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SurfGuitar101 Forums » Surf Musician »

Permalink Surf Rider bass line ?

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I was listening to Surf Rider on Saturday, trying to work the bass line out. It basically sounds like the bass just follows the rhythm guitar, both notewise and rhythm wise.

So in that part where the lead guitarist outlines the chords, and the progression is Am chord for 2 bars, F maj chord for 2 bars, E maj chord for 2 bars and then Am chord for 2 bars, the bass basically plays A for 2 bars, then F for 2 bars, then E for 2 bars and then back to A for 2 bars.........

Am I right ?

if your refering to the lively ones version, sounds to me like he's doin 'a whole lot more, chromatic runs from 3th to 5th i.a., but I dont have time to figure it out. sound slike he's really into the song, great bassplayer.

Rules to live by #314:
"When in Italy, if the menu says something's grilled, don't assume it is."

https://www.facebook.com/The-Malbehavers-286429584796173/

We just learned the song, and the bass line is indeed very busy. Our bass player has it down, but I'm not really sure on what he is playing, other than I was really impressed/surprised with the bass line.

Rev

Urban Surf Kings

Canadian Surf

http://www.urbansurfkings.com/

And I thought I'd finally worked a song out ! Crying

Yeah, I mean the Lively Ones version.

What's a 3rd and 5th run by the way................................?

pineapplegeoff_
What's a 3rd and 5th run by the way................................?

Over the Am chord, the third would be C and the fifth is E, so a chromatic run from the third to the fifth might look something like this:

A:------3-5-6-7-  
E:-(5)----------

-Warren

That was excessively violent and completely unnecessary. I loved it.

I read this on another post recently -

http://www.vintageguitar.com/brands/details.asp?ID=83

and I got the false impression that surf bass lines were simple !

Oh well, off home to have another listen to “Surf Rider”………………….

LOL!

first wave bass stuff usually is simple, if you get rootnotes, 1st- low 5th and chordnote runs down, you got 90% covered. having a good feel for rhythm is of the essence though!

the lively ones are an exception, crazy bassplaying throughout. one of the reasons I dig 'em so much.

Rules to live by #314:
"When in Italy, if the menu says something's grilled, don't assume it is."

https://www.facebook.com/The-Malbehavers-286429584796173/

WR
LOL!

first wave bass stuff usually is simple, if you get rootnotes, 1st- low 5th and chordnote runs down, you got 90% covered. having a good feel for rhythm is of the essence though!

the lively ones are an exception, crazy bassplaying throughout. one of the reasons I dig 'em so much.

the Lively Ones had an outstanding rhythm section, Ron Griffith on bass and Tim Fitzpatrick on drums...both are great players...

i will post this over in video also, but check out Jim Masonor playing the guitar lead for "Surf Rider":

http://www.youtube.com/watch?v=8JSWjIQnAnA

you can catch a glimpse of Ron Griffith (at least, I think that's Ron???) playing bass near the end of the clip...

WR
first wave bass stuff usually is simple, if you get rootnotes, 1st- low 5th and chordnote runs down, you got 90% covered. having a good feel for rhythm is of the essence though!

Sooooooooooo....................I presume a "chromatic run" and a "1st- low 5th run" are the same thing. What's a chordnote run then ? Question

Thanks,

PG

dp
i will post this over in video also, but check out Jim Masonor playing the guitar lead for "Surf Rider":

http://www.youtube.com/watch?v=8JSWjIQnAnA

you can catch a glimpse of Ron Griffith (at least, I think that's Ron???) playing bass near the end of the clip...

P.S. I checked it out. He certainly looks busy ! Surprised

pineapplegeoff_

WR
first wave bass stuff usually is simple, if you get rootnotes, 1st- low 5th and chordnote runs down, you got 90% covered. having a good feel for rhythm is of the essence though!

Sooooooooooo....................I presume a "chromatic run" and a "1st- low 5th run" are the same thing. What's a chordnote run then ? Question

Thanks,

PG

pineapple:

a basic explanation of the term "chromatic" in music theory means "'playing all the notes (or intervals) of a scale in order"... A chromatic scale would include all 12 pitches...the scale includes all the half steps

so an "A" chromatic ascending scale would look something like this:

A A# B C C# D D# E F F# G G# A'

an "A" descending scale would look like this

A' Ab G Gb F E Eb D Db C B Bb A

chromatic scales can get even more detailed: there are "harmonic" chromatic scales and "melodic" chromatic scales...different ways to create (and name) chromatic scales...

hope this is helpful,
-dp

ps: ...so a I-V chromatic run would include all the notes (intervals or half-steps) between the I (root ) note and the V (fifth) note... basically, the bass player would play each note on the fretboard that falls between the I and the V....

