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SurfGuitar101 Forums » Gear »

Permalink '65 Showman... [edit:] GOT IT!

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Your advice needed surf dudes and dudettes.

OK. Right now I'm playing only at my tiny home, but hopefully that will change (I'm actually getting better Big Grin .) I currently have a Blues Jr., and I'm not happy with it, just doesn't sound right to me. Don't wanna start messing around with modding it etc.
My guitar is a wonderful ThinSkin Jazzmaster (bought after been recommended here, thank you all), and it's absolutely amazing. It's a marriage, forever. The only thing that slows her down is me. Not so with the amp, it's holding me back. I feel the need for the real deal, a vintage Fender, also to keep forever (I'm like that). I want my JM so sing with full Surf glory, no compromises. (A Reverb tank is also on the menu, but I need my amp situation sorted first.)

Locally there's not much to find, and importing an amp is crazy expensive. It's expensive anyway - but I just found a Showman 1965 head, 85v, retolexed (white. nice.) for 1300$ (thats equivalent to 700$ for you, US folks), haven't heard it yet but supposed to be in great condition and the seller is reliable. I still have to match a cab for it, but let's take it step by step.

My goal is to have a great space for recording in the future, and some gigs here and there (weddings, some open space gatherings).

So, is it too much? Am I going in over my head? Will it make me happy? (yeah, super subjective but the collective wisdom here was right for me once. I trust you guys.)
Also, will it sound good at low volumes? Will it take an attenuator and sound good at low volumes?
Obviously a Showman in not meant for home use, but still, that's where it will be most of the time anyway. And it's such a classic that my GAS gets the better of me.

Any thoughts on this?

Last edited: Oct 31, 2011 14:20:26

That's about what they're going for here and it seems like you don't have many opportunities as it is. I have a 1964 Showman that I just love. If yours is re-tolexed in white, it's even cooler. I'd say go for it.

Matt "tha Kat" Lentz
Skippy and the Skipjacks: 2018-2020
Skippyandtheskipjacks.net
https://www.facebook.com/skippyandtheskipjacks
Otto and the Ottomans: 2014-2015
The Coconauts surf band: 2009-2014
www.theamazingcoconauts.com
Group Captain and the Mandrakes 2013
http://www.gcmband.com/
The Surfside IV: 2002-2005, 2008-2009
the Del-Vamps: 1992-1999, 2006-2007
http://www.dblcrown.com/delvamps.html

Thanks Matt, duly noted.

Just wanna add this:
My real fear is, as I said, it may be too much wattage. Although I like the idea of having the freaky torque, I also don't mind a little breakup. I'm not necessarily looking for the super clean sound (although I do use pedals when I need grit), just looking for the real sound. Maybe I should wait for a Bassman?

It just seems wrong and douchy for me to buy an amp only to keep it's volume on 1.5 or 2 most of the time. Like buing a Hummer only to drive to the supermarket around the corner, with the occasional road trip vacation (where you can also find other solutions i.e. micing it). But I'm well aware that logic is not all in life, and a monster amp might give me inspiration. I ride bikes, and I know when I'm sitting on a 1L machine, even when riding slowly, it blows my mind.

Gigs will be very sporadic. Mostly I want it for recording, in a good space I'm hopefully going to build.

Last edited: Oct 22, 2011 18:02:17

The Blues Junior should be ideal for recording. However, I doubt you could gig with it. To get a good recording on a Showman, you'd need to be at least at 4. Also, if you were to wait for a Bassman, you'd still need to turn it up that loud as well. An AB165 Bassman will start to break up around 4-5. I'd go for the Showman. Who knows when that opportunity will knock again. I'd also go for a Custom-built single 12" cabinet with a tone-ring for it. That will enable you to get the most out of the Showman without lugging around the huge 15" with the tone-ring or the dual 15. Beaverbottoms makes an excellent reproduction cabinet for the 12 and the tone-ring. He'll even do it in the matching tolex for you. Smile

Matt "tha Kat" Lentz
Skippy and the Skipjacks: 2018-2020
Skippyandtheskipjacks.net
https://www.facebook.com/skippyandtheskipjacks
Otto and the Ottomans: 2014-2015
The Coconauts surf band: 2009-2014
www.theamazingcoconauts.com
Group Captain and the Mandrakes 2013
http://www.gcmband.com/
The Surfside IV: 2002-2005, 2008-2009
the Del-Vamps: 1992-1999, 2006-2007
http://www.dblcrown.com/delvamps.html

Last edited: Oct 22, 2011 18:49:33

Are there any Deluxe Reverbs avaialbale in your area? I think that 20 watts is a lot more reasonable for your needs. I think that the Showman is overkill for your application. Great amp, fair price, but you'll need to crank it pretty loud for it to sound good. My 2 cents....

