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SurfGuitar101 Forums » Gear »

Permalink Bandmaster? Opinions and Comments PLEASE!!!

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I am looking at getting a vintage amp. Bandmasters seem very affordable as compared to Showman amps. I like the idea of a closed-back cabinet and a head, and don't think I need the Showman power. Can some of you please weigh in on this amp? Also, any of the 1960s era head/cabinet Fender amps (excluding the Showman and Dual Showman, as we all know those are the bomb when it comes to surf sound).

Thanks!

Gavin Twisted Evil

I got a '65 it's great and it's only 40 watts, but it doesnt have a tube rectifier so it stays a bit cleaner than my 40 watt Super Reverb.

"as he stepped into the stealthy night air... little did he know the fire escape was not there"

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I've been thinking about getting a Bandmaster, too.
Besides the solid state rectifier, what, if any, are the
differences between the Blackface Bandmaster's
circuit, and a that of a BF Super, or for that matter
a BF Vibrolux, or a BF Bassman? Since I play a lot
of styles in addition to surf, I'm partial to a 40 watt
amplifiers. I don't need all the clean headroom
of a Showman/Dual Showman.

Bob S.

Bob

Last edited: May 08, 2006 23:53:19

Hi, Gavin,

I have a '65 Bandmaster that I've had since it was new. Actually, I never liked it a lot until recently when I swapped the awful Fender/Oxford speakers for a pair of Celestion G12M greenbacks. I also installed a full set of new Groove Tubes. WOW...what a difference, but I think the speakers had more to do with it than the tubes, as this amp has very low hours on it. I also have a silverface Deluxe Reverb with a greenback, and it sounds amazing as well.

Actually, I'd suggest a blackface or early silverface 50W Bassman with a pair of greenbacks or Weber Californias, as it has noticebly more headroom and is a bit cleaner than the Bandmaster in a live situation. There also seem to be more of them available. You'll need a trem pedal and a reverb tank, of course.

Jack Booth
(aka WoodyJ)

The Mariners (1964-68, 1996-2005), 2025
The Hula Hounds (1996-2000)
The X-Rays (1997-2004)
The Surge! (2004, 2011-2012)
Various non-surf bands that actually made money
(1978-1990)

check out Silverface Bandmaster Reverb or Silverface Showman Reverb heads and combine with the cab of your choice. Showman Reverb heads should be going for less bread than black or brown face Showmans.

you might like a 1 x12" JBL cab - I gig with this speaker all the time (running with an 80 watt Dual Professional) and it sounds awesome, loud and clean - I don't worry about the impedance mismatch but you could always change the output tranny...I always though a cool cab would be an older Bandmaster or Bassman cab with a replaced baffle with a 1 X12 JBL with a tone ring - instant "Showman 12" and it's got tilt back legs.

Just for fun, I revived this old topic to post a fun review of the Fender '57 Bandmaster RI.

http://www.pureguitar.com/gear/2013/02/19/review-fender-tweed-bandmaster/

This is Noel. Reverb's at maximum an' I'm givin' 'er all she's got.

I recorded our last album mostly with an original '57 Bandmaster.
It's definitely one of my favorite all time amps I've ever played through.
Something about that 3 speaker impedance mismatch really makes this amp scream. Unfortunately it wasn't mine, but it's become a holy grail for me.
on 3 it sounded like my Pro Reverb amp on 10!

This is it at the sessions miked with an SM57 and a EV RE15:

image

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Are the heads any good? These are nearby, and I have yet to try them, but they're cheap and they look cool. I'm more interested in the blackface, but I'll try the silverface too.

http://www.austinvintageguitars.com/amps.php#fender

IMO.

Well, I don't know why we are discussing tweed BMs when the OP was about BF and possibly SF models so I'll confine my coments to the Heads, BF and SF only.

I've owned several BM heads and cabs over the years. They have good clean power and will growl nicely when really pushed hard. The BF BM is basically the same circuit as the other BF amps mentioned however without reverb and the extra gain stage in the vibrato channel. IMO this channel is a bit dry and lacking in the gain department. The trem is a tone suck. I always prefered the normal channel on the BM. It has a bit more gain and sounds better for guitar IMO. I used outboard reverb and trem with these amps. The circuit in the BM is the same as the Showman. Add bigger iron and two more power tubes in the Showman.

The SF models are not that much different than the BF models as Fender didn't mess with them a much as the reverb equipped amps. You will get more clean headroom out of a non-reverb BM than a Bandmaster Reverb. I've owned those too, most converted to Super Reverb BF circuits.

The beauty of the head is that you can run configuration of speaker cab you wish. I personally prefer the 2-12 with a couple of EV-SRO 12L in there. Oh baby, but thats a load to lug around. A single 15, either a JBL D130 4 ohm or a Weber Neo 15 are very nice choices too.

