drumuitar
Joined: Feb 28, 2006
Posts: 813
Boise, ID
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Posted on May 11 2012 11:49 PM
The Squier Mascis JM is also basswood, and all the reviews I've een have been pretty good. I think he actually scribbles his initials on the back of the headstock, so maybe that's why there has been a short supply of them
— Shawn Martin
http://www.drummerman.net
http://www.youtube.com/GKacedrummerman
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NIB
Joined: Aug 02, 2010
Posts: 111
Vienna/Austria
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Posted on May 12 2012 04:56 AM
@LeeVanCleef: so its really impossible to swap to jag to a standard mustang bridge? what would happen, if i do? string to high above the fretboard? and hows about that adjustable saddles? do i have to buy them single or is there a bridge where they are included?
edit: would this one be working? http://www.warmoth.com/Modified-Mustang-Bridge-Chrome-P616C700.aspx
Last edited: May 12, 2012 05:21:32
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LeeVanCleef
Joined: Oct 05, 2011
Posts: 744
France
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Posted on May 12 2012 06:20 AM
Regular Mustang bridges (i.e. AVRI or MIJ/CIJ ones) are made to fit a 7,25" radius while most "modern" Jags and Jazzys (CPs, Blacktops, J Mascis signature and these new Squiers... even the 50th anniversary Jag) have a flatter fretboard radius of 9,5". Putting a regular Mustang bridge on one of these guitars wouldn't be impossible, but you'd have the center strings higher above the fretboard than the high and low Es. Not a terrible problem, but not the best situation for playing comfort if you like your action low.
The Warmoth bridge you mentioned would be a good choice since you can adjust each saddle's height individually so it could fit any radius. The bridges Squier put on the new Mustangs look similar to these. GraphTech sells similar saddles without the bridge but in black (StringSaver) or white (Tusq) synthetic material that is supposed to reduce string friction, I know some folks don't like their looks on a vintage looking guitar. An Adjusto-Matic bridge would also fit the 9,5" radius, and I'm pretty sure that's why Squier chose this radius in the first place.
— Old punks never die... They just become surf rockers.
Last edited: May 12, 2012 06:21:44
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NIB
Joined: Aug 02, 2010
Posts: 111
Vienna/Austria
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Posted on May 12 2012 07:15 AM
ok, thank you 
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so1om
Joined: May 10, 2012
Posts: 492
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Posted on May 12 2012 01:10 PM
I'm just gonna put a cover on mine. 
i believe the street price of these are expected to be under $400....
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Matt22
Joined: Feb 15, 2007
Posts: 2858
Fredericksburg, Virginia
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Posted on May 12 2012 02:28 PM
If the wood is such a big deal then how do you account for the AMAZING sounds Les Paul got out of "the log?" It was basically just a 4 x 4 chunk of pine. Pine isn't exactly the choice wood for guitar. I think these are going to be great. In my opinion, a great way for someone to get a Jag or Jazzy for good money and upgrade the electronics whenever they can afford it. Pickups, electronics, and amp are the most important.
— Matt "tha Kat" Lentz
Skippy and the Skipjacks: 2018-2020
Skippyandtheskipjacks.net
https://www.facebook.com/skippyandtheskipjacks
Otto and the Ottomans: 2014-2015
The Coconauts surf band: 2009-2014
www.theamazingcoconauts.com
Group Captain and the Mandrakes 2013
http://www.gcmband.com/
The Surfside IV: 2002-2005, 2008-2009
the Del-Vamps: 1992-1999, 2006-2007
http://www.dblcrown.com/delvamps.html
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so1om
Joined: May 10, 2012
Posts: 492
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Posted on May 12 2012 03:06 PM
you can't buy tone. Practice is the most important. 
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LeeVanCleef
Joined: Oct 05, 2011
Posts: 744
France
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Posted on May 12 2012 03:14 PM
Well let's see...
Squier J Mascis signature Jazzmaster
MSRP=$599
US street price=$399
Europe street price=€399
Squier Vintage Modified Jaguar/Jazzmaster/Mustang
MSRP=$499
You do the math
— Old punks never die... They just become surf rockers.
