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SurfGuitar101 Forums » Surf Musician »

Permalink Why do you play Surf Music?

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The cleanness in the guitar tone + THE REVERB! Plus living in socal helps, the beaches are cool.

Music has to make me feel something, preferably energy. I get that when I hear surf guitar. It's an adrenaline rush! Big Grin

thelurids.bandcamp.com/

Well, a lot of spot-on things have been posted on this thread already, and I'd echo most of those sentiments. I think aqualadia nailed it well when he said something about how many songs and bands we dig up until the singer starts singing.

That's a lot of it for me....I just increasingly prefer instro music. Not only surf, but all kinds. I still enjoy a lot of the vocal music I grew up on from old classic rock to punk rock and everything else I've absorbed, but I can almost not take current music with vocals. Sometimes I'll be liking the tune, but the #@$!% singing comes in and ruins it for me.

I'm 46 now. I have listened to SO MUCH music in my life. I guess in a way I feel like I don't hear anything really new when it comes to lyrics--anything I haven't heard a million times (but usually done better) and I really don't care to listen to some angst-ridden 20- or 30-something sing about love or loss of love or how "Daddy never understood me!" or how bleak things are or just vocalizing what IMO is essentially bad poetry.

But underlying all of that, in an even deeper way, is the fact that so much surf and other instrumental music is truly evocative in a way vocal music really can't be. At least for me, the way it impacts my ears and emotions and guts and imagination is so much more profound...as if, separated from the grounding element of a "story in song," there is something much more multi-layered and freeing.

I love so much of it. I am deeply into first wave surf and other early instro stuff like The Mighty Link Wray, Duane Eddy, Davie Allan & The Arrows and a host of far more obscure acts that maybe released a single or two in the 50s-60s then vanished back to anonymity. Or local bands that never made ripples much outside their hometowns (Bailey's Nervous Kats is a good example of this.)

As I say, not just surf, but early rock and roll (Bill Haley's early bands did a lot of cool instro stuff) and rockabilly, as well as soul / R&B (Mar Keys, Booker T, a lot of early Ike Turner instrumental sides) as well as bands that are commonly considered surf just because they are instrumental while, to my mind, they aren't necessarily "surf" bands, but instrumental rock bands (The Shadows, The Vantures.) But that's nitpicking, I know. It does bother me a little when people classify all instro rock as "surf." I just don't think it always applies. To me, Link Wray isn't "surf." Or for a more recent band, Impala. Great instrumental band, but I wouldn't call them surf.

At any rate, I am getting far afield of the topic and I apologize. I talk too much.

To come back to surf specifically, it just brings to mind a different era. Even the non-retro stuff (maybe thinking Mermen here, who pepper traditional surf elements with a lot of psychedelia and other ingredients to great effect) puts me in a different headspace. Sort of OUTSIDE time and place. I am in love with The Ocean (the Pacific especially) and I don't get to spend time there anymore since we moved back inland to a flyover state. Good surf music takes me back there, but it is more expansive than that too.

I love the way a lot of great surf bands (then and now) add little exotic flairs--flavors of other cultures and such. Even the very rocking stuff is pretty relaxing to me somehow. Just in the sense that it makes me feel so good, physically, mentally, spiritually. It eases my stress. Again, even the real rocking, upbeat stuff.

Most of all, I guess it's the way the tunes themselves tell a story. Some bands managed to pull off little three-minute symphonies in their tunes (I think The Atlantics were masters of this, but definitely not the only ones.)

This has been discussed on this thread and elsewhere on this forum, but I do hear people say "Don't you get tired of all the surf and instrumental stuff? To me it all begins to sound the same."

Well, to me an awful lot of Teenage Top 40 Pop sounds all the same...modern county BS all sounds the same, most indie/hipster pop/rock these days is pretty derivative and samey, most heavy music (metal, doom) is cheesy or repetitive or soundalike...and (as previously mentioned) don't even get me started on white boy blues, or post-1950s electric blues in general. Sheesh.

There's a ton of reasons but my favourite thing is that I rarely want to put the guitar down, when I've got that surf tone dialled in.
It's just a magic sound and I usually only stop, because normal life calls me back, for some reason or the other.

http://soundcloud.com/graham-pike

grayn wrote:

There's a ton of reasons but my favourite thing is that I rarely want to put the guitar down, when I've got that surf tone dialled in.
It's just a magic sound and I usually only stop, because normal life calls me back, for some reason or the other.

