LeeVanCleef
Joined: Oct 05, 2011
Posts: 744
France
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Posted on Aug 28 2014 06:34 PM
Reverb17 wrote:
When it comes to bass amps , tubes are not as important.
I wholeheartedly agree. I just came back from a jam evening at the local club and the in-house bass amp was an old SS Ampeg, not sure what model. All I can say is my modest Epiphone bass has never sounded so good.
Tube amps sound great for bass, but not in all situations. And they are expensive to maintain in the long run. Might not be worth it for occasional use.
Noel, if you have the opportunity and if the impedances match, try your bass with your Music Man or your Quilter through the Kustom bass cab. Could turn out to be more than good enough. Some guitar amps work terrific for bass with appropriate speakers.
— Old punks never die... They just become surf rockers.
Last edited: Aug 28, 2014 18:36:43
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Noel
Joined: Mar 15, 2011
Posts: 8528
Back in Piitsburgh, Pennsylvania, where I grew up.
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Posted on Aug 28 2014 08:45 PM
JONPAUL wrote:
You have a tube guitar head already, don't you? Use that!
LeeVanCleef wrote:
Noel, if you have the opportunity and if the impedances match, try your bass with your Music Man or your Quilter through the Kustom bass cab. Could turn out to be more than good enough. Some guitar amps work terrific for bass with appropriate speakers.
I have a 5-tube Music Man 212 130-HD combo amp. I thought it was a generally bad idea to play a bass at louder volumes through a guitar tube amp? I often play my Bass VI through this amp, but not at performance volumes. Is it really safe?
I've been hearing good things about the Quilter Tone Block 200 as a bass amp head, but I don't own one, and it's more expensive than the 350W Ampeg anyway.
Just out of curiosity, anyone know what Carol Kaye played when she recorded that song?
Decisions, decisions.
— This is Noel. Reverb's at maximum an' I'm givin' 'er all she's got.
Last edited: Aug 28, 2014 21:38:35
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WoodyJ
Joined: Apr 05, 2006
Posts: 1547
Bethlehem, GA
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Posted on Aug 28 2014 10:32 PM
Noel wrote:
Just out of curiosity, anyone know what Carol Kaye played when she recorded that song?
Good Vibrations?
Not 100% positive but I've read that in the mid-1960's Carol used a Fender Concert 4x10 guitar amp (40 watts) in the studio for recording bass tracks. She is also an excellent guitarist and may have used the Concert as a dual-purpose amp.
Back in the '60's at low recording volumes a Concert would work OK with a bass, as it was conceptually similar to a 4x10 tweed Bassman. Bass amplifier, speaker and cabinet technology has come a long way since the 1960's. These days a closed back cabinet with dedicated bass speakers is the way to go. But a '60's Dual Showman head sounds freaking amazing through a modern cabinet with a quality pair of 15" bass speakers. Loud as hell and serious TONE!. I have to agree that tube bass amps generally have "that" tone that very few SS amps can come close to.
If you listen to the isolated versions of some of Carol's earlier but very famous bass tracks, they are masterfully played but the actual raw (pre-effected) tone is not all that great by modern standards. Same goes for some of James Jamerson's tracks, most of which were recorded direct into the Motown Studio's mixing console. The "studio standard" bass amp back then was the Ampeg B-15 with a single 15" speaker. B-15's were rated at 25 watts early on and 30 watts later. The magic in these amps was partially due to their double baffle speaker cabinet which was similar in concept to Fender's (single) Showman tone ring setup.
Carol later recorded with a Gallien-Krueger MB150S 1x12 microbass combo (100 watts) which is a tiny little thing but is a great recording and upright bass amp. I don't know what gear Carol is using these days as she has endorsed many different brands over the years.
Brian, I apologize for taking this thread so far off-topic.
— Jack Booth
(aka WoodyJ)
The Mariners (1964-68, 1996-2005)
The Hula Hounds (1996-current)
The X-Rays (1997-2004)
The Surge! (2004, 2011-2012)
Various non-surf bands that actually made money (1978-1990)
Last edited: Aug 29, 2014 07:02:14
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SanchoPansen
Joined: Jan 04, 2011
Posts: 1588
Berlin L-Berg
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Posted on Aug 29 2014 01:44 AM
After someone on this forum gave me the advise to look for a Peavey Mark IV I patiently browsed the bay for one. After a couple of weeks I've found one for ~250.00 USD incl. a flightcase and shipping.
