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SurfGuitar101 Forums » Gear »

Permalink Fender Mustang good surf guitar or no?

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Hey there I'm looking to get a true surf guitar, and saw a good deal on a used Fender Mustang '69 reissue. I have a tele, a Dano dc '59, and a '64 Kay Vanguard, but they don't have a vibrato and don't have "that sound". Well I would love a jaguar or jazzmaster but the deal on the Mustang is too good, and from the pictures it looks like a pretty close cousin to a jag, although I've never played one. I don't know if I should bother checking it out or just save up for a jag or jazz. If someone knows about the 'stang, will it do the surf sound or not even close? Thanks

It will do the surf thing easily and well - I use one as a backup guitar and it records well - it is also something a little different from your usual surf 'Big Three' i.e. Jag, JM, Strat. (http://s265.photobucket.com/albums/ii222/andyandjo_photos/?action=view&current=mustang.jpg)

There's 52-odd pages here to have a look at - search function is your friend Smile

https://www.facebook.com/lostremoleros/

Last edited: Sep 09, 2011 19:30:48

I'd save up for a jag or a jazz. I owned and gigged with a 1969 mustang and although it was a beautiful guitar they sound a bit lame compared to a jag or a jazzmaster. The challengers use the mustang during the first wave, so they certainly have the sound of surf, but so do many guitars through a reverb unit and a tube amp. The mustang is a student model, so that's what to expect. Very light... Good for long gigs...

Love the Mustangs...especailly the ones with original racing stripes.

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tubesNtweed wrote:

Hey there I'm looking to get a true surf guitar, and
saw a good deal on a used Fender Mustang '69 reissue. I
have a tele, a Dano dc '59, and a '64 Kay Vanguard, but
they don't have a vibrato and don't have "that sound".
Well I would love a jaguar or jazzmaster but the deal
on the Mustang is too good, and from the pictures it
looks like a pretty close cousin to a jag, although
I've never played one. I don't know if I should bother
checking it out or just save up for a jag or jazz. If
someone knows about the 'stang, will it do the surf
sound or not even close? Thanks

I kind of want to say "not even close" but it is somewhat close. I find Mustangs very very thin which I do not like. Personally I'd prefer the tele to a Mustang as a surf guitar any day, and the Kay, and the Dano. I looked up the Kay, and those look really cool. The pickups seem like something I'd be a big fan of.

I used to have a 60s mustang. Don't know anything about the modern mustangs, so all my comments are regarding the 60s models. The neck is narrow, not much space to put your fingers. They were designed to be a student model & built for smaller hands. It could depend on how big your hands are. Also, the trem bar arm slides in. It doesn't screw in or snap in. When you stand with the mustang, the bar falls out.

Jake- the Kay is as awesome as it looks; its a single pickup with 2 controls, so its very simple but oh so sweet lol.

Dave- I looked up that trem bar problem and it is turning me off because all I need is to be playing a gig and it falls out and then I'm the idiot trying to pick it up every song, so that is flaw to me. I'm probably going to at least try it out but what I really should do is wait a little longer and get a jag/jazz maybe. Eh we'll see

DaveF wrote:

Also, the trem bar arm slides in.
It doesn't screw in or snap in. When you stand with the
mustang, the bar falls out.

Oh, you meam there`s no screw to fix the trem arm???
There is one! Take a look on the side to the part where the arm is put in.
You can even buy those little fixing screws at ebay.

And there`s a replacement part which is better than the original arm. A model which stays where you want to have it.

Twang cheers!

Ralf Kilauea

www.kilaueas.de

https://kilaueas.bandcamp.com/album/touch-my-alien

tubesNtweed wrote:

Hey there I'm looking to get a true surf guitar, and
saw a good deal on a used Fender Mustang '69 reissue. I
have a tele, a Dano dc '59, and a '64 Kay Vanguard, but
they don't have a vibrato and don't have "that sound".
Well I would love a jaguar or jazzmaster but the deal
on the Mustang is too good, and from the pictures it
looks like a pretty close cousin to a jag, although
I've never played one. I don't know if I should bother
checking it out or just save up for a jag or jazz. If
someone knows about the 'stang, will it do the surf
sound or not even close? Thanks

I also like the look of the Mustangs a lot!!!
Remembering some old surf bands and/or covers (Avenger VI, Challengers).

I once owned two old Mustangs:
-A 65 with an unbelievable good tone! But it wasnt a "surf" tone. It was a blues tone! I sold it in need of money.
- A nice green one with rallye stripe from `72. Very nice look, BUT lame sound, thin and boring unfortunately...
I sold it gladly.

Meanwhile I have two Mustangs again! Smile
A daphne blue 69 reissue: A classic for me! I changed to CTS potis and pickups from the "Pickupwizard". Now it sounds good! But a good Jazzmaster or Jaguar is still another dimension for surf music. My second one is one of those "Beck" models in orange with matching head. Its a perfect `69 reissue! Very nce built. I love the neck!!
I will install Jaguar pickups from "Pickupwizard" soon. I think then it will be good.

For me the Mustangs are great for playing/practising/composing at home at first because of the little body. Inspiring sound and easy to play! (At home!)

When you play the Mustang in the complete band they always a sound a bit to thin in my opinion.

My suggestion: Get a nice Mustang. Then a Jazzmaster. Then a Jaguar.

Twang cheers!

