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SurfGuitar101 Forums » Gear »

Permalink Strat tremolo block myth?

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So far, people claim that a heavier block improves the strat's sound and/or sustain. Mainly referring to the Squier thin blocks.

The claim is that a bigger mass reflects the vibration back to the strings, giving LP's fixed bridges or Tele's strung through bodies as an example.

Now, as apposed to tonewood theory, in which I personally don't believe, I don't know where my opinion is on that one, but here is what makes me wonder:

JM and Jags - the strings are still floating in the tremolo cavity, but the plate to which they are being held is not that heavy, and yet I never heard that people needed to change the tremolo to a heavier one in order to improve tone.

Any ideas on the matter?

Cheers,
Mark.

Last edited: Nov 19, 2015 05:54:16

It's not a myth. The material and density of the inertia block absolutely makes a difference.
The tonewood argument is best avoided though. There was a lot of vicious fighting over tonewood on Youtube for awhile. The arguments got very ridiculous, nasty and personal, so yes, let's not get into that. As for the inertia block however, all I can really say is that when I changed out the shitty zinc block for a proper steel block, the tone drastically improved in a very noticable way. I can't give you any of the science or physics of the matter, but in my experience the zinc block gave my strat a very nasally narrow midrangey tone that I found very annoying and unpleasant. The steel block really makes it sing though and was the best upgrade I could have made.

https://www.facebook.com/coffindagger
http://coffindaggers.com/
http://thecoffindaggers.bandcamp.com

But what about...

Jewel tone

Or strap tone:

http://www.acousticguitarforum.com/forums/archive/index.php/t-246908.html

http://www.seymourduncan.com/forum/showthread.php?256321-how-different-straps-change-my-tone

www.reverbnation.com/thehighfidelics

My Squier JV export came with a zinc block of exact size and measurements of a 1960s Fender Stratocaster. I replaced it with a 1960s spec Callaham block which fitted the JV plate precisely. Initially I thought I could hear improvement, after shelling a fair amount of wedge for this I really wanted to hear improvement. But after the new strings calmed down it sounded much like it did before.

It is tough to change a block without changing strings so comparison by ear alone could be a unreliable factor. To bust the myth you'd really need to record the before and after with new strings and/or use some sort of spectrum analyser thingy (graphical proof).

I'm still a bit sceptical I'm afraid.

Photo: Zink left - Steel right.

image

The Squier Strat I had came with a much smaller block. I replaced it with a $35 Callaham from Guitar Fetish that had much more mass and it made a huge difference, an improvement to my ears.

Stormtiger wrote:

The Squier Strat I had came with a much smaller block. I replaced it with a $35 Callaham from Guitar Fetish that had much more mass and it made a huge difference, an improvement to my ears.

Some of those later Squiers came with really skinny almost non existent blocks so I can imagine it did make a huge difference for you. Mine was only 54 grams or 1.9 ounces short of the original weight so the difference wasn't night and day for me. I'm happier knowing I have a patent part fitted though.

Not a myth...it made a difference I could easily hear on my MIM strat.And its not jusy more mass...lead has a lot of mass yet you wouldnt want a tone block made from it.

By mass, I refer to the size. Lead has more density so it is heavier than steel with the same mass.

I think you meant "lead is denser than steel so it is heavier than steel with the same size (dimensions)".

If two objects have the same mass they are going to weigh the same in the same frame of reference (Earth).

Site dude - S3 Agent #202
Need help with the site? SG101 FAQ - Send me a private message - Email me

"It starts... when it begins" -- Ralf Kilauea

My #1 strat came with an aftermarket brass bridge and block - I didn't care for the tone. Replaced it with a Fender "vintage" style assembly and got a tone I was happier with. At one point went to a Callaham bridge and tried to compare it with the Fender. Both sounded good but, to me, the Fender had more "bite" vs the Callaham which seemed more bell-like or piano-like. Went back to the Fender. Does the type of material in the block make a difference? - no doubt in my mind.

OK is it safe to talk about tonewoods now that the block issue is settled? I really wanna talk about tonewoods.

Squink Out!

JObeast wrote:

OK is it safe to talk about tonewoods now that the block issue is settled? I really wanna talk about tonewoods.

Talk like that could easily turn SG101 into The Gear Page! There was a real bloodbath on Youtube about tonewood. It got so contentious that some people were even threatening physical violence. Nothing but Troll bait in that well. Here's a sample of the whole fracas:

https://www.facebook.com/coffindagger
http://coffindaggers.com/
http://thecoffindaggers.bandcamp.com

Last edited: Nov 20, 2015 00:54:25

I think it is better to leave tonewood out of Surf 101. For that there are lots of gear blogs, as psychonaut said.

Moving back to Surf, so most of you hear difference in the block mass, good, I got my answer. But now - Why Offset guitars don't suffer from the same issue?
I never had an offset but the string there are still connected to a plate which is suspended from the rest of the guitar body, just like Strats.

Cheers,
Mark.

All that extra string length behind the bridge is what makes Jags & JM's a completely different animal from the Strat. That already changes the response so much its apples and oranges.

Site dude - S3 Agent #202
Need help with the site? SG101 FAQ - Send me a private message - Email me

"It starts... when it begins" -- Ralf Kilauea

Offsets have more traditional bridges that connect to the wood of the body, in a similar way to an arch top bridge. There’s that vertical pressure going. The bridge of a strat is attached to this block of metal, the screws are not in the vertical path under the strings.

The Exotic Guitar of Kahuna Kawentzmann

You can get the boy out of the Keynes era, but you can’t get the Keynes era out of the boy.

Clarry wrote:

But what about...

Jewel tone

I read through that whole thread but never found out if hand-wired jewel lights sound better than pcb-mounted ones.

https://striciizozadja.bandcamp.com/

Thanks everyone for the info. Helped me a lot!

Cheers,
Mark.

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