horax
Joined: Mar 23, 2011
Posts: 518
colorado springs
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Posted on Aug 09 2016 09:45 AM
I am not a great player, but I love playing.
That being said, I've tried several genres: metal, blues, country, and rock to name a few.
I make small progression, but every time I come back to surf I progress much faster and seem to be more 'at home.'
Is this because most surf music from the first wave was more rudimentary? A lot of surf bands were young kids in garages who were learning how to play, so their stuff wasn't as intricate.
Through the years it has become more intricate and difficult at times.
Or maybe I just am more attuned to surf music in general with the single note staccato as opposed to complex jazz chords and the like?
thoughts?
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shake_n_stomp
Joined: Jan 09, 2014
Posts: 615
Vancouver BC
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Posted on Aug 09 2016 10:44 AM
Not claiming to have all the answers - and these are just opinions...
Specifically to trad surf...
- cleaner tones - easier to discern the notes that are played/chords strummed
- fewer tracks of instrumentation - again, easier to discern notes/chords because there is less complex layering (i.e. orchestration) of instruments.
- repetitive structure - easier to recall sections
- no vocals, therefore all melody can be played on guitars - I think being able to play the main theme or melody is very satisfying
If the structure is easier, the notes are easier to pick out, and it is satisfying to play (the enjoyment feedback mechanism is immediate) then I think players will be more persistent in learning those tunes because they feel like they are actually able to see their own progression of mastering the material.
— Lorne
The Surf Shakers: https://www.facebook.com/TheSurfShakers
Vancouver BC Canada
Last edited: Aug 09, 2016 10:46:43
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spskins
Joined: Feb 27, 2006
Posts: 3781
tn
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Posted on Aug 09 2016 07:51 PM
I don't think so. Even though a lot of the original bands were made up of teenagers, the evidence is there that they were playing at a level that is reserved for praise of the Beatles and Beach Boys for changing rock and roll from it's "simplistic" beginnings into an art form. While they didn't have the best studios in the world and the best session musicians in the world a their disposal (well, except in the case of the studio bands such as those produced by Gary Usher etc) the teenage bands had some complex stuff going on. For every 1-4-5 composition, there are songs using syncopation, minor keys, diminished,7,9, and every other chord augmentation, modulation, not to mention finesse and skill on their instruments. Plus, the guitars were usually strung with heavy gauge strings.
It also, in my opinion, shows how much better music education was back then, since many of them played in school bands before starting their surf combos.
Now, it's not the most difficult to play, but difficult music is usually not fun or gets people dancing or humming along. Surf is the perfect balance of challenge and fun.
— http://www.satanspilgrims.com
http://www.facebook.com/pages/Satans-Pilgrims/8210228553
https://satanspilgrims.bandcamp.com/
http://www.surfyindustries.com
Last edited: Aug 09, 2016 19:57:26
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scruzdj
Joined: Sep 29, 2009
Posts: 42
Santa Cruz, CA
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Posted on Aug 09 2016 08:35 PM
That's a good question.
I would say that the basics are easy to learn (i.e. Pipeline) and the most difficult stuff would be a pretty immense challenge for any guitarist to learn (i.e. Dave Wronski's stuff in Slacktone).
But, it sure is fun : )
— ><)))°> .oO Fascinating Creatures of the Deep Oo. ><)))°>
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BC4DdrummerAK
Joined: Oct 07, 2012
Posts: 66
Anchorage, Alaska
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Posted on Aug 24 2016 02:16 PM
I will answer this question from the drummer's perspective. Compared to some of the metal stuff I was doing before, surf/surf inspired music seems easier. However, if you don't have some sort of chop factor on the drums, it seems a little dull to listen to. You listen to some of the old Dick Dale stuff, like 'Banzai Washout' and other songs, those cats were laying down jazz type whip rolls, REALLY fast strokes. A lot of these bands had way more skilled musicians than the music itself would imply. As was pointed out before, these kids were already studying music in school, and it's especially noticeable to me (and other fellow drummers) with a lot of these guys behind the kit.
Well, that was just rambling...not really answering the question at hand. I think this kind of music, Surf music, can be as simple or as complex as you want it to be. It's really a genre that doesn't (or shouldn't) have the restrictions other genres can have, but still can be classified as 'surf'. You got the classic stuff (The Ventures, The Pyramids, modern day practitioners of the style), and you got bands like Daikaiju or Arno de Cea & The Clockwork Wizards who almost turn surf into metal. But it's still recognizable as surf music. It's fantastic!
Still rambling...sorry everyone.
— Gear:Kit:Pearl Reference series in Emerald Fade,Pearl rack,Pearl Demon Drive pedals,Tama Iron Cobra hi-hat stand, Sabian & UFiP cymbals.
