.

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stratdancer wrote:

Not great at all. Electronics are terrible and fret size is medium.

What MIM years are good?

racingsnail84 wrote:

stratdancer wrote:

Not great at all. Electronics are terrible and fret size is medium.

What MIM years are good?

The MIM usually have lower quality electrical parts, but the overall quality tends to be good. I had a ‘95 Tex Mex Strat that was wonderful. To the best of my knowledge, one of my great nephews still uses it as his #1 guitar.

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When Surf Guitar is outlawed only outlaws will play Surf Guitar.

synchro wrote:

racingsnail84 wrote:

stratdancer wrote:

Not great at all. Electronics are terrible and fret size is medium.

What MIM years are good?

The MIM usually have lower quality electrical parts, but the overall quality tends to be good. I had a ‘95 Tex Mex Strat that was wonderful. To the best of my knowledge, one of my great nephews still uses it as his #1 guitar.

Awesome , thanks Cool

I wouldn’t avoid them, but it’s good to be aware of the limitations.

The artist formerly known as: Synchro

When Surf Guitar is outlawed only outlaws will play Surf Guitar.

I have a 99 MIM telecaster that I got new, it was great in wood (pretty heavy and resonant poplar) and overall quality but I have changes the pickups that were a little anemic and also changed bridge for Bigsby cause I cannot live with hardtail). I got it also refretted for jumbo frets some 10 years ago, but mostly because the frets were completely worn out by me. One of my favorite guitars still.

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Last edited: Feb 02, 2024 16:14:54

I have a MIM Strat from ‘94-‘95. It is a very nice Strat and is different from MIMs that followed. It feels and plays well. If I to change anything it would be the vintage string spacing.

Beginning in 1994 through the rest of the decade I worked at a guitar shop. Looking back it was interesting because Fender was still redefining itself post CBS. When I began working at the shop where I would go on to sell hundreds of Stratocasters the MIM Strat was being marketed as the “Standard Stratocaster” relative to the “American Standard”. I remember when the Fender sales rep came in in 1996 and told us that the “Standard Stratocaster” would now be called the “Mexican Standard”. Around that time the guitars changed. The colors became more interesting but rough frets became normal and the finishes on the neck changed. Mine from less than two years earlier is gloss and tinted a little bit. It looks and feels like a nicer guitar and is representative of MIM Strats from this period of time. I can’t say whether or not it had anything to do with the Ensenada fire but there was a brief window, I’m talking weeks, maybe a couple months, where our store had two very similar but distinctly different MIM Stratocasters (this was a long time ago now but I think we had a stretch where our inventory of MIMs went down to zero. Whether or not we still had the previous iteration of MIM Strat literally hanging on the wall is not important because we saw them all the time for setups and out in the wild and eventually trade-ins). Regardless, when the new MIMs Strats began to appear, they were different and we who sold them noticed. After this they began to introduce things like the Tex Mex Strat. Which was a good guitar.

MIM Strats from before 1994 are another can of worms.

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Anything made in 2010-2018 is very good, especially the Classic Series, which came with high quality electronics and period correct specs.

I have a 1994 Fender Stratocaster MIM that was bought at Stanroys Music in Santa Rosa , California in 1995. The guitar has only one owner , me. The only thing not original on this guitar are the strings. So after reading so much confusing and contradicting info regaurding this guitar , where the parts came from bla ,bla I decided to disect mine and find out.BTW it is a MN4 serial number guitar with silver spagatti label and not a Squire. Well ,lol so first I removed the neck and exposed the saddle. Shocking discovery was in the saddle in green was the letter "J" and in light pencil was the word "Squire" written in the saddle!! Now I was mad, but then felt a litter better when I seen under the neck was written the words " Very Fine". So I feel I got a quality neck but no clue where it was actually made. Next I took the 3 ply pick gaurd off and was even more shocked. Stamped in red on underside of pick gaurd was this " CAL - 8 03 1994" and also a biger stam in black " P/G 2". The pots were CTS 13045's and also the switch was the same number as American Strats in 1994. The Pick gaurd and Pot's and switche were all from California but the pickups were not. They were the ceramic MIM version not the Alnico Nickle like in USA. My tuning keys are stamped as Fender as well as the bridge saddled all stamped a Fender in the same Direction. So it is obviouse Fender was grabbing parts from anywear thay had to in 1994 after the fire but it was only for a few months . I would call them a Partscaster or a Frankencaster, and though all Fender Parts not all were Fenders best parts, like the Squire body I guess and Pickups. The rest seems to be USA Parts though.

Hey Twohungover, welcome to SG101! When you have a moment, go to the “Shallow End” forum, and the “INTRODUCTIONS! New Members Post Here” thread and tell us more about yourself and your involvement with surf music.

Patrick

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