Ralf Kilauea

www.kilaueas.de

https://kilaueas.bandcamp.com/album/touch-my-alien

Last edited: Sep 10, 2011 06:21:11

If you're going to get any Mustang, the '69 reissue may be your best bet. I'd argue hey have better build quality than a lot of the originals do, plus better tuners and better sounding pickups as well. The necks are also more beefy and Strat-like (or, given their scale, maybe I should say Jaguar-like)than a Traditional 60's US Mustang. To me, the '69's reissues have a lot of Sratofraster flavor to them, especially when using the neck pickup alone. They do generally have less sustain than even a JM or Jag, though, so keep that in mind.

As for the vibrato, this is, IMHO, what can make or break a Mustang. Good ones have a fun, rubbery kind of feel with about the same amount of range as a good Bigsby. Bad ones will make the guitar go out of tune with one dip of the ol' whammy bar. Definitely try before you buy on this matter. As for the arm falling out all the time, I have a remedy, one that I use on my Coronado (which uses the Mustang-style vibrato): Cut a very tiny piece of quality duct tape (just a tiny sliver--like maybe an eighth of an inch wide and a quarter of an inch tall) and stick it near the bottom on the arm, where it would insert into the vibrato hole. Give it a little time to set, and then insert the rascal into the vibrato. The arm should now stay in place, and--if it's like mine--stay in place for a long, long time.

--Crispy

Yes, good advice with the trem arm adjusting!
Another thing is to check to position of the two springs inside the vibrato system. There are two (soemtimes three) different positions to set them. One is stronger one is les stronger. It`s a question of the whole guitar setup, which string gauges, string height, adjustment of the truss rod and so on...
Try which position is the best for you.
Even a good guitar sounds baaaaad and has a bad feeling with a bad (wrong) setup!

cheers!

Twang cheers!

Ralf Kilauea

www.kilaueas.de

https://kilaueas.bandcamp.com/album/touch-my-alien

I used to have a '65 Mustang I used for surf. Even though I had an arm for the vibrato, I used to leave the arm out and use my hand to push the vibrato bar directly. It's the only kind of vibrato I've seen where you can do this, and it actually worked pretty well. Mine also held tune fairly well, even with heavy use.

In 2 60's bands I was a member of, the "other guy" had a Mustang. Both were 65's & sounded GREAT for "Surf Music". We played em' thru a 65' Deluxe Reverb and the single coils worked really well...(Good Fender "Klunk"). The unique vibrato arm never posed a problem at all......but, they were still relatively "new" guitars at the time.

Last edited: Sep 10, 2011 13:35:39

Just to shake it up a little bit, don't forget that the amp is a huge part of the surf sound. I've played some "non surf" guitars through some great "surf" amps and they sounded more surfy than surf guitars through poor amps.

Rev

Canadian Surf

http://www.urbansurfkings.com/

Amen ! To Revhank's above post. The Amp means SO Much !! I remember.....it was an early 60's "Silvertone Les Paulish", 24 3/4 scale w/single coil (or "Sears mini humbuckers") looking "guitar". When played thru a Fender Super Reverb, that "surf tone" was definitely there...this was in the mid-70's & this was "gigged" at the club for 2 or so months. Looking back...I hafta' laugh, but it Worked !

I have a 69 reissue in olympic white and love it!
some said it is a little thin sounding and I agree but it's still a great surf guitar.
I find the rhythm pickup is what I use most often for lead.
the out of phase switching is almost worthless unless live I think.
they have the best vibrato of any Fender in my opinion and the new ones, like my old Jagstang (RIP) use and allen screw to tighten the bar where you want it.

Yea I totally agree with the amp. I have a Blues Jr. which is a GREAT blues amp, and although its not a bad surf amp, I'm definitely gonna get a twin reverb soon. You can't beat the headroom on those and you never have to worry about a bad sound or enough power. Yea they are a pain in the a** to carry but once you plug in its all worth it. I don't always get to mic my amp, so it's barely enough surf headroom with the Blues Jr, but it'll do until I get the twin.

My trem (until fixed) used to fall out, the trem on mine you can use the palm of your hand or even your finger for light vibrato, was/is never an issue for me. I actually found once I got the trem fixed in pace that I had to be more careful as I'd adjusted my style. I run mine thru either an old Twin or a newer Epiphone Valve Senior, either/or is ok for my needs. I really don't like the out-of-phase settings either, mainly because I haven't yet learned how to apply them properly to our sound.

I have other prefs for a favourite surf guitar too, but the Mustang will probably do what you want it to do just fine.

https://www.facebook.com/lostremoleros/

that's one thing I love about the trem is the fact that even if the bar is out, you can still use it by pushing it. even with the bar in I still do that sometimes.
out of phase has a big volume drop too so switching live is well for one hard cause of the switches and two because of the volume change.
love my mustang but nothing beats a mosrite!

jonny_flatbottle wrote:

love my mustang but nothing beats a mosrite!

Ugh, give me a Mustang any day over a Mosrite! In my opinion, Mosrites are the worst and I know there are others who just love them.

The other guitarist in my band plays a vintage '69 that had its pickups changed out. He had them replaced with Lindy Fralin Mustang pickups and we couldn't tell the difference between his '69 and my old '66 with the original pickups. Mustangs are VERY under-rated guitars and I'm glad they are. That makes them all the more affordable to the guys who know their secret. About the tremelo system, I've found all the old Mustangs to have excellent systems that stay in tune. However, the few reissues I've seen and played never seemed to be able to stay in tune. Is there a fix for that on the reissues? I also used to play without the arm after it would fall out during shows. Loved that I could still use it, whereas if the Jag/Jazzmaster arm falls out, you're out of luck.

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