Last edited: May 12, 2012 15:16:03
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Louie7
Joined: Jan 30, 2007
Posts: 448
50,000 Light-Years Beyond Planet Claire
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Posted on May 12 2012 03:20 PM
Let's see if I have this straight...
Surf Guitar proponants (you know who you are) on this site (and others I needn't mention)...
a. want the traditional vibrato tailpiece further back so there's not so much sustain...
b. want to install more massive Mustang saddles that increase sustain...
Seems to me those two approaches cancel each other out.
Last edited: May 12, 2012 15:21:16
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so1om
Joined: May 10, 2012
Posts: 492
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Posted on May 12 2012 05:23 PM
I think the main reason of the mustang bridge is the because strings are lsss likely to pop out, no?
With the price of this guitar, i hope to hve enough spare change left over to find a used Boss/Fender reverb pedal... That all wacked up thru my vibro champ? oh yeah..
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LeeVanCleef
Joined: Oct 05, 2011
Posts: 744
France
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Posted on May 12 2012 06:23 PM
Oh dear... is that a can of worms labelled "ye olde tonewood controversie" I just inadvertently kicked open?
— Old punks never die... They just become surf rockers.
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Louie7
Joined: Jan 30, 2007
Posts: 448
50,000 Light-Years Beyond Planet Claire
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Posted on May 12 2012 07:46 PM
No controversy at all.
The majority of tone from a solid body electric guitar comes from the pickups, the electronic componants, the type of strings, the amp settings and the finally, the plectrum - pretty much in that order.
Unless we're talking about archtop jazz guitars, or nice 4 figure flattops with straight-grain spruce, or expensive Flamenco/Classical guitars, -- wood figures little in the tone equation.
Fender, for instance, doesn't select Alder, Ash, or Basswood for 'tone'...those are the hardwoods of choice for crafting, finishing and price/availability reasons.
P.S. For anyone who believes that you can't buy tone, get rid of your expensive vintage blonde Showman or brownface Bandmaster and save some money with a nice mid-80's solid-state Peavey.
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Matt22
Joined: Feb 15, 2007
Posts: 2858
Fredericksburg, Virginia
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Posted on May 12 2012 08:42 PM
Louie7 wrote:
No controversy at all.
The majority of tone from a solid body electric guitar comes from the pickups, the electronic componants, the type of strings, the amp settings and the finally, the plectrum - pretty much in that order.
Unless we're talking about archtop jazz guitars, or nice 4 figure flattops with straight-grain spruce, or expensive Flamenco/Classical guitars, -- wood figures little in the tone equation.
Fender, for instance, doesn't select Alder, Ash, or Basswood for 'tone'...those are the hardwoods of choice for crafting, finishing and price/availability reasons.
P.S. For anyone who believes that you can't buy tone, get rid of your expensive vintage blonde Showman or brownface Bandmaster and save some money with a nice mid-80's solid-state Peavey.
VERY well said!
— Matt "tha Kat" Lentz
Skippy and the Skipjacks: 2018-2020
Skippyandtheskipjacks.net
https://www.facebook.com/skippyandtheskipjacks
Otto and the Ottomans: 2014-2015
The Coconauts surf band: 2009-2014
www.theamazingcoconauts.com
Group Captain and the Mandrakes 2013
http://www.gcmband.com/
The Surfside IV: 2002-2005, 2008-2009
the Del-Vamps: 1992-1999, 2006-2007
http://www.dblcrown.com/delvamps.html
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LeeVanCleef
Joined: Oct 05, 2011
Posts: 744
France
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Posted on May 12 2012 10:08 PM
Louie7 wrote:
The majority of tone from a solid body electric guitar comes from the pickups, the electronic componants, the type of strings, the amp settings and the finally, the plectrum - pretty much in that order.
I agree. But whenever I play my electric guitars unplugged I can hear and feel a difference in resonance between them. That difference comes most likely from the variation in body shapes, bridge/vibrato system and wood. Or possibly it's all in my head. Anyway this difference is mostly perceptible acoustically, but I believe it also plays a part indirectly in the amplified sound, although obviously much less significant than the pickups or the amp.
