simoncoil
Joined: Sep 28, 2012
Posts: 916
Berlin, Germany
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Posted on Jan 01 2016 01:44 PM
Great Story, PJ!
Actually K-39 was one of the first albums from the first wave I got my hands on. And when I started skateboarding last year, I pulled the Good Guys' tracks from the Killer Surf CD and put them on my mp3 player to listen to while skating.
— Los Apollos - cinematic surf music trio (Berlin)
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Brian
Joined: Feb 25, 2006
Posts: 19306
Des Moines, Iowa, USA
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Posted on Jan 01 2016 06:48 PM
Thanks Paul for your recollections, that was amazing!!!!
IvanP wrote:
Now, all those of you who do not have the Good Guys/Challengers "Sidewalk Surfing" LP (or the Challengers "Killer Surf!" CD), you know what to do next....
I just ordered Killer Surf!
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pjmoto
Joined: Jan 04, 2012
Posts: 32
Los Angeles CA
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Posted on Jan 01 2016 10:52 PM
One more thing about the "Sidewalk Surfing" LP:
I was very happy with the sound of this album when it was released originally under the "Good Guys" name; however, upon listening to the same tracks on the recent Challengers' compilation CD, I found the sound to be of lesser quality. I presume this to be due to either an inferior remix or remastering... thus I will advise all of you who may want to get this album to try to find the original Good Guys' version, as it definitely sounds better (to my ears anyway).
— PJ -
Paul Johnson
Belairs / Galaxies / Packards / Surfaris / Duo-tones / etc.
www.pjmoto.com
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Emilien03
Joined: Jul 16, 2008
Posts: 1377
Coyoacán, Distrito Federal
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Posted on Jan 02 2016 09:48 AM
Great thread ... definitely "K-39" is a great composition and I'm also a bit disappointed that it was not included in the Classic Top ... I can feel the chill when the sax comes in. Maybe one reason is that not many current bands play this tune, a very few still use piano & sax (hope this changes soon).
Also .. thanks to PJ for posting historical info that makes Surf Music appreciation such a delight, glad to have PJ around and active.
PD: "Mark Of Zorro" is also a good one.
— When you have to shoot ... shoot! Don't talk.
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shivers13
Joined: Jul 29, 2009
Posts: 2605
Boss Angeles, CA
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Posted on Jan 02 2016 01:17 PM
pjmoto wrote:
Even moreso was the "Sidewalk Surfing" project, an album initially ----Never could I have even dreamt of a better opportunity to make some great music!
Awesome, PJ!! Thanks for sharing your priceless memories!! Supercool that SIDEWALK SURFING is one of your favorite projects. Its one of my favorites of the era.
There was one other related project, in which Delvy produced a session for "PJ & Artie," as Art Fisher
Was this project released as P.J. and Artie?? What were the tunes/and or album?
I will close by underscoring the fact that even if the projects I took part in were "commercial product" to Delvy, to me they were fantastic opportunities to make my own kind of music with great musicians.
I wholeheartedly agree! Many of these "commercial" or session driven albums produced some of the best stuff and should not be dismissed. The best players, songwriters and producers created them. Some of my all-time favorites are these albums.
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Surf_Skater
Joined: Sep 06, 2012
Posts: 1300
Lawrenceville , GA
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Posted on Jan 02 2016 02:43 PM
I had bought a copy of Sidewalk Surfin back in the 80's solely due to the album cover (go figure). I really enjoyed the album but sadly no longer have it. Thanks for Challengers history lesson Paul.
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IvanP
Joined: Feb 27, 2006
Posts: 10331
southern Michigan
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Posted on Jan 02 2016 03:10 PM
pjmoto wrote:
One more thing about the "Sidewalk Surfing" LP:
I was very happy with the sound of this album when it was released originally under the "Good Guys" name; however, upon listening to the same tracks on the recent Challengers' compilation CD, I found the sound to be of lesser quality. I presume this to be due to either an inferior remix or remastering... thus I will advise all of you who may want to get this album to try to find the original Good Guys' version, as it definitely sounds better (to my ears anyway).