I would call this an effect more than a reason but I have the exact same experience. And then it's late in the evening and I'm surfin on the couch with my guitar and the tube is on and I realize I'm too tired to even position the guitar correctly and I say 'Well I guess I'm done'.

Da Vinci Flinglestein,
The quest for the Tone, the tone of the Quest

The Syndicate of Surf on YouTube

http://www.syndicateofsurf.com/

http://sharawaji.com/

http://surfrockradio.com/

Syndicateofsurf wrote:

grayn wrote:

There's a ton of reasons but my favourite thing is that I rarely want to put the guitar down, when I've got that surf tone dialled in.
It's just a magic sound and I usually only stop, because normal life calls me back, for some reason or the other.

I would call this an effect more than a reason but I have the exact same experience. And then it's late in the evening and I'm surfin on the couch with my guitar and the tube is on and I realize I'm too tired to even position the guitar correctly and I say 'Well I guess I'm done'.

Yeah, I guess it is an effect. An effect that gives me another reason to carry on playing surf.
Like other, relatively "simplistic" genres of music, surf gives such a scope for invention, energy and intensity.
Gutsy and tuneful. Seems a great combo to me.

http://soundcloud.com/graham-pike

I didn't mean to mince words on you grayn- your point is the point. Surf music is great music. And we become her maker.

Da Vinci Flinglestein,
The quest for the Tone, the tone of the Quest

The Syndicate of Surf on YouTube

http://www.syndicateofsurf.com/

http://sharawaji.com/

http://surfrockradio.com/

It's fun, and I don't gave to remember lyrics.

What Muddslide said above, I concur.
I have a 12 yr old daughter and the way she listens to music appalls me, except that she likes Beatles. While lots of surf bands are nothing to write home about, as a whole the genre is just more listenable to my mature ears than Pop Hits ad nauseum. I suppose I could be listening to classical music but I like the harsher tones of amplified guitars. As for making surf music on my own, that's a work in progress because it's an ensemble thing and without a rhythm section solo surf guitar is just practice for forming a surf band.
I guess the dream of playing surf us less far fetched than joining a Pop Hits band and appealing to 12 yr olds.

Squink Out!

I ask myself this all the time! What the hell am I doing??? I blame an unnatural obsession with the 60's, and a desire to escape to a place that's not like today in anyway, and the delusional thought that others like it too for the same reason. Basically stubbornness! Is there a pill I can take to knock this shit off?

BOSS FINK "R.P.M." available now from DOUBLE CROWN RECORDS!
www.facebook.com/BossFink
www.doublecrownrecords.com

shivers13 wrote:

a desire to escape to a place that's not like today in anyway, and the delusional thought that others like it too for the same reason.

This is a major part of it for me as well. Music was just better then. Most scenes were just better then. Or at least that's the ideal I (and I imagine many of you) subscribe to.

Another part is, for me at least, a bit generational. The 90s had this HUGE retro revival (burlesque, tiki, surf, rockabilly, swing, lounge, etc) that has stuck with me ever since.

Look at the modern retro scene and you'll find a TON of folks who were young adults in the 90s. So now the escapism mentioned above is factored in two fold: Not only do these scenes help us to escape the banality of today back into the ideal of the much cooler 60s, but we can also relive a bit of our youth in the 90s as well.

Last edited: Aug 18, 2015 10:12:11

So I can wear funny costumes in public.

Kevin
The Out of Limits
www.facebook.com/theoutoflimitsband
https://theoutoflimits.bandcamp.com/

ncgalt1984 wrote:

So I can wear funny costumes in public.

How do those guys wear full face masks, on stage?
I get hot with just jeans and a t-shirt.

http://soundcloud.com/graham-pike

I play surf music despite hating actually being at the beach because I found a real connection to it. I first discovered it through the works of Tarrantino and that opening credit alone to Pulp Fiction convinced me to learn guitar. For a while I forgot about it but then I started to notice when I started my own compositions a lot of it traced back to that and I was once again hooked. I started playing a Jazzmaster and just giving it my all because it really made me that happy to be making this sly and indefinitely cool music. Eventually I convinced my friend who plays keyboard to check out some of the stuff I had written and make a recording with me. Since then I've really began to embrace the Surf Rock culture.

thomastaylors wrote:

...Plus living in socal helps, the beaches are cool.