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shivers13
Joined: Jul 29, 2009
Posts: 2605
Boss Angeles, CA
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Posted on Aug 24 2016 11:52 PM
BC4DdrummerAK wrote:
I will answer this question from the drummer's perspective. Compared to some of the metal stuff I was doing before, surf/surf inspired music seems easier. However, if you don't have some sort of chop factor on the drums, it seems a little dull to listen to. You listen to some of the old Dick Dale stuff, like 'Banzai Washout' and other songs, those cats were laying down jazz type whip rolls, REALLY fast strokes.
That was no teenager... that was session ace, Hal Blaine. In fact all of Dick Dale's Capitol Records had session guys playing not his live band. Just a little tidbit and not trying to sidetrack things.
— BOSS FINK "R.P.M." available now from DOUBLE CROWN RECORDS!
www.facebook.com/BossFink
www.doublecrownrecords.com
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Ruhar
Joined: Jun 21, 2007
Posts: 3909
San Diego, CA
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Posted on Aug 25 2016 12:28 PM
spskins wrote:
Now, it's not the most difficult to play, but difficult music is usually not fun or gets people dancing or humming along. Surf is the perfect balance of challenge and fun.
Well said!
— Ryan
The Secret Samurai Website
The Secret Samurai on Facebook
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BC4DdrummerAK
Joined: Oct 07, 2012
Posts: 66
Anchorage, Alaska
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Posted on Aug 26 2016 05:24 PM
shivers13 wrote:
BC4DdrummerAK wrote:
I will answer this question from the drummer's perspective. Compared to some of the metal stuff I was doing before, surf/surf inspired music seems easier. However, if you don't have some sort of chop factor on the drums, it seems a little dull to listen to. You listen to some of the old Dick Dale stuff, like 'Banzai Washout' and other songs, those cats were laying down jazz type whip rolls, REALLY fast strokes.
That was no teenager... that was session ace, Hal Blaine. In fact all of Dick Dale's Capitol Records had session guys playing not his live band. Just a little tidbit and not trying to sidetrack things.
No kidding??? Well that certainly explains a lot. haha Perhaps a poor example then. I do feel better that it's not teenagers showing me up now. LOL.
— Gear:Kit:Pearl Reference series in Emerald Fade,Pearl rack,Pearl Demon Drive pedals,Tama Iron Cobra hi-hat stand, Sabian & UFiP cymbals.
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shivers13
Joined: Jul 29, 2009
Posts: 2605
Boss Angeles, CA
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Posted on Aug 27 2016 11:35 AM
BC4DdrummerAK wrote:
shivers13 wrote:
BC4DdrummerAK wrote:
I will answer this question from the drummer's perspective. Compared to some of the metal stuff I was doing before, surf/surf inspired music seems easier. However, if you don't have some sort of chop factor on the drums, it seems a little dull to listen to. You listen to some of the old Dick Dale stuff, like 'Banzai Washout' and other songs, those cats were laying down jazz type whip rolls, REALLY fast strokes.
That was no teenager... that was session ace, Hal Blaine. In fact all of Dick Dale's Capitol Records had session guys playing not his live band. Just a little tidbit and not trying to sidetrack things.
No kidding??? Well that certainly explains a lot. haha Perhaps a poor example then. I do feel better that it's not teenagers showing me up now. LOL.
Haha! Well, but most WERE teenagers! Listen to Ron Wilson of The Surfaris body of work in that band, not just Wipe Out. I still have yet to see anyone play quite like him to this day. His playing won him praises from even the great Hal Blaine himself!
But the point isn't to be complex. it's to be groovy! I totally agree with this...
spskins wrote:
Now, it's not the most difficult to play, but difficult music is usually not fun or gets people dancing or humming along.
— BOSS FINK "R.P.M." available now from DOUBLE CROWN RECORDS!
www.facebook.com/BossFink
www.doublecrownrecords.com
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JObeast
Joined: Jul 24, 2012
Posts: 2762
Finknabad, Squinkistan
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Posted on Aug 27 2016 11:36 AM
Spskins wrote:
"...in my opinion, shows how much better music education was back then, since many of them played in school bands before starting their surf combos."
This hits the nail on the head. Music education used to produce lots of strong amateur and pro players. The progressive impoverishment of public education which cut arts programs first out of misguided utilitarian notions of education has led us to a place of cultural impoverishment. The dominance in popularly-consumed music (sic) of highly engineered product virtually guaranteed for mass distribution has voided the airwaves of variety and personality as the profit motive has utterly subsumed all other motivations. America which until very recently was a rich mosaic of local musical cultures is increasingly saturated by sameness as even college radio stations are sold to conglomerates, in obedience to the same utilitarian dictum (anecdotal example of Vanderbilt University's student run FM station in Nashville sold in Summer of 2010).