I don't have the original LP, just the Killer Surf comp, but I can definitely see what you're saying, Paul - those tracks do sound pretty thin. Bad mastering? Oh well, the tracks are still great!
For those of you buying the Killer Surf comp, be advised that the Sidewalk Surfing tracks are scattered throughout the comp. Here's the original track listing of the LP - you can program your CD player or just put those tracks in your iTunes/iPod tracklist:
http://www.discogs.com/Good-Guys-Sidewalk-Surfing-/release/5086941
I actually just took half an hour and loaded a bunch of Challengers tracks into iTunes. I made a playlist with the original Rhino Best-Of (man, hearing those tracks in that order really takes me back to when I first fell in love with surf music!), a bunch of Challengers tracks I love that were not on that Best-Of, and then finally the Good Guys' Sidewalk Surfing LP in its entirety. Time to take a break from listening to Motorhead and immerse myself in some classic surf again!
— Ivan
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supertonesurf
Joined: Apr 28, 2006
Posts: 419
n.y.c.
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Posted on Jan 02 2016 04:08 PM
thanks Paul that was excellent ......
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or @ Timothy C Sullivan
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websurfer
Joined: May 14, 2007
Posts: 1753
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Posted on Jan 02 2016 04:42 PM
I was checking out Sundazed for some Challengers and came upon a couple of nice features on Delvy, including a video interview by PJ and some thoughts by Domenic Priore:
http://www.sundazed.com/shop/news/?p=44
Priore is a fan of the original recording and writes:
"Delvy produced a masterful record called “Sidewalk Surfing” by The Good Guys in 1964 that featured Paul Johnson, Art Fisher, Phil Pruden of the Challengers, John Anderson of Eddie & the Showmen, studio drummer Hal Blaine and other top surf musicians for GNP-Cresendo Records… in mono. An inferior stereo mix of this album was re-released by GNP-Crescendo as “The Challengers” later on but this takes nothing away from the integrity of The Good Guys recordings."
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IvanP
Joined: Feb 27, 2006
Posts: 10331
southern Michigan
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Posted on Jan 03 2016 03:03 PM
websurfer wrote:
Priore is a fan of the original recording and writes:
"Delvy produced a masterful record called “Sidewalk Surfing” by The Good Guys in 1964 that featured Paul Johnson, Art Fisher, Phil Pruden of the Challengers, John Anderson of Eddie & the Showmen, studio drummer Hal Blaine and other top surf musicians for GNP-Cresendo Records… in mono. An inferior stereo mix of this album was re-released by GNP-Crescendo as “The Challengers” later on but this takes nothing away from the integrity of The Good Guys recordings."
That may explain it - the Sidewalk Surfing tracks on the Killer Surf comp are indeed the stereo versions.
I was cleaning up the basement yesterday while listening to all the Challengers tracks I loaded on my iPod, and enjoyed is SO MUCH! Such great stuff!
Paul, this might be a stretch, but do you have much memory of who played lead guitar on what track of Sidewalk Surfing? To my ears it doesn't sound like it's you on all the tracks, and I'm guessing Art Fisher played some leads. Also, were any of the tracks on the album that were written by you released for the first time there, do you know? Thanks in advance!
— Ivan
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Last edited: Jan 03, 2016 15:04:42
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Badger
Joined: Nov 16, 2013
Posts: 4536
Wisconsin
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Posted on Jan 03 2016 05:55 PM
IvanP wrote:
...man, hearing those tracks in that order
Did that awhile back with all 3 volumes of Birth of Surf - a mind blowing playlist. (THANK YOU John Blair Book)
— Wes
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DISCLAIMER: The above is opinion/suggestion only & should not be used for mission planning/navigation, tweaking of instruments, beverage selection, or wardrobe choices.
