Slacktone - Brian's Beached Piano, still the hardest after many years even with help from Dave.
https://www.youtube.com/watch?v=k6bvPxWJUK0
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Joined: Dec 12, 2006 Posts: 2682 Ventura, CA |
Slacktone - Brian's Beached Piano, still the hardest after many years even with help from Dave. |
Joined: Jan 15, 2019 Posts: 1515 |
Yeah Dave Wronski is amazing, I have watched few of his videos like this before (I never noticed to now the Rythmn switch is gone on that Jag) there is a blank there now, must be modified or he runs them wide open etc..I never saw this video before thanks for the link. Last edited: Jan 21, 2019 15:51:22 |
Joined: Jan 15, 2019 Posts: 1515 |
He slowed this one down so you can see how its played Last edited: Jan 21, 2019 16:08:31 |
Joined: Dec 12, 2006 Posts: 2682 Ventura, CA |
I believe he said it is wired like a Telecaster with a .22 tone cap. Surfer_Joe_1961 wrote:
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Joined: Jan 15, 2019 Posts: 1515 |
Oh wow I will have to check that out One song I like that seemed hard when I first started is Storm Surf - I love playing this one. The lesson of the guy on the bottom has made many videos like this one that helped me a lot with getting on track with Surf Techniques etc....Good pace to start with. |
Joined: Apr 13, 2018 Posts: 1374 New Orleans |
Squad Car. The high multi-string part is so difficult for my fingers! —Daniel Deathtide |
Joined: Jan 15, 2019 Posts: 1515 |
Yeah I swear I play Storm Surf different then this training video - I play along with the CD and its Open E //// the E ///// on the A string at the 7th fret then down to D ///// at 5th fret on the A string as well (At least the record sounds like those were same notes tonality wise. I'm sure all the notes were not played on the E string like this. (Same notes different tonality etc) No biggie ...but I like the original recorded version better and more fun to play that way (its like Wipeout - all the different ways to play that one.) Then you keep the same progression on the A string Last edited: Jan 21, 2019 17:41:42 |
Joined: Jan 15, 2019 Posts: 1515 |
DeathTide wrote:
It looks like just fourths or double-stops starting on the E and B string at the 5th fret then 7th & 8th I think...that's how I play it anyway ...but I've seen three different ways to play this song in the same key ...take your pick and play it the way you want I guess. I might have to review this one - I'm not sure If I learned The Belair's version or Eddie's later recording ? It's easier to play A on the 5th fret for the main intro riff on the low E string and not like Bertrand played it open on the A string. I want to make video of that one some day from the players perspective to show that technique etc. The Rockabilly solo is hard too. Last edited: Jan 21, 2019 19:24:25 |
Joined: Jan 15, 2019 Posts: 1515 |
Last edited: Jan 21, 2019 20:41:26 |
Joined: Feb 03, 2011 Posts: 111 Brampton, ON |
DeathTide wrote:
Interesting. I don’t have trouble with that part - it’s the low trem picking passages that give me grief on that one. |
Joined: Apr 13, 2018 Posts: 1374 New Orleans |
Merlin wrote:
It’s my arms and fingers. I had a horrible bout of tendinitis in 1997 (from computer use) and since then I can’t play with a bent arm, or my elbow starts hurting. So I play like Nirvana, which makes it difficult to hit certain “chordy” stuff. But I have no problem with that tremolo part! In fact I love it, including creating alternate picking patterns. Some versions have a little “gallop” in the lead, it’s not a straight 16/4 tremolo picking. —Daniel Deathtide |
Joined: Sep 28, 2012 Posts: 914 Berlin, Germany |
DeathTide wrote:
Same here. I found that tremolo picking on a single string is most effetive, when the movement of the wrist/pick is as little as possible. So I "trained" myself in this direction. However this gets in the way, when playing double stops. But even in the rare moments where I get closer playing-wise problems start on the side of tone: double stops trem picked can get sobluch brighter than single strings... —Los Apollos - cinematic surf music trio (Berlin) |