Beaches are cool here too. Well, for a few months anyway!

Cheers

image

Unlike a lot of you, I have no nostalgia nor love of the beach that inspired me to play this music. To me, this genre presented an opportunity to expand my musical horizons.

While many see the idiom as limited, I felt that being free of vocals actually liberates the music, at least for us instrumentalists. There's far more freedom to play with the arrangement and structure of a song when you're primary purpose isn't to support a lead singer.

Of course the trade off is, a very narrow potential audience, but to my surprise the spirit and generosity of our surf music community has more than compensated for that. I couldn't think of a better way scenario to express myself within my own limitations of age, career and lifestyle choices, than in our current surf music scene.

Danny Snyder

"With great reverb comes great responsibility" - Uncle Leo

I am now playing trumpet with Prince Buster tribute band 'Balzac'

Playing keys and guitar with Combo Tezeta

Formerly a guitarist in The TomorrowMen and Meshugga Beach Party

Latest surf project - Now That's What I Call SURF

^ Great Explanation man the one thing about the surf scene is everyone seems to support each other you never see anyone trashing anyone else or making petty remarks its a small but very repeatable community that we all should be proud of

Extremely well said, Danny, I completely agree with everything you wrote, especially: "Of course the trade off is, a very narrow potential audience, but to my surprise the spirit and generosity of our surf music community has more than compensated for that." Yep, it's a constant struggle to get any sort of a decent audience at local shows or to sell CDs, but the upside is that you do have events like the Surfer Joe Festival and the SG101 Convention as well as North Sea Surf Festival, Surforama, and others, which make up for a lot of frustrations an average surf band experiences during the year. And those surf music festivals are often accessible (in terms of playing, not just attending) to even up-and-coming bands, which is pretty amazing. It's a pretty great scene to be part of, no doubt. I'm definitely very grateful for it, and it has played a huge part in my life in the past 20 years. Hopefully for the next 20 years, as well!

Ivan
Lords of Atlantis on Facebook
The Madeira Official Website
The Madeira on Facebook
The Blair-Pongracic Band on Facebook
The Space Cossacks on Facebook
The Madeira Channel on YouTube

These are great points about the support and spirit and generosity of the community. These aren't the reasons why I love/play surf, but it definitely helps keep it going for me.

As a struggling beginning-to-moderate level musician, I've gotten a TON of help from so many people in this community. Not just in advice and great info on this forum, but actual physical help from some of these members! Plus when I was a member of The Counselors, so many people in person and online reached out to encourage me! It felt so great!

I've been invited on stage several times to play with GREAT bands! I've been on stage with The TomorrowMen, Frankie & The Poolboys, and the Kilaueas!! How cool is that??? Danny and Ferenc have taught me and encouraged me so much! Not to mention, as a two time camper at Sierra Surf Music Camp, I also got some hands on instruction and direct encouragement from so many other greats in our genre (Danny, Ferenc, Paul Pyronaut, Bob Bitchen, Dave Wronski, Dusty Watson, John Blair, Matt Quilter, etc!!).

And that's not even mentioning the inspiration I get from so many great musicians in the community! So much awesome talent!!!

I'm indebted to so many of you.

Cheers!

I've always loved the sound of guitars buried in reverb. All my favorite music implores this feature. I really caught onto surf after my dad played Duane Eddy for me. I feel in love with that lonely, twangy, distant and deep guitar tone and immediately went searching for other stuff like and my ears landed on Dick Dale. He totally blew my mind, such power and melody and it's soaked in reverb. At this time I was heavily into the shoegaze scene and specifically Slowdive because of their of reverb and their songs.

But all this time I never really seriously thought about playing surf music, I played in an indie-rock shoegaze band, then did my own solo ambient stuff for awhile. It was until about 10 years ago that I wanted to do something with those surf tones. A friend of mine and myself started messing around with Morricone inspired soundscape stuff and when we found other musicians to play with, it evolved into a little more rock based and less soundtracky but gave me the opportunity to do more surf sounding songs. Now that the band is a three piece and I write all the initial material, I've written a bunch of surfy stuff.

I play it because I love the feel of tremolo picking a great line and hearing the reverb bouncing and dripping around the notes or hitting a big low chord and pushing the notes down with tremolo and how the reverb blurs the pitch bending. I love so much about finding a great melody and building off that to create a story. So much about it makes me feel good. That's why I do it.

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