All I can say is 'wow'. This amp really rocks! Sturdy! Workinghorse. All I had to do was some contact spray on the inputs, as it's been sitting for quite a while. It takes 2-8ohms and just changes the output accordingly. So no need to look for a matching cab. We currently use it with a 2x15" bassman cab (JBL D140F) and it sounds outstanding warm and punchy.
Our bass player also tried out my '76 bandmaster head with the same cab and we didn't like it as much as the Peavey. It sounds a little warmer, but the breakup is just too much.
Playing in another band where the bassplayer uses a Fender Rumble head with a matching and very small 4x10 cab, all I can say about these is: stay away! He always complained about the mix and the guitar volume vs. his bass. Up to the day when I suggested he should try a 2x15" Showman cab we have in the practice room with the Rumble head. Made such an ridiculous difference that I couldn't stop laughing when he played the first tones on it. So the Rumble head isn't that bad, but the cabs are plain crap IMO.
Obviously this is not the same amp as the OP linked to, but I assume that it is 'almost' the same...
— The Hicadoolas
Last edited: Aug 29, 2014 01:46:32
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Jaque_Kilauea
Joined: Oct 05, 2011
Posts: 110
Eastern Berlifornia
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Posted on Aug 29 2014 05:17 AM
JONPAUL wrote:
OK, after repeated delays, these new amps finally hit the street just a few days ago. Jason and I made a special trip to Guitar Center, Hollywood
Thx for your report JONPAUL.
I was thinking about the 12` 100 Watt Version for home and maybe small (blues) jams. But not anymore now.
If a all tube amp is not affordable i would go for a gallien krueger amp. I once owned an 800RB for a while. Awesome amp! Looots of headroom. And the perfect match between clarity und dirt.
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Noel
Joined: Mar 15, 2011
Posts: 8528
Back in Piitsburgh, Pennsylvania, where I grew up.
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Posted on Aug 29 2014 08:21 AM
WoodyJ wrote:
Brian, I apologize for taking this thread so far off-topic.
Actually, Jack, taking this thread off-topic is my doing. I'm on the Internet so seldom and briefly these days, I didn't search for another topic to discuss other amp solutions.
But, everyone's comments and advice are proving very helpful. While I'm disappointed no one has anything good to say about the new Fender Rumble amps, I'm glad I asked. I've already found muddy, farting, buzzy, underpowered bass amps for cheap money. I didn't buy them either and no sense spending a lot more for the same problems.
Thanks!
— This is Noel. Reverb's at maximum an' I'm givin' 'er all she's got.
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LeeVanCleef
Joined: Oct 05, 2011
Posts: 744
France
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Posted on Aug 29 2014 10:14 AM
Noel wrote:
I have a 5-tube Music Man 212 130-HD combo amp. I thought it was a generally bad idea to play a bass at louder volumes through a guitar tube amp? I often play my Bass VI through this amp, but not at performance volumes. Is it really safe?
Noel, I was suggesting you use your amps as heads through the bass cab (i.e. disconnect internal speaker). I realize that might not be very convenient size- and weight-wise with the Music Man though. The risk when playing bass through a guitar amp is to blow the speakers, as they're not built to handle lower frequencies at high volume. But using a guitar amp with a bass cab is not a problem (as long as impedance is matched), and quite a few bass players seem to use Showman heads with proper bass speakers. In my (limited) experience, amps with a SS preamp section and a tube power section like your Music Man tend to sound pretty nice with bass, retaining clarity essential to bass while adding great dynamics and "warmth" (for lack of a better term).
— Old punks never die... They just become surf rockers.
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CrashHardtop
Joined: Jun 14, 2012
Posts: 152
Meridian, Idaho
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Posted on Aug 29 2014 11:34 AM
Great thread, especially for we non-bass players. So, if I read Lee's comments correctly, the major difference between guitar and bass amps--not the only difference, but the main one--is what the speakers will tolerate? Good to know.
So, Peavey recently introduced their Vypyr VIP line of amps that lets you select for acoustic, electric or bass guitar. Does anyone know how they are handling the speaker issue? And has anyone had any experience with them? Maybe this should be a new thread but seems to be following the same vibe so I included my comments and questions here.
Thanks!
— More cowbell?? Nah...More Reverb!!
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BJB
Joined: Jul 28, 2008
Posts: 413
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Posted on Aug 29 2014 01:59 PM
It's not that certain cabinets are 'bad', it's that the Showman cabinets are just that good! Those old JBL speakers are very, very efficient compared to current speakers.
A cheap speaker can be made to handle a lot of power by increasing the gap between the speaker coil and the magnet. As you can imagine, this hurts efficiency and the speakers won't be as loud for a given power input. JBL speakers can handle power because the voice coils are huge, 4" across on a 12" speaker. Of course, this is why JBL speakers are so expensive; they are also the most expensive speakers to recone.