While all of what I complain of above has been in action for decades, there is a noticeable acceleration of market forces clearly visible across generational timespans. The current demographic group of young people hearing, buying and among them a minority trying to play music, are at a distinct disadvantage in comparison to their peers of half a century ago. While globalization and the web afford more access to wider varieties of musical idioms from all eras, the ability to sit down and learn how to play any single one of them has been taken from the vast majority.
— Squink Out!
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JeffLeites
Joined: Mar 27, 2006
Posts: 343
North Hollywood, California
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Posted on Aug 27 2016 07:18 PM
shivers13 wrote:
BC4DdrummerAK wrote:
That was no teenager... that was session ace, Hal Blaine. In fact all of Dick Dale's Capitol Records had session guys playing not his live band. Just a little tidbit and not trying to sidetrack things.
According to the Book, "Walk, Don't Run, the Story of the Ventures", some tunes on the Ventures LPs were recorded by the Wrecking Crew while the Ventures were out on tour. What you see isn't always what you get.
— My Web Site - Tunes - Pictures - Guitar Projects - Hard Rock Cafe Guitar Pins
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JakeDobner
Joined: Feb 26, 2006
Posts: 12159
Seattle
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Posted on Aug 27 2016 08:07 PM
What did everybody's music education look like? In 4th grade we started music classes, these classes were for everyone. We listened to music, sang songs, played Glockenspiels, Marimbas, percussion. In 5th and 6th grade we learned recorder. We did not learn to read music however. In 4th grade there was also the band program that started, orchestra, band etc... That was a separate class you had to sign up for. My parents did not enroll me in that.
My three years of music classes did absolutely nothing to carry over into my life. My true music education was finding surf rock in 8th grade and then discovering Beatles/Dylan/Elvis Costello/Tom Petty. This lead to my picking up guitar.
I know that the 4th-6th grade music education classes no longer exist. But I know that band and orchestra still exist 4th - 12th grade for those who wish to sign up.
Were you all forced to learn band instruments? Is that why music education was better back in the day? Or was it still opt-in?
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JObeast
Joined: Jul 24, 2012
Posts: 2762
Finknabad, Squinkistan
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Posted on Aug 27 2016 09:20 PM
My public education afforded me introductory recorder with staff notation by the 4th grade, maybe earlier. This was in the early 70s. I attended private school in 5-6 grades, where they had a strong music curriculum that included instruments and music appreciation. I learned that I loved D. Scarlatti and H. Purcell best and that I liked Greek Rebetiko's exotic blend of east & west. I began playing trumpet and knew I was no good at it before the end of the first year there. This was during Carter's admin and we learned to Square Dance.
This n public middle school I continued with trumpet in band but hated it, esp after I got braces. I quit in the 7th or 8th grade and never tried it again. Beyond Band there was no musical ed in middle school. It may have been slashed as this was the time of the Jarvis Amendment AKA Proposition 13 which wiped out California state revenues to cut property taxes while realtors ran up the market.
In High School there was Marching Band which was a clique I did t want to be in, even though they were top notch but I still had braces and no interest in "King of the Road" and "Mandy". By this time I was educating myself with music from the public library - Lots of electronic and XXc. classical music and Nonesuch records of exotic music.
I got interested in electric guitar at 15 and assembled a band of sorts with fellow social outcasts. We played formless noise, sort of inspired by Pink Floyd (Live at Pompeii movie). We thought of ourselves as progressive rather than rockets, who were working class kids listening to Sabbath and AC/DC. This continued for some several years and we actually got left good without ever attempting idiomatic musical styles or forms. Just intuitive interplay and textures.
In Jr. College I began as a music major with Classic Guitar emphasis. Was not exceptional in Musicianship, Theory, Piano, or Ear Training. Transferred to University as a music major for a year but dropped out. I got to play SFSU's famous Buchla Synthesizer and mess with tape composition. This was a lo of fun for an 18 yr old nerd. I never went back to music curriculum but eventually graduated with a Bachelor of Fine Art. There was no music at the Art Institute around 1990. They must have thought it was uncool.
— Squink Out!
Last edited: Aug 27, 2016 21:26:09
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JeffLeites
Joined: Mar 27, 2006
Posts: 343
North Hollywood, California
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Posted on Aug 27 2016 09:24 PM
We had "music class" from elementary through 12th grade. Basically just the class singing together. I was forced to take trumpet lessons in 5th and 6th grade because we had a trumpet in the house that my father got when he was a kid. I played in the elementary school band. I was allowed to give it up in 7th grade. Then my mother wanted a piano, so I had to take piano lessons. Didn't like that either. Finally got a guitar in 11th grade because I wanted to be like Ricky Nelson.