Having a BF Super and Pro Reverb I would highly recommend either of those as well. Neither will be quite as clean. The SR will sound a bit louder. A 2-12 Pro Reverb is just a great all around 40 watt Fender. Fantastic, as is the Super, with a Strat or Tele and the burners lit.

When buying a vintage Fender amp plan on spending a few more $$ to have it serviced. If you plan to gig with it a bit more than just filter caps should be done. Filters, bias cap, grid resistors, bypass caps, tubes and possibly a trem bug would be my recommendtion if not recently replaced. there are some caps in the trem section that should be looked at as well.

Keep it Drippy Brothers and Sisters!

Black Face Bandy is one of my holy grail amps, killer tone and head room and does anyone really need more than 40 watts? Dick Dale excepted.

Can't beat a BF Super Reverb with the CTS alnico's in it (IMO of course). A great all around amp, you can get most of the classic rock and blues sounds, as well as surf. They seem to be very responsive an sensitive to your playing technique if you know what I mean.

Last edited: Mar 15, 2013 17:14:45

psychonaut wrote:

I recorded our last album mostly with an original '57 Bandmaster.
It's definitely one of my favorite all time amps I've ever played through.
Something about that 3 speaker impedance mismatch really makes this amp scream. Unfortunately it wasn't mine, but it's become a holy grail for me.
on 3 it sounded like my Pro Reverb amp on 10!

This is it at the sessions miked with an SM57 and a EV RE15:

image

Gonna bring out my inner gear dork and say those are some damn cool chrome-base stands! And that mic looks like a ray gun.

Last edited: Mar 15, 2013 21:44:28

How do the heads measure up for bass? I'd love to get two good tones out of one amp.

IMO.

BF Bandmasters aren't good for bass, they just don't have the low end that a Bassman or Showman put out. Not clean enough either.

BF Bandmasters are good amps, not great. They might leave one wanting more.

(All BF I am talking about here)

Super Reverbs have similar wattage to a bandmaster, but the Super just blows away the Bandmaster. I'm inclined towards piggyback amps(I like the tightness provided by the cab), but I prefer the Super. Bass should never be played through an open back Fender.

Bassmans are awesome, I love them. Bass, yes. For recording, absolutely. For live use... probably not. Yes, but not gonna be your best bet.

Showmans are great, but you gotta play them loud or you wont' be as happy. I only ever played mine loud enough with the 'Verb, around the house you shouldn't get them to their sweet spot for the sake of your ears(from a medical standpoint, don't) They are the best of the Fender amps for bass, you will get amazing tone out of them. Pair it with a bass cab though(like an Ampeg 4x).

Tremolux, I am a fan. The problem with the tremolux is that they just dont' come with cabs that you can use live. Highly suggest get an extension cab and put a 2x10 baffle in them. That should get enough volume for a loudish surf band. Tremolux is low in wattage, but I think it has better low end than the bandmasters I've played. Bass, never.

Hammond101 wrote: The circuit in the BM is the same as the Showman. Add bigger iron and two more power tubes in the Showman.

The black face Bandmaster uses the AA763 circuit. That is the same basic circuit as the Showman, Twin, and Deluxe.

I had a 65 Bandmaster for years. I really liked it. Wish I still had it. Great clean tone. Did not break up too early.

Later,
Norm

I've got a blackface Blonde 64 Bandmaster and it's probably the best purchase I've ever made in my life.

Think of it as a Showman Jr, same genes just not quite as deafening.

The Pacifics - The Big Beat from Dublin

Evil Sons - Wild Two-Piece Trash

JakeDobner wrote:

Tremolux, I am a fan. The problem with the tremolux is that they just dont' come with cabs that you can use live.

Jake, what makes you say this?

The Mystery Men?
El Capitan and The Reluctant Sadists
SSS Agent #31

I'm a HUGE fan of the Bandmaster and miss mine very much. As sound systems in clubs get better and better, it's becoming easier to gig with smaller and smaller amps and the Bandmaster is perfect for practice and for gigs.

Our last show at the Rhythm Room in Phoenix with the Fireballs, the other guitarist played live with his 64 Princeton Reverb and it sounded like a Showman through the P.A. system.

Matt "tha Kat" Lentz
Skippy and the Skipjacks: 2018-2020
Skippyandtheskipjacks.net
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Otto and the Ottomans: 2014-2015
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Group Captain and the Mandrakes 2013
http://www.gcmband.com/
The Surfside IV: 2002-2005, 2008-2009
the Del-Vamps: 1992-1999, 2006-2007
http://www.dblcrown.com/delvamps.html

So, would anyone want a new '57 Bandmaster RI like was reviewed in the link?

This is Noel. Reverb's at maximum an' I'm givin' 'er all she's got.

Richard wrote:

JakeDobner wrote:

Tremolux, I am a fan. The problem with the tremolux is that they just dont' come with cabs that you can use live.

Jake, what makes you say this?

Not enough air pushing.

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