whistledixie
Joined: Sep 23, 2012
Posts: 69
stone mountain, georgia
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Posted on Oct 02 2012 12:51 PM
Lol! The subject line is a joke - seems like so much surf is in A minor - how do we keep it from all running together in a set?
Do you have any strategies (capo, alternate between songs in other keys) or just let the chips fall where they may?
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killbabykill34
Joined: Apr 03, 2010
Posts: 3201
Jacksonville, AL
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Posted on Oct 02 2012 01:13 PM
Chips fall. Em and Am seem to always come back, despite our best efforts. We do have atleast 2 numbers in Bm these days.
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djangodeadman
Joined: Jan 25, 2007
Posts: 1568
Brighton UK
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Posted on Oct 02 2012 01:58 PM
Play some in Dm. Works for us!
— Los Fantasticos
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whistledixie
Joined: Sep 23, 2012
Posts: 69
stone mountain, georgia
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Posted on Oct 02 2012 02:04 PM
What kind of considerations do you employ when putting together your setlist order of songs?
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Aaron
Joined: Sep 13, 2011
Posts: 100
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Posted on Oct 02 2012 02:50 PM
The first surf set I ever played happened to have every tune in E (one was major, the rest minor). No one noticed; no one cared.
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killbabykill34
Joined: Apr 03, 2010
Posts: 3201
Jacksonville, AL
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Posted on Oct 02 2012 02:53 PM
Set list is usually arranged to have 3 rockers, take it way down and then build it back up to the final closer.
— THE KBK ... This is the last known signal. We offer Sanctuary.
www.thekbk.com
http://www.deepeddy.net/artists/thekbk/
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kenposurf
Joined: Feb 23, 2007
Posts: 1650
Santa Rosa, CA
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Posted on Oct 02 2012 02:54 PM
We play Esperanza in Am
— www.northofmalibu.com
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WhorehayRFB
Joined: Jun 12, 2008
Posts: 3331
Huntington Beach, CA
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Posted on Oct 02 2012 03:55 PM
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Number9
Joined: Jul 18, 2009
Posts: 499
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Posted on Oct 02 2012 03:58 PM
.
Last edited: Mar 01, 2020 08:56:27
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insectsurfer
Joined: Mar 22, 2006
Posts: 363
Los Angeles
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Posted on Oct 02 2012 04:33 PM
ha, actually the saddest key according to Nigel Tufnel in Spinal Tap is D minor....!
We have a lot of songs in the same key but the trick is to make sure the melody or tempo is noticeably different from one song to the next. The key doesn't make as much difference as the vibe of the song....
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matt
Joined: Oct 18, 2010
Posts: 656
Boston, MA
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Posted on Oct 02 2012 07:44 PM
insectsurfer wrote:
The key doesn't make as much difference as the vibe of the song....
totally. but that being said, when I'm writing stuff, I'll sometimes look over the set to see if any keys are under-represented. G minor, anyone?
— Matt Heaton & the Electric Heaters
Boston's Premier Surf/Noir Combo
http://www.heatonsurf.com
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wooza
Joined: Apr 24, 2006
Posts: 1618
Ithaca, NY
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Posted on Oct 02 2012 11:28 PM
I'm not surprised that Am is so heavily used in surf. It's really easy to play on the guitar, and plus it just sounds freaking good Hard to put my finger on it but it's probably my favorite key. Dm is another winner... somehow in the Deadbeats the vast majority of our covers ended up in Dm. I don't know what's up with that
Aaron wrote:
The first surf set I ever played happened to have every tune in E (one was major, the rest minor). No one noticed; no one cared.
I'm sure you're right, but I've realized that once I developed a more analytical ear as a surf fan that overdoing it with one key can actually get tiring. I particularly remember getting bored with nearly every song being in E at a Dick Dale show. Sacrilege I know, but man one riff-rocker in E after another really got tiring. And enough with the harmonics at every possible opportunity! Though the biggest problem was probably that the vibe of the songs themselves was too similar. I totally agree that writing songs with distinct moods will go a long way to make the key irrelevant.
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Aaron
Joined: Sep 13, 2011
Posts: 100
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Posted on Oct 02 2012 11:29 PM
insectsurfer wrote:
ha, actually the saddest key according to Nigel Tufnel in Spinal Tap is D minor....!