— My Web Site - Tunes - Pictures - Guitar Projects - Hard Rock Cafe Guitar Pins
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spskins
Joined: Feb 27, 2006
Posts: 3781
tn
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Posted on Aug 28 2016 11:56 AM
Before everybody chimes in with their personal music education history, I had another thought about the challenges of playing surf.
The other night, we played 24 songs and the set lasted about an hour and 15 minutes. Unless you're The Mermen or Phantom 4, most surf bands run themselves through a gauntlet of playing many songs of differing styles, dynamics, keys and chord changes. I'd say that's fairly challenging...
— http://www.satanspilgrims.com
http://www.facebook.com/pages/Satans-Pilgrims/8210228553
https://satanspilgrims.bandcamp.com/
http://www.surfyindustries.com
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Syndicateofsurf
Joined: Oct 08, 2014
Posts: 1073
Northern Ohio
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Posted on Aug 28 2016 12:02 PM
spskins wrote:
The other night, we played 24 songs and the set lasted about an hour and 15 minutes. Unless you're The Mermen or Phantom 4, most surf bands run themselves through a gauntlet of playing many songs of differing styles, dynamics, keys and chord changes. I'd say that's fairly challenging...
And no fuzz pedal to hide inside of! BTW: NO WAY could I drum surf for an hour plus.
— Da Vinci Flinglestein,
The quest for the Tone, the tone of the Quest
The Syndicate of Surf on YouTube
http://www.syndicateofsurf.com/
http://sharawaji.com/
http://surfrockradio.com/
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GatoStrato
Joined: Jul 20, 2016
Posts: 39
Sjobergastan,a small nation state hidden in the mountains of Taos Co. NM.
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Posted on Aug 28 2016 11:48 PM
Do You Feel It?! Is surf in your heart, blood,bones.... Is this all about the right guitar,amp,colors,matching outfits.....Are we all about what happened 50+ years ago or are we making-creating a living art form. (Please excuse me, I know I'm commiting social suicide)If you are enjoying you're self preserving a mid-century ideal ,that's totally cool and needs to be done. Yet we live here and now, with all the influences and equipment available today. DO YOU FEEL IT?!! Is it yours? Simple or extreme,new or traditional... IN my opinion Surf of the 60's was a new form of advanced and anti-establishment music,why would we let that spirit be turned in to a pickle....Most/some of us,myself included, play and are learning "traditional" surf tunes,some are quite challenging.Yet there are always bigger waves to ride,something new to play,and another reason to flip the bird....
— Salud!
Mark
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Clarry
Joined: Oct 01, 2014
Posts: 519
Streatham, London
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Posted on Aug 29 2016 11:04 AM
If it was so easy, everyone would be doing it.
Just being a fan, let alone a player, of surf makes you a god or goddess amongst the men and women of this planet, and all must kneel before us in their pathetic excuses for exstence.
That's my take on it.
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wfoguy
Joined: Dec 11, 2011
Posts: 2133
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Posted on Aug 29 2016 09:09 PM
On the education side, In 5th grade we all had learned the basics of reading music. EGBDF etc. We all played this black plastic device that I can't remember the name of for anything. The summer of 5th grade you could begin the summer band program. I played clarinet for 2 years because the instructors had deemed kids of that age weren't capable of playing a sax. In 7th grade I was allowed to move to a tenor sax. In high school we had marching band in the fall and concert band in the winter. This was in the late 1960's.
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BC4DdrummerAK
Joined: Oct 07, 2012
Posts: 66
Anchorage, Alaska
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Posted on Sep 12 2016 07:10 PM
spskins wrote:
Before everybody chimes in with their personal music education history, I had another thought about the challenges of playing surf.
The other night, we played 24 songs and the set lasted about an hour and 15 minutes. Unless you're The Mermen or Phantom 4, most surf bands run themselves through a gauntlet of playing many songs of differing styles, dynamics, keys and chord changes. I'd say that's fairly challenging...
That is an exceptionally good point. My band, between pretty much 50/50 originals and covers (including a couple SP ones! I don't think we do them true justice however ),we have a little over 40 songs. Why so many songs, and why play that many? Because bars up here (at least ones outside of where I live in Anchorage, AK) like live bands that can play all night, and pay alright money to do so (sometimes along with free room and board, and drinks!).
And as Syndicateofsurf recently pointed out: playing surf that long IS challenging, if you can't stay loose and relaxed...which is still tough for me to do sometimes. I just get pumped when I play. lol. I know by the end of a long set I don't even want to LOOK at a pair of drumsticks for awhile. At least not until the next night when we do it all over again.
— Gear:Kit:Pearl Reference series in Emerald Fade,Pearl rack,Pearl Demon Drive pedals,Tama Iron Cobra hi-hat stand, Sabian & UFiP cymbals.
Last edited: Sep 12, 2016 19:12:30
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