Last edited: Jan 03, 2016 18:59:57
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shivers13
Joined: Jul 29, 2009
Posts: 2605
Boss Angeles, CA
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Posted on Jan 03 2016 06:55 PM
I have the Challengers "stereo" version of SIDEWALK SOUNDS on VINYL and it sounds GREAT! The KILLER SURF comp CD does sound a bit thin by comparison. Sounds better if you turn up the bass EQ. Get the original Vinyl if you can. SIDEWALK SOUNDS deserves and nice SUNDAZED TREATMENT. But for now get the Killer Surf CD. It's still awesome.
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Last edited: Jan 03, 2016 19:03:22
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Nokie
Joined: Oct 06, 2008
Posts: 550
So Cal
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Posted on Jan 03 2016 07:32 PM
I like the quality of the Killer Surf recordings but it may be for the same reason folks don't like 'em. They are very clean - even sterile - and not as ambient as the stereo and mono LP's with which I just compared them. As Shiver's noted, you may need to boost the bottom end on the CD. The channels on the Killer Surf CD are very separate. There is more crossover on the stereo LP and of course the mono is pure crossover. The more discrete CD separation is again something I like even if it's a departure from a more natural sound (I also like the widely separated early Beatles and Ventures recordings). I find it revealing. You can isolate a channel and hear exactly whats being played on a given instrument. -Marty
— "Hello Girls!"
Last edited: Jan 03, 2016 19:56:32
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shivers13
Joined: Jul 29, 2009
Posts: 2605
Boss Angeles, CA
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Posted on Jan 03 2016 08:16 PM
Here's most of my Challengers Vinyl collection. I also have "Surf Beat" and "Around the World" but can't find them at the moment. For those who may have dismissed them before, I can tell you that you're missing out on quite a few nuggets here! SUNDAZED re-issued most of their stuff on CD in the mid-90's so the stuff can be found if you just want the CD's.
![image](https://s3-us-west-1.amazonaws.com/sg101.user.photos/fBErkaG9QLWmCnzdV_MT6A.jpg)
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www.doublecrownrecords.com
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shivers13
Joined: Jul 29, 2009
Posts: 2605
Boss Angeles, CA
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Posted on Jan 03 2016 08:25 PM
One nugget I always wondered about was "Igor's Theme" from the WIPE OUT LP. It's also known as "Roller Derby" on the SIDEWALK SOUNDS LP. You can also find it on the Killer Surf CD.
The writing credit is Johnson-Boyle. I'm assuming Johnson is PJ. Hope he comes back to this thread. Would love to know if its him on lead and how he got that sound. Sounds like a Leslie. The tune is very "MUNSTERS". Very cool spooky vibe.
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Noel
Joined: Mar 15, 2011
Posts: 8528
Back in Piitsburgh, Pennsylvania, where I grew up.
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Posted on Jan 03 2016 09:05 PM
I just had a brief chat with Randy Nauert. He suggested everyone who's interested should check out his Facebook page. He's been posting their gig book starting in January 1962, with explanations about songs, lineup, all the various names they recorded under, foreign-market only records, and so on.
— This is Noel. Reverb's at maximum an' I'm givin' 'er all she's got.
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pjmoto
Joined: Jan 04, 2012
Posts: 32
Los Angeles CA
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Posted on Jan 03 2016 09:07 PM
In reply to Ivan's request for track-specific info on the Gppd Guys' "Sidewalk Surfing" album, here are some of my recollections...
As was noted earlier, this project featured three guitarists — myself, Art Fisher (Challengers) and John Anderson (Eddie & the Showmen) — as I recall, we all greatly enjoyed switching off between lead and rhythm duties. Buzz Carré (Eddie & the Showmen) played bass, Jimmy Roberts (Belairs) was on keybords, Hal Blaine played drums and Steve Douglass (Duane Eddy)teamed up with Phil Pruden (Challengers) on saxes. The album was recorded in one day in 1964 at the Capitol Records studio on Vine St. in Hollywood.