Bob

Bob

Thanks again Matt.

The main thing I don't like about the Jr. is it's sound Big Grin
Not that it's really bad, just that it's not really good (to me).
So I'm probably not going to like it mic'ed either.
Maybe if I mod it, but then again - it is what it is. I want vintage sound, full glory, no compromise. Volume is another matter, I need just a bit more so it can hold an occasional gig, but not necessarily a monster like the Showman. Even though it's tempting...

Matt22 wrote:

To get a good recording on a Showman, you'd need to be at least at 4.

That's quite loud isn't it? Laughing
How about using an attenuator with it? will it kill the sound or make it blossom?

I'll have more options with the cab locally (that's another can of worms.) That's also why I'm considering a piggyback- to have multiple speaker options. Versatility's good.
Thanks for your input, your points taken to heart.

Bob, you're very right about my application and needs. Very reasonable indeed. Big Razz I think 20w-40w is more like what I need, but there's availability (not), and this is an opportunity to get a real vintage Surf classic.

RobbieReverb wrote:

but you'll need to crank it pretty loud for it to sound good.

But not as loud as a showman, right?

Anyway, my mind is set on a vintage P2p amp, and not many of these come by for sale. The main thing I'm looking for is the best sound that can be had (and willing to pay for it).
Thank you Bob.

Maybe go custom? (there are good builders here).
What to do, what to do....
More opinions welcome, please!

I've heard you could halve the wattage by removing 2 of the power tubes, basically making it a Bandmaster. That said, I have a Bandmaster and it's nearly too loud for home use, but I don't regret getting it.

Here's my opinion.
I don't know where you live but, if vintage fenders don't come by easily, buy the showman.
You can use a single 10" or 12" cab using an inefficient speaker (but capable of handling the power) for home use.
Get a 2x12 or 1x15 for playing out.

I have a showman head and a bandmaster cab. The head is the proper size to lock down on top of the cabinet (so you can use the tilt back legs). I like the 2x12 and it's way louder and 3 dimensional compared to the 1x15. I use a lighter magnet speaker so, it ends up being lighter than the tone ring cab too. Definitely a plus.

As always, speaker choice is critical. The showman has some power but depending on the speakers, it may not be as loud as a bassman or bandmaster with a more efficient set.

Great input guys, thank you very much! (and keep 'em coming)

I'm going for it. Screw logic!
Vintage fenders are very scarce here indeed, and the price can't be beat. 1960's gear is already so rare even worldwide, and I'll have the chance to hold a pre-CBS original, not to hoard but to play (Surf redemption).

I'll figure out the practicalities later, cabs and whatnot, maybe even start with a cheapo 12" (I already have the BJr...), there will be time to build an immaculate custom cab later on.

I'm going to check it with my guitar tech in a couple of days, hopefully to return home with the beast. Will report here as soon as I (wishy wish) get it.

Since I'm so very exited Big Razz , here's a pic of my Jazzy:
image
Doesn't it deserve a complimentary amp? Yes

Thanks again.
BTW what about attenuators(or other methods)? Anyone cares to share any success stories taming the Showman?

It is a nice guitar. I deserve you the best of luck purchasing an amp which suits that guitar (and your ear, even if it is not a showman...). But please, give that showman a try before buying it. Sometimes... you never know if you are going to like something before trying it. And if you buy it, do your best to play it with a band (that head deserves it). Guitar

https://lospipelines.es/
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DreadInBabylon wrote:

BTW what about attenuators(or other methods)? Anyone
cares to share any success stories taming the Showman?

I use an attenuator with my tweed Deluxe. My Deluxe ( a '53 ), is only between 10 and 15 watts and is very loud nonetheless. Loud enough to play with a drummer. Certainly too loud to crank at home. Believe it or not, even with the attenuator it's still kinda loud -- to run it at 'Bedroom' levels I have to set the attenuator to almost Zero!

