You're welcomed!
Hey, I could have said THIS one!
http://www.youtube.com/watch?v=M0N4nyYS5aA
dp:
dude
362 days ago
Bango_Rilla:
Shout Bananas!!
317 days ago
BillyBlastOff:
See you kiddies at the Convention!
301 days ago
GDW:
showman
252 days ago
Emilien03:
https://losg...
174 days ago
Pyronauts:
Happy Tanks-Kicking!!!
167 days ago
glennmagi:
CLAM SHACK guitar
153 days ago
Hothorseraddish:
surf music is amazing
133 days ago
dp:
get reverberated!
83 days ago
Clint:
“A Day at the Beach” podcast #237 is TWO HOURS of NEW surf music releases. https://link...
17 days ago
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![]() Joined: Sep 04, 2009 Posts: 1800 Temecula, CA ![]() ![]() |
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![]() Joined: Mar 15, 2011 Posts: 8528 Back in Piitsburgh, Pennsylvania, where I grew up. ![]() ![]() ![]() ![]() |
dubtrub wrote:
I used to consult. There was such a thing as charging too little. It was seen as a sign of both inexperience and incompetence. You can always come down from a high price, but may not get a chance to be taken seriously if your initial price is seen as amateurish. Having said that, some (many?) club owners are notorious for paying too little and trying to keep the money anyway. —This is Noel. Reverb's at maximum an' I'm givin' 'er all she's got. Last edited: Apr 22, 2011 16:07:44 |
![]() Joined: Sep 22, 2007 Posts: 245 Bakersfield CA. ![]() ![]() |
Noel wrote:
Sounds reasonable enough. It seems that other bands are in my area are real reluctant to discuss fees so I haven't been able to establish what would be considered a reasonable/normal figure based on the average going rate. I guess I've been out of the business far too long. So what are some ball park figures that other bands are charging? Or, is that violating some ethical code by asking? —Danny Ellison aka dubtrub Last edited: Apr 22, 2011 17:05:43 |
![]() Joined: Mar 15, 2011 Posts: 8528 Back in Piitsburgh, Pennsylvania, where I grew up. ![]() ![]() ![]() ![]() |
All I remember from my childhood was Dad got scale for pickup work until his reputation allowed him to get more for himself and the other musicians he brought to the gigs. Of course, to get even scale meant belonging to the musician's local. From other sources I know it wasn't unknown for blues or jazz musicians to have to lay a gun on the table to ensure they got paid. —This is Noel. Reverb's at maximum an' I'm givin' 'er all she's got. Last edited: Apr 22, 2011 17:46:54 |
![]() Joined: Feb 26, 2006 Posts: 3546 mojave desert, california ![]() ![]() ![]() ![]() ![]() |
you can guestimate by visiting a venue and seeing if they charge a cover and what size crowd you can expect...2 drink minimum that sort of thing... also there's cost of all the cocaine and m&m's and vodka and heroin needles and all that... |
![]() Joined: May 18, 2006 Posts: 521 ![]() ![]() |
Around here (Richmond, VA) a lot of bands will try to get $100 per member for a typical 3hr club/bar gig, but a lot also play for a lot less. Generally we won't play for less than $50 each. You have to be realistic; if at the end of the night the venue has lost money by hiring you he probably won't do it again. Supply of bands far exceeds the demand for live music in this town. If you want more lucrative jobs its probably best to work through a booking agency and aim for corporate or wedding jobs. |
![]() Joined: Sep 04, 2009 Posts: 1800 Temecula, CA ![]() ![]() |
We're $150 each for a two-two-1/2 hr. gig. We have trio and duo configurations and hold pretty firm to those prices. We have a few regular gigs we do for less, but make it up in tips, food, and drinks. We did a gig for a while where the pay was crap, but the tips were good, the food was outstanding, and the wine was expensive-but free to us. I can live with that once a month. |
![]() Joined: Jul 04, 2008 Posts: 65 Loudoun County, VA ![]() |
We're a 5-piece band and as such charge a minimum of 250 GBP for 2x 45min sets. As for venues, it varies from pub gigs to renting a village hall and promoting our own show. Next wknd - royal wedding wknd, we're booked to play the night of the wedding at a beer fest. The beer tent opens at 12 and we don't go on until 8pm - It could be really good, or really ugly! We play traditional surf and mix in the classic instrumentals - esp the "jammy" ones that we can extend beyond the 2:15 the avg surf song runs. To date, we've received nothing but positive feedback - primarily because NOBODY plays Surf. I can't tell you how many times I've heard that its great that we're not "YATCB" - yet another typical cover band! Good luck and remember to "sell your uniqueness" - Surf! |
![]() Joined: Apr 24, 2011 Posts: 1087 Surf City, NC ![]() ![]() ![]() ![]() ![]() |
Surf alone is kind of a tough sale most anywhere (excluding S. Cal). As some others stated, mixing the sets with other genres may help. You'll probably never get the same amount of gigs that Classic Rock cover band gets, but most that play Surf / Instro do it because they love the genre. It's kind of a niche thang. As far as venues go we try and work with them on an individual basis. A small bar of the beaten path just can't generate the same revenue on their best night as a larger "prime time" venue so we always consider this when quoting a performance price. Sometimes the smaller venues turn out to be the best shows though! $50 a man is about our minimum. Also, you may want to consider working with some other bands doing "split bills"? Two bands playing different genres, maybe Surf & Rock-A-Billy or Surf & Americana, etc.. Getting off the ground is always the tough part. Imo you just have to be willing to suck it up and accept gigs for less than you would like to or play some less than awesome venues. Spreading the Gospel of Reverb ain't no walk in the park! —Last edited: Apr 25, 2011 08:32:15 |
![]() Joined: Mar 15, 2011 Posts: 8528 Back in Piitsburgh, Pennsylvania, where I grew up. ![]() ![]() ![]() ![]() |
Las_Barracudas wrote:
Even Benny Goodman, before he became the "King of Swing", played some clubs inside wire cages to protect his band from bottles and other debris thrown at them. Lots of bands toured in their cars, played impromptu sets at roadhouses for gas and food money, and scrounged around for a floor to sleep on or just slept in their cars. It seems this has alwaysd been the lot of the full-time musician who isn't in a house band, and sometimes even then. —This is Noel. Reverb's at maximum an' I'm givin' 'er all she's got. |
![]() Joined: Apr 03, 2010 Posts: 3201 Jacksonville, AL ![]() ![]() ![]() ![]() ![]() ![]() |
Noel wrote:
This pretty much sums us up. Playing for gas money and merch sales...a free meal on a good night...and hopefully someone nice enough to put us up on their floor for the night... —THE KBK ... This is the last known signal. We offer Sanctuary. www.thekbk.com |
![]() Joined: Feb 26, 2006 Posts: 3546 mojave desert, california ![]() ![]() ![]() ![]() ![]() |
TRCat wrote:
250 GBP = US$ 413 = EU 283 |
![]() Joined: Feb 12, 2011 Posts: 54 Right Behind You ![]() |
I totally agree that having a crossover style will make a big difference. My stuff is more "horror surfabilly" and both the psychobilly and punk/horror punk crowds here seem to be digging it. You may have luck with the rockabilly and psychobilly fans in your area. They really love retro styles and really appreciate that kinda thing. If they like you they are loyal to the end too! —Psycho surfabilly! |