The important word here is "believe". I don't know enough about physics and acoustics to support this and I admit I might very well be 100% wrong. But if I am, I'm sure you wouldn't mind trading a vintage Jazzmaster body (or at least an AVRI) for a basswood one, right?
As for the influence of the electronic components, I'm perplexed about all the people upgrading their guitars' tone circuits with Orange Drops and similar mojo capacitors... I've always heard the difference between various types of caps isn't significant at low voltages.
— Old punks never die... They just become surf rockers.
Last edited: May 12, 2012 22:16:17
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so1om
Joined: May 10, 2012
Posts: 492
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Posted on May 12 2012 11:52 PM
Why do chambered guitars so different than solid body? Why is a maple cap les paul brighter than those without? Why did eddie van halen's explorer copy sound so different after he hacked out that "useless part" behind the tailpiece? why do the balsa guitars from japan in the late 60s have such low sustain even with pair of diamrzio's? The trestle bracing of Setzer's 6120 gretsch is very significant to his signature sound.. How come when people swap out their fave pickups to another guitar, all of the sudden, hey.. it doesn't sound the same as the other guitar... What happened?
you CAN prove the differences with basic electroacoustic measurements. any guitar, if it sounds good acoustically, it will sound good electrically (with proper electronics, not just any old pickup, etc..)
as for caps, orange drops, whatever.. .022uF is .022uF. Electrons can't tell the difference with that. So it goes directly to the "perception" and what people believe what they are hearing. If someone can here the difference in a cap over another, i got a job for you. You can start monday.
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raito
Joined: Oct 16, 2008
Posts: 552
Madison, WI
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Posted on May 13 2012 09:22 AM
so1om wrote:
as for caps, orange drops, whatever.. .022uF is .022uF. Electrons can't tell the difference with that. So it goes directly to the "perception" and what people believe what they are hearing. If someone can here the difference in a cap over another, i got a job for you. You can start monday.
I doubt that I could hear it, but I could probably measure it. No electronic component is entirely linear in its response. I haven't done those equations in a long, long time (thankfully since college), but there's probably some differential stuff going on there, too. Doesn't mean it's significant, just like it's not significant tone-wise whether the pickup has a lead that 6" or 7" long.
And where I work, we have guys whose whole job is to pick the right caps and suchlike. And others to reject those selections in favor of cheaper ones.
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BayState
Joined: Feb 09, 2011
Posts: 60
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Posted on Jul 03 2012 11:15 AM
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Matt22
Joined: Feb 15, 2007
Posts: 2858
Fredericksburg, Virginia
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Posted on Jul 03 2012 12:00 PM
Sonic Blue Jazzmaster and Surf Green Jaguar...Fender USA should be doing those colors!!!!
— Matt "tha Kat" Lentz
Skippy and the Skipjacks: 2018-2020
Skippyandtheskipjacks.net
https://www.facebook.com/skippyandtheskipjacks
Otto and the Ottomans: 2014-2015
The Coconauts surf band: 2009-2014
www.theamazingcoconauts.com
Group Captain and the Mandrakes 2013
http://www.gcmband.com/
The Surfside IV: 2002-2005, 2008-2009
the Del-Vamps: 1992-1999, 2006-2007
http://www.dblcrown.com/delvamps.html
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Doctor_Morbius
Joined: Oct 26, 2008
Posts: 608
This Planet Earth
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Posted on Jul 03 2012 03:15 PM
Matt22 wrote:
Sonic Blue Jazzmaster and Surf Green Jaguar...Fender USA should be doing those colors!!!!
Yes they should! They'd be selling twice as many.
— Cats 'n' Strats, 'cause that's how I roll - I eat reverb for breakfast!
Fenderus Collecticus
Strat Blender Pot Modification HERE
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kick_the_reverb
Joined: Feb 26, 2006
Posts: 1339
Escondido, CA
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Posted on Jul 03 2012 06:53 PM
Finally it seems they got it right 
$299 street price.
— The Scimitars
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