Attenuators do what they are supposed to do, but they also kill alot of the high end. Most have a switch to compensate for this. Most are simply a rheostat with a resistor attached. I recomend the Weber attenuators, because they use an actual speaker motor inside, this emulates your amp and speaker interaction giving you a more natural sound. Keep in mind that some of 'that tone' comes from the speakers being pumelled as well as from the amp being cranked.

Make sure you get one that's rated at least twice the amps wattage in order to keep the amp from over heating and to preserve your tubes. And mind the ohm's!

https://www.facebook.com/coffindagger
http://coffindaggers.com/
http://thecoffindaggers.bandcamp.com

Narciso, thank you very much. Of course I'll try it! As for playing with a band... you're right, but that's really hard here, I'm doing my best. Anyway, this amp is going to be Surfed.

Psychonaut, thanks for the good info, it surely will be put to use.
Before anyone jumps, I did do a search and read anything containing attenuators on this site. Just want to know more specifics with the Showman, because I am going to play it at home mostly (I know it sounds wrong...)

Thanks for your comments, more info's always welcome, and tomorrow I hope to get this thing. Will update.

DreadInBabylon wrote:

Before anyone jumps, I did do a search and read
anything containing attenuators on this site. Just
want to know more specifics with the Showman, because I
am going to play it at home mostly (I know it sounds
wrong...)

Read this:
http://www.tedweber.com/atten.htm
and this:
http://www.tedweber.com/understandingattenuators.html
pretty much applies to all big, loud amps
It's a bit like capturing lightning in a bottle

https://www.facebook.com/coffindagger
http://coffindaggers.com/
http://thecoffindaggers.bandcamp.com

Great links, thanks!

Hi Ariel,

Any update? Did you get your new baby? Had a test drive with the JM yet?
I'm sure many SG101ers have been pulling for you.

Just curious, are you familiar with The Astroglides? You many or may not know that one of their former most important members, Ran Mosessco (kick the reverb) is an active member of this forum. I'm sure you guys could share all sorts of Israel surf music stories! Incidentally, if you haven't already, be sure to check out his current AMAZING surf band, The Sand Devils. Info on the recently released album HERE

Just my $.02: If you currently have the means (as it seems you do), without question, grab that Showman!!! Keep it in reserve for your live shows--that's really what it's meant for. I wouldn't spend too much time or energy trying to figure out how to tame that beast for quiet home use.

Now, what I'm seeing as the more important issue here is your personal daily-playing tone satisfaction. This is an absolutely crucial aspect of enjoying daily practice. I've found that this has much more to do with reverb and 'unplugged technique' than anything. To a certain degree, it doesn't matter what guitar or amp you're using, if you're getting 'the drip,' you're going to be somewhat satisfied. I would've suggested investing in an actual tank, before a pro vintage head, especially if you won't be using it live for some time. I guarantee that if you got an FRV-1, you'd be extremely satisfied with your sound--not perfect, but enough to really enjoy your home practice.

Here's the other side of the coin...unplugged technique. I personally believe that a vital component to achieving 'the sound' or 'the tone' is getting as close as possible to it with nothing but your guitar and a pick--no effects, no amp, NO ELECTRICITY! I know this might sound crazy, but it becomes a huge revelation when you strip things down to that bare minimum and begin the tone quest from there. It's amazing how much your playing can improve this way. You start to become highly aware of the profound difference all the variables actually make: the type (round vs flat) and gauge of strings, the type and thickness of the pick, the angle and placement of pick attack, etc, etc, etc. It's a real eye-opener when you're axe starts to sound 'surfy' without even being plugged in!!!

Insect Surfers
The Tikiyaki Orchestra
The Scimitars
Lords Of Atlantis
Fiberglass Jungle - Surf Radio

Here are my 2 cents. I'm playing a Vibrolux RI. 40 watts, 2x10" speakers. Way too loud for any occasion (home/rehearsal/gigs). The issue was: to get the grit I needed to crank it up to at least 5-6. Solved it by getting a VP Jr. Volume pedal. I didn't loose any high ends or grit and I can easily decrease to volume to a decent level. Nice guitar btw.

The Hicadoolas

Hi, thanks for the interest, Jonpaul!

JONPAUL wrote:

Any update? Did you get your new baby? Had a test drive
with the JM yet?
I'm sure many SG101ers have been pulling for you.

Well, it's been postponed to next week, will report as soon if/as I get it. The seller is a reputable amp builder and tech (that does know his stuff), says the amp is perfect and fully original (expect for the white Tolex, some old owner tried to make it a Blonde Duh ... but it's cool.) Still, everything is possible... hope for the best.