"Lick My Love Pump"
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wooza
Joined: Apr 24, 2006
Posts: 1618
Ithaca, NY
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Posted on Oct 02 2012 11:31 PM
whistledixie wrote:
What kind of considerations do you employ when putting together your setlist order of songs?
We listed songs by mood of the song before it, with an eye to the over-arching flow of the whole setlist. Then if we realized that too many songs in a row were in the same key we'd get self conscious and shuffle things around again
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WhorehayRFB
Joined: Jun 12, 2008
Posts: 3331
Huntington Beach, CA
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Posted on Oct 03 2012 12:36 AM
insectsurfer wrote:
ha, actually the saddest key according to Nigel Tufnel in Spinal Tap is D minor....!
DOH! I knew it had a minor in it...
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whistledixie
Joined: Sep 23, 2012
Posts: 69
stone mountain, georgia
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Posted on Oct 03 2012 06:13 AM
wooza wrote:
I'm not surprised that Am is so heavily used in surf. It's really easy to play on the guitar, and plus it just sounds freaking good Hard to put my finger on it but it's probably my favorite key. Dm is another winner... somehow in the Deadbeats the vast majority of our covers ended up in Dm. I don't know what's up with that
Aaron wrote:
The first surf set I ever played happened to have every tune in E (one was major, the rest minor). No one noticed; no one cared.
I'm sure you're right, but I've realized that once I developed a more analytical ear as a surf fan that overdoing it with one key can actually get tiring. I particularly remember getting bored with nearly every song being in E at a Dick Dale show. Sacrilege I know, but man one riff-rocker in E after another really got tiring. And enough with the harmonics at every possible opportunity! Though the biggest problem was probably that the vibe of the songs themselves was too similar. I totally agree that writing songs with distinct moods will go a long way to make the key irrelevant.
What i find happens when songs stay in the same key is that the same sort of phrasing gets used repeatedly because guitar players think to do certain things in certain positions, which makes it more repetitive sounding & more obvious (repetitive & obvious are two categories I try very hard to avoid).
For example, Journey to the Stars & Surf Rider. We do both & both are in the same key, but both have a very different vibe - we do Journey full on surf punk & the Surf Rider very mellow. But there are still a couple of melodic phrases in there that are so similar I wouldn't want them next to each other in the set.
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jonfender
Joined: Mar 09, 2011
Posts: 273
Melbourne FL USA
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Posted on Oct 03 2012 08:57 AM
I hope this doesn't sound so dumb & obvious but "clumping" 3 or 4 surf songs together in a "medley" always seemed to work. If the tunes are already in the same key (w/similar mood..i.e.: "Diamond Head"-"Apache '65") one tune can float into the next somewhat smoothly. I only ever played in an all instro band in 1965-66 when we "nicked" "Similau"/"The Wedge"/"Miserlou"/"Malaguena" and then called it "Spanish Spinner"...it worked good & the crowd liked it ! Just a thought.
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MadScientist
Joined: Jan 17, 2008
Posts: 2188
Atlanta, GA
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Posted on Oct 03 2012 09:03 AM
"Most useful chord: A minor." - Rip Thrillby
—
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whistledixie
Joined: Sep 23, 2012
Posts: 69
stone mountain, georgia
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Posted on Oct 03 2012 09:51 AM
MadScientist wrote:
"Most useful chord: A minor." - Rip Thrillby
It definitely keeps it easy for the keyboard player like me - every white key is a good note!
The medley is a good one - 9 of our 20 songs so far are in Am. If we didn't depend on the time between songs to pad out the 45 minutes & let our drummer catch his breath, we could make quite an epic out of those!
— Wake the Kraken!
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Last edited: Oct 03, 2012 09:51:33
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SanchoPansen
Joined: Jan 04, 2011
Posts: 1588
Berlin L-Berg
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Posted on Oct 12 2012 07:16 AM
I tried this for our latest set list: Wrote down all the songs and the first tone and last one (not the geenral key). Depending on this I created a setlist that makes perfect sense to my ears.
Mood and speed of the songs are also important, of course. We always try to catch a littel breath with slower songs in the middle of our set (middle to end actually). Never open or end your set with a slow song, btw!
Oh and the topic: there are loads of Am and Em surf songs. And just out of curiosity I check our setlist. Out of 17 songs we have 4x Am and 3x Em. Maybe I should mention that we have vocals as well and had to transpose most songs to F or C. Found some A# and B as well.
— The Hicadoolas
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