What follows is the answer to "who played lead on what?" along with a few other tidbits of info:
Roller Derby: Jim Boyle, my rhythm guitarist in PJ & the Galaxies, had come up with the melody you hear in the verses, and I invented the chorus section. We originally called this "Igor's Theme," but the name was changed for the project. I'm playing the lead here through a leslie (organ) speaker.
Scratch: I'm pretty sure this is John Anderson in the verses, though it could have been Art Fisher; it's definitely Artie playing the improv sections...
Happy Guitars: This was written by Thom Starr; somewhere along the way I heard this and thought it would fit the project well. I'm playing lead throughout here.
Lanky-Bones: I had recently written this tune, and I regard this as "the definitive version." I'm playing lead throughout.
Small Fry: Me again on the lead on this, another then-recently-composed original. Note: I resurrected this tune with the Packards in the '80s, with a new title — "Beach City Bop."
Collision Course: This, I think, should have been the "hit single" from the album. That's John on the leslie speaker lead in the verses, and me on the fuzztone guitar elsewhere.
Kami-Kaze: This, for me, is the definitive version of this original of mine that dates back to the early Belairs. I'm playing lead throughout...
Duck Waddle: Art Fisher plays lead in the verses on his original tune. I play the fuzztone solo.
The Wedge: This is John Anderson all the way.
Surf-Ari: John again throughout on a tune of his own.
Sidewalk Surfer: Delvy wanted to record this tune to which he had the rights, and which was only partially written — he had just the verse; so I came up with a chorus and an arrangement, and I played the lead.
K-39: Artie is again playing the lead, as he had done of the Challengers' version...
— PJ -
Paul Johnson
Belairs / Galaxies / Packards / Surfaris / Duo-tones / etc.
www.pjmoto.com
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shivers13
Joined: Jul 29, 2009
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Boss Angeles, CA
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Posted on Jan 03 2016 09:27 PM
VERY COOL!!! Thanks PJ! All very, very cool but you playing the FUZZ on Collision Course make me extra happy!
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Last edited: Jan 03, 2016 21:30:25
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shivers13
Joined: Jul 29, 2009
Posts: 2605
Boss Angeles, CA
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Posted on Jan 03 2016 09:41 PM
One more thing PJ if you're still around. What amp were you using on the SIDEWALK SURFING sessions? I hear the brownface Deluxe was popular with the Wrecking Crew guys. What were you and the guys on this session using?
— BOSS FINK "R.P.M." available now from DOUBLE CROWN RECORDS!
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pjmoto
Joined: Jan 04, 2012
Posts: 32
Los Angeles CA
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Posted on Jan 03 2016 09:48 PM
I wanted also to respond to Shivers' request for track info re the "PJ & Artie" session. (See my earlier post for a basic description of this project.)
Artie & I got to do this with some of the top studio musicians from the late '50s. These guys played on countless r&r & r&b hits from that era (they were the "first-generation" wrecking crew). This was a HUGE thrill for me, as these guys were my heroes!
Our specific intention was to showcase our style which featured lead and rhythm guitars as EQUALS in the sound equation; we dearly loved the sound that the two make together when they are balanced accordingly in the mix. For me, it was an opportunity to demonstrate the "art" of rhythm guitar, in relationship to Artie's masterful lead work.
We recorded five tunes:
It's Gonna Work Out Fine (The Ike & Tina Turner classic)
Fink (a funky little Art Fisher original)
(They Call the Wind) Mariah (a popular folk-music staple)
Vamonos (a then-recent original of mine)
Squad Car
With Delvy's help, we pressed about a hundred copies of a single (the first and last such release on my own label — PM Records) of "Work Out Fine" b/w "Fink." Absolutely nothing came of this; I don't recall getting any airlpay or notice outside of our own circle of friends.
Nevertheless, this was a terrific experience — one of my favorite projects of that (or any) era...
— PJ -
Paul Johnson
Belairs / Galaxies / Packards / Surfaris / Duo-tones / etc.
www.pjmoto.com
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