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SurfGuitar101 Forums » Gear »

Permalink Hypthetic question concerning Dick Dale

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Anybody who is aware of mr Richard Monsour's career, knows that originally he wanted to become a country/pop singer, but was unsuccessful at reaching that goal as most of his output in those attempts either flopped or were so tiny a hit that he quit his attempts and started fiddling around on his electric guitar etc.

My question now is: what if Dick Dale HAD become successful in his career as a country or pop singer? Would he still have go about fiddling on his electric guitar and would there be a surf music genre at all. And if yes, would it sound anywhere near what to what we know today or would it be a continuation of a "surfin' hootenanny" kinda type of music, virtually indistinguishable from other instrumental types of rock and roll.

Now, this is just a fun question and it has no relevance for anything; just a thing you wonder about on a Sunday afternoon with nothing better to do and you wonder what the experts would say Smile

Albums:
_Introducing; Impala '59; An Evening with; Herr Magnatech Bittet Zum Tanz; Europa

Changing label.

https://magnatech.bandcamp.com
https://www.facebook.com/magnatechmusic
https://www.magnatech-music.com

I have the “Best of Dick Dale” CD, and in the liner notes, it not only states that his father was Lebanese, but that his mother was a Polish Jew. That being the case, he may well have grown up listening to Middle Eastern music from both sides of his family.

He’s often said in interviews that he played songs like Miserlou and Hava Nagila, because they were in the public domain and didn’t have to pay royalties to use them. And let’s be honest, a lot of his songs were heavily influenced by those tunes, (The Wedge, The Victor, etc.)

That having been said… Dick stated that Leo Fender invented the outboard reverb tank to be used for his vocals; using it for guitar came after the fact.

Even if he hadn’t helped pioneer Surf Music (as we know it today) I think it would still have evolved anyway, but it no doubt be much different than than what it is.

As much The Ventures and The Shadows were a huge influence on the instrumental genre, they weren’t Surf Music.

Assuming it’s still available, I’m going to do a plug for the CD documentary, Reverb Junkies. It starts off with the origins of Surf Music, and brings it into the modern era. Lots of interviews with the regulars (is it ok if I use the word, “Stalwarts”?) of this this forum.

Brian, Jeff “Big Tiki Dude”, Ivan from The Space Cossacks/Madeira, Dave from The Insect Surfers, Danny and Mel from Meshugga Beach Party, Pollo Del Mar, and the late Baja Marty. Definitely worth a look.

-Cheers, Clark-

-Less Paul, more Reverb-

I guess then Misirlou would be a big country hit!

Waikiki Makaki surf-rock band from Ukraine

https://linktr.ee/waikikimakaki

Lost Diver

https://lostdiver.bandcamp.com
https://soundcloud.com/vitaly-yakushin

When I was a teen the surfing craze and music were just becoming popular in SOCAL. The surf music was noticeably different from the current music at that time. The adults hated it. The teens loved it.
It’s like music in general was in a fast moving evolution faze. Like Rock and roll evolving from country music.
And while it’s not a popular agreement here on SG101, at that time, surf music was like most music of that time, a vocal music. IE… THE BEACH BOYS.
It seems like all the surf bands tried singing at one time or another. But not everyone has a singing voice. So, Instrumental music only, was the catch. The ventures were leading the way, but they weren’t a surf band. As a teen I truly don’t remember hearing any Hank Marvin music.

Dick Dale was no different. He tried singing, but it just didn’t work for him. So, Dick drew heavily from his culture music. Which was mostly unknown to most USA kids. Most kids that listened to Dick’s surf music, never knew that it was foreign music inspired. It was just cool guitar surf music to them. At least to the group of teens I hung with.

I believe there still would have been a surf genre if Dick had instead, made it in country music. The Belairs were around at about the same time and the surfers were saying they're music sounded like surf music. Surfing was becoming extremely popular in the early '60s and surfers were probably looking for something musically that would fit their new sport.
Luckily for us, Dick was a surfer and he felt the need to put music to the waves he was riding and the rest is history.

There’s no doubt that Dick Dale was a significant force in the development of Surf Music, but he wasn’t the only force. Music is a product of many things, and time is a major factor. It would have been impossible to create Surf, as we know it, before the electric guitar came along.

I believe that Surf owes a lot to Duane Eddy. Duane Eddy wasn’t playing Surf, the feel was much different, but he did introduce twang to the world in a way it had never heard it before, and there’s little doubt in my mind that the people that invented Surf, were almost certainly familiar with Duane Eddy’s work. Surf came on the heels of the Twist phenomenon, and I think that influenced many early Surf songs.

All that having been said, Dick Dale certainly played a major role in what happened. Without him, I think that Surf may not have gained nearly as great of an audience.

The Middle Eastern influence is something I have noted, and I’m sure that Dick Dale’s lineage probably played a significant role in the direction he took, and helped to give us a legacy of minor key Surf. Surf seems to have quite a following in countries where intricate, minor key, music is culturally significant.

The artist formerly known as: Synchro

When Surf Guitar is outlawed only outlaws will play Surf Guitar.