Just curious, are you familiar with The
Astroglides
? You many or may not know that one of
their former most important members, Ran Mosessco
(kick the reverb) is an active member of this forum.
I'm sure you guys could share all sorts of
Israel surf music stories!

Yeah I do know him, but only from this forum. We exchanged a couple of words, cool guy. Sadly, when he had the Astroglides thing, I wasn't into surf yet... Didn't even know they existed, even of the rock 'scene' here being really small Dead Thread . And then he left, with his tank Cry . So no stories here... but I reckon the dude is a pro.

The only current band here I know of that reminiscent Surf are "Boom Pam", and they're great (a tuba-gypsy-elec.gtr thing, hard to describe and very original and well played) Check out their record, recommended! They have some success touring in Europe, good for them!

Just my $.02: If you currently have the means (as it
seems you do), without question, grab that Showman!!!

I'm certainly going to try. For the first time in my life I can afford a big vintage amp, and I'm not getting any younger...

Keep it in reserve for your live shows--that's really
what it's meant for. I wouldn't spend too much time or
energy trying to figure out how to tame that beast for
quiet home use.

I'll try anyway Big Grin just for the hell of it. The Weber attenuators look like really good products. Can give me a lot of versatility in recording.

I would've suggested investing in an actual tank,
before a pro vintage head, especially if you won't be using it
live for some time.

Sure, I agree that ideally that's the correct order of things, but the opportunity came... no so with a Reverb unit. Stuff like that is rare to non-existent here. I believe I'll build myself a custom unit, when the time comes.

I guarantee that if you got an FRV-1, you'd be
extremely satisfied with your sound--not perfect, but
enough to really enjoy your home practice.

But I do own one, my good sir! It does surf, no other pedal comes close to it. I enjoy it a lot, it's on 99% of the time. But alas, digital is digital.

...unplugged technique...

Great advices man, thanks. Yeah, it's quick and easy just to pull the guitar off the stand and bond with it, with the most intimate vibrations, with the bare sound of it. Great for developing expressiveness, no place to hide, here the musicality speaks.

I also have my Blues Jr., for more reasonable home use, but I just don't like it. Maybe I will tinker with it - speaker, tubes and such. Just one year ago I got my first real instrument (I "played" Face Palm 20 years on various cheapo crap), and hopefully will hold a real manly amp soon. This stuff gives me inspiration, and I already have some musical material that needs to be arranged, performed and recorded properly.
I've been around making music, around bands, my friends are musicians, I worked in sound reinforcement, played with all kinds of 80's boxes, wrote a thousand bits of little tunes, into the whole thing my whole life, but never got around to actually doing it like it should.
I used to joke that I live the Rock'n'Roll lifestyle without the sex, drugs or Rock'n'Roll. (well, just a little... oh, and bikes yeah.)
So I'm learning, gathering gear, and praying. Cool

If you stayed through this scroll... thanks for letting me share.
This is the only forum I participate in, so forgive my letting myself open up.
Jah love, peace

SanchoPansen wrote:

... 40 watts, 2x10" speakers. Way too loud for any occasion ...

I guess a 85w Showman with 2x12" will make concrete fall from my ceiling Monkey cool!
Hell, I even dont crank my Blues Jr. above 3-4, and that's when I'm feeling extra violent.

... Solved it by getting a VP Jr. Volume pedal.
I didn't loose any high ends or grit and I can easily
decrease the volume to a decent level.

Interesting. Where do you put it in your chain? So you leave the amp volume maximized? and... ?

Nice guitar btw.

Thank you.

And thanks for commenting folks, I love hearing your opinions, It's great help.

That is a beautiful Jazzmaster! That seems like a good enough deal on the Showman. You can pull two tubes as mentioned to halve the output power - adjust the speaker impedance accordingly. Check with the tech, I don't remember if the impedance goes up or down (?).
Some of the early blackface amps, Showman included, were covered in blonde Tolex originally although those were '64's.

I don't crank the amp up to 11. It just stays at the sweet spot around 5-6. Like you said, your Blues Jr. is extra violent at 3-4. I've put the Volume Pedal to the end of the effects chain, even after the noise gate but before the reverb tank (last unit in the chain). Hope this helps and the VPs are cheap and easy to get Wink

The Hicadoolas

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