Cool ! Thanks for all the information.

It's been really helpful. Very Happy Very Happy Very Happy

PG

I think the original(Spudnik) by the Ventures is the way to go. I play it pretty faithful to the song. I still cant see how the Lively Ones got away with stealing Spudnik and renaming it and fucking it up!

sorry, I missed all this being away from the pc for a while

what I meant was that you're pretty much covered with either rootnotes, alternating between root and low 5th (A - E - A - E ; D - A - D - A etc)and chrod note patterns ( e.g. A - C - E(above, not under A) - C - on Am, D - F# - A - F# on D, etc)

with the chromatic runs I meant he seems to be playing chromatic between the 3 and 5, or rather, he's throwing in a flat 5th, something like: (no rhythm implied though, and I only think he's playing something along these lines)

Am               F               E  
------------------------------------------------------------------------  
 ------0-1-2-----------------------------------------------------------  
0-3----------------0-1-2-3--------------0-1-2-------------------------  
-----------------1----------------0---4----------------------------------

Rules to live by #314:
"When in Italy, if the menu says something's grilled, don't assume it is."

https://www.facebook.com/The-Malbehavers-286429584796173/

The Lively Ones' version of the Ventures tune is credited to Nokie Edwards, so they really didn't claim it as their own. I believe the Ventures released that tune as "Surf Rider" on the SURFING lp.

Rev

Canadian Surf

http://www.urbansurfkings.com/

revhank
The Lively Ones' version of the Ventures tune is credited to Nokie Edwards, so they really didn't claim it as their own. I believe the Ventures released that tune as "Surf Rider" on the SURFING lp.

If I'm not mistaken, "Surf Rider" appeared first on the Mashed Potatoes & Gravy LP under the name "Spudnik." According to the liner notes of a Ventures best-of, the Lively Ones had to be sued since they (or someone at their label) claimed writing credit when they released their own version of the tune.

-Warren

That was excessively violent and completely unnecessary. I loved it.

The Ventures-enamored Beloved Invaders out here in Denver always call it Spudnik. I guess that's a variant spelling of Sputnik, though in the form spudnik it sounds like some kind of orbiting potato. It's taking me a while to get all this down, even with the gracious help of the Forum and the Invaders. Cannistraro has sometimes gone so far as to call in my direction after each song, "Another Ventures number."

Unlike Mary's little lambs, songs don't drag their tails behind them as they come home. And instrumental songs lack those sissy footnotes called lyrics. I can always remember the title of Doo Wah Diddy Diddy (remember that) by the end of the first verse, for example, and with lyrics you can almost always get the name by the end of the chorus. With instrumentals it's more like trying to guess a Chuck Berry number from that first riff. Or a Four Seasons number. Only with instrumentals you have longer to scratch your head.

WR
sorry, I missed all this being away from the pc for a while

what I meant was that you're pretty much covered with either rootnotes, alternating between root and low 5th (A - E - A - E ; D - A - D - A etc)and chrod note patterns ( e.g. A - C - E(above, not under A) - C - on Am, D - F# - A - F# on D, etc)

with the chromatic runs I meant he seems to be playing chromatic between the 3 and 5, or rather, he's throwing in a flat 5th, something like: (no rhythm implied though, and I only think he's playing something along these lines)

Am               F               E  
------------------------------------------------------------------------  
 ------0-1-2-----------------------------------------------------------  
0-3----------------0-1-2-3--------------0-1-2-------------------------  
-----------------1----------------0---4----------------------------------

OK, so I listened to “Surf Rider” again on the weekend (both Lively Ones and Ventures versions) but with all those other instruments going (and trying to do it on my lap top) I can’t really hear what he’s doing (though I can certainly hear the rhythm).

Can you tell me another classic surf track that is an example of this sort of bass playing ? I might go and have a listen.

PG

P.S. Personally, I prefer the Ventures version too, but simply for aesthetic reasons – I like the straight guitar sound, no sax.

I'm sure most of you have seen this, but check it out if you haven't:
http://www.youtube.com/watch?v=6EhOPrxFss0

Aloha and Shalom. R. I. P. Lee Hazelwood.

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