Thanks guys. I think as well that there would have been a surf music scene without Dick Dale at the helm, but it would be very different in character. As some ppl have said, surf was also very influenced by Duane Eddy and other, more conventional instrumental acts.

I am leaving the Beach Boys deliberately out of the equation here as they were and are a versatile group that imo stands in its own right, apart from being a surf act or not. In other words: they would have developed and emerged with or without the presence of Dick Dale.

Somebody mentioned the Belairs. Indeed they started out about the same time Dick Dale did. They sounded a bit like the Ventures. I think without mr Richard Monsour on the scene, that's the type of music that would be regarded as instrumental surf music. Paul Johnson of the Belairs didn't like reverb as I understand it, and the Fender Reverb Unit may not have come to the fruition it did with the help of Dick Dale. So in short, I think surf instrumentals would sound either like a mix of Belairs/Ventures whilst other parts of the bands would sound like Duane Eddy or more conventional rock and roll instrumental acts. I also think it would have taken longer to develop absent the boost Dick Dale gave the genre and perhaps not as well known as it is today because the British invasion would have come in the way before it would've been fully developed. That's a major credit to Dick Dale. Thanks to him things developed rapidly and came to a full bloom in the relatively short period it was alive and well.

But then again, even without the boost of Dick Dale, there will always come a point in time that somebody discovers that a lot of reverb sounds really well in instrumentals and they'd be credited as "inventor" of the surf sound, although it may not have been called surf-sound but something else-sound. Everything in life after all is a collection of lucky coincidences after all.

Albums:
_Introducing; Impala '59; An Evening with; Herr Magnatech Bittet Zum Tanz; Europa

Changing label.

https://magnatech.bandcamp.com
https://www.facebook.com/magnatechmusic
https://www.magnatech-music.com

Last edited: May 15, 2023 11:36:39

Wipeout was directly inspired by Duane Eddy's "Yep!"

Jojobaplant wrote:

Thanks guys. I think as well that there would have been a surf music scene without Dick Dale at the helm, but it would be very different in character. As some ppl have said, surf was also very influenced by Duane Eddy and other, more conventional instrumental acts.

I am leaving the Beach Boys deliberately out of the equation here as they were and are a versatile group that imo stands in its own right, apart from being a surf act or not. In other words: they would have developed and emerged with or without the presence of Dick Dale.

Somebody mentioned the Belairs. Indeed they started out about the same time Dick Dale did. They sounded a bit like the Ventures. I think without mr Richard Monsour on the scene, that's the type of music that would be regarded as instrumental surf music. Paul Johnson of the Belairs didn't like reverb as I understand it, and the Fender Reverb Unit may not have come to the fruition it did with the help of Dick Dale. So in short, I think surf instrumentals would sound either like a mix of Belairs/Ventures whilst other parts of the bands would sound like Duane Eddy or more conventional rock and roll instrumental acts. I also think it would have taken longer to develop absent the boost Dick Dale gave the genre and perhaps not as well known as it is today because the British invasion would have come in the way before it would've been fully developed. That's a major credit to Dick Dale. Thanks to him things developed rapidly and came to a full bloom in the relatively short period it was alive and well.

But then again, even without the boost of Dick Dale, there will always come a point in time that somebody discovers that a lot of reverb sounds really well in instrumentals and they'd be credited as "inventor" of the surf sound, although it may not have been called surf-sound but something else-sound. Everything in life after all is a collection of lucky coincidences after all.

It’s impossible to know just how things would have turned out, if some historical event didn’t happen. In most things, not much would change, because most of us, as individuals, are not that influential, but other events change world history. When a popular young president dies, that will definitely change a lot of events, for years to come, but when it comes to music, it’s a bit harder to say.

If Jan Berry hadn’t been injured in an accident, would the popularity of Jan & Dean changed the mix? It wouldn’t surprise me, but perhaps their influence wouldn’t have been that great. It’s impossible to know.

Spring reverb was coming, with or without Dick Dale. He may have sped the process. To the best of my knowledge, The 1961 Ampeg Reverberocket was the first amp with built in reverb, and reverb simply amounted to adapting the Hammond Organ system to the guitar. Fender’s 6G15 set the bar high, and Dick Dale may have influenced the design decisions, which made the 6G15 so powerful, and gave us that wonderful drip. But either way, I can’t imagine that Fender would have ignored reverb, altogether.

Whether Surf had happened or not, I think that reverb becoming available as a consumer product had major influence, not only on on the world of Rock n’ Roll, but also upon Country and, to some extent, Blues. In the sixties, and into the seventies, a Fender amp with Reverb was the sound of Country.

With the above in mind, I would opine that Dick Dale’s influence on Surf Music was, and remains, very great, but he wasn’t a sole factor. Without Dick Dale, and without the environment of the Rendevous Ballroom, Surf may have been more like The Ventures, and over-the-top reverb may not have been as prominent.

The artist formerly known as: Synchro

When Surf Guitar is outlawed only outlaws will play Surf Guitar.

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