— If it ain't broke, fix it until it is.
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JONPAUL
Joined: Apr 29, 2010
Posts: 2472
Venice, CA
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Posted on Aug 29 2014 04:39 PM
Everyone is inevitably going to have their own opinions regarding what sounds the best. It really is a completely subjective matter. One man's Showman is another man's software plug-in. It's been that way with music gear since day one. I'm sure that cavemen sat around the fire and grunted about the merits of hitting certain stones together over others.
IMHO, FWIW, coming full-circle after years of playing, listening to and doing sound for countless brands, styles and formats of bass amplifier, I have come to the personal revelation that fundamentally and at the core, nothing sounds as good as when the signal is created through tubes. There is a warmth, an organic quality, a sense of headroom and depth that just doesn't come from solid state or other modern technology without tubes. Is it as simple as saying "it's all about the tubes." Actually, yeah, I think it is. I believe that for far too long those ubiquitous statements "it doesn't matter as much for bass amps" or "it's really all in the hands of the player" have allowed for too much compromise and a diversion away from the fact that tube amps do sound better. All of this of course made all the more complicated by companies wanting to sell amps, keep costs low and manufacture equipment that is more electronics than amplifier. There's a reason why the Ampeg SVT has remained the industry standard for years and years. As we all know from studying Surf music, modern technology does not necessarily equate to better tone. The quest for tone should always come first--before any concerns about cost, practicality, efficiency, etc. As John Blair said to me recently..."We used to carry our Showmans and huge 15" cabinets to every gig without even thinking about it. It's just what you did. You didn't care about how much they weighed or how big they were. That was the only way to get those tones!" Viva la tube bass amps!!!
I drank the bass amp Kool-Aid too. I continually tried to convince myself that "it doesn't matter as much for bass" and that "it's all in the hands of the players" until I'd compare the sound of my solid state to that of a killer sounding tube rig. It might not make that much difference once the sound guy gets through with it and through FOH, but on stage and to the player's ears, man, it makes all the difference in the world. If you're not satisfied, I mean, truly satisfied with your tone, what's the point? Because they're lighter, cheaper and smaller? Who cares? There's no reason the bass player shouldn't be on just as much of a tone quest as the guitarists.
— Insect Surfers
The Tikiyaki Orchestra
The Scimitars
Lords Of Atlantis
Fiberglass Jungle - Surf Radio
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Noel
Joined: Mar 15, 2011
Posts: 8528
Back in Piitsburgh, Pennsylvania, where I grew up.
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Posted on Aug 29 2014 08:11 PM
After all the useful information, great advice and practical suggestions, I'm almost embarrassed to relate what I've chosen.
A well-played Peavey Century 120 Bass amp head with cab (not rack-mount) and the Kustom Deep End 4X10. They produce a crisp sound without mud, buzzes, or farts. The bottom, top and everything in-between are clean and clear, even at stage-worthy volumes.
Is this combo my first choice? No, not even my second, third, or fourth choice. I could and do prefer a creamier, rounder tone for the acoustic bass part of the arrangement. But it is loud and clear enough to be heard in the live mix and that counts. So does how little the whole rig cost me.
It's close enough for now. Who knows what will happen after Oct 4?
Thanks, everyone, for all your input. Now I just have to finish memorizing 134 measures of this terrific bass part, and learn to play it well enough to do the song justice.
— This is Noel. Reverb's at maximum an' I'm givin' 'er all she's got.
Last edited: Aug 29, 2014 20:17:03
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SanchoPansen
Joined: Jan 04, 2011
Posts: 1588
Berlin L-Berg
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Posted on Aug 30 2014 01:45 AM
Great choice, those 80s Peaveys are great amps. And at the moment it is a good time to purchase them as noone sees their beauty.
@BJB: you are absolutely right regarding the old JBL speakers and I wasn't referring to a certain cab. When I speak of cab, I think of the wooden crate + speakers, due to the lack of english knowledge. And the stock rumble cabs come with such weak speakers that my suggestion would be not to buy them.
— The Hicadoolas
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Noel
Joined: Mar 15, 2011
Posts: 8528
Back in Piitsburgh, Pennsylvania, where I grew up.
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Posted on Aug 30 2014 07:40 PM
SanchoPansen wrote:
Great choice, those 80s Peaveys are great amps. And at the moment it is a good time to purchase them as noone sees their beauty.
Good to know this is more than just an expedient acquisition. Thanks!
— This is Noel. Reverb's at maximum an' I'm givin' 'er all she's got.
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