What's your favorite surf guitar technique?
Mine is probably floating vibrato picking, followed by smashing the guitar.
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Joined: Aug 21, 2006 Posts: 76 USA |
What's your favorite surf guitar technique? Mine is probably floating vibrato picking, followed by smashing the guitar. |
Joined: Mar 15, 2006 Posts: 1076 Columbus, OH |
I really like to mute when I play; the drip sound is awesome. |
Joined: Apr 21, 2006 Posts: 265 San Antonio, TX |
Oh man that's a hard one I'm just gonna go with Staccato Slide Picking, 2 strings? Even better! —<img src="klzzwxh:0000"></img> |
Joined: Feb 26, 2006 Posts: 12159 Seattle |
I just like normal picking. |
Joined: May 20, 2006 Posts: 2174 PacNW (Vancouver, Wa U.S.A.) |
That's a very hard one, I mean there isn't one thing I don't like to do but I can say I can't get enough of Kicking the tank I need to join some kind of AA group for tank kickers I'm so addicted —-Kyle Beyond The Surf YouTube channel |
Joined: Mar 15, 2006 Posts: 1487 San Francisco |
I have an abusive relationship with my tank. Can't help it. I just hate those days when, bungee chord enabled, the tank kicks back. ~B~ |
Joined: Feb 27, 2006 Posts: 3832 netherlands |
I like nitpicking seriously, isn't versatility what it's all about? I love double picking, but I sometimes find I do it to much and it makes the melody worse, sometimes just normal picking's better. same with glissando's, once you get a hang of it's easily overdone. that's what I find most difficult about playing surf, constantly realizing it's about the song, not about the player. while that's what got me hooked on surf in the first place. technique, Im lately seriously trying to incorporate "Ivanesque baroqueries" into my playing, the little hammer ons and pull offs around a note. gives it a half gipsy/half indian/half harpsichord (wow, that's three halfs!) sound. too cool! WR —Rules to live by #314: |
Joined: Apr 24, 2006 Posts: 1618 Ithaca, NY |
I think my favorite style in general might be double picking, but I can much more emphatically agree with WR's "it's about the song" outlook. Double picking can ruin a song when improperly used, as can other songs just sound boring if not double picked.
I think that's perhaps my favorite peripheral surf "-ism." It lends itself so well to the genre and just sounds so yummy. |
Joined: Feb 27, 2006 Posts: 10331 southern Michigan |
Awww, thanks, guys, you're making me blush! I do need to point out that I pretty much got that whole thing from DD. He was always doing that kinda stuff, and I think it sounds very expressive and exotic. Of course, lots of mediterrenean music features those embelishments, so I'm laying them on as thick as I can right now to go with the whole Madeira MO. Ivan PS Three-halfs!! YES! Definitely beats two-halfs, wouldn't you agree? We should all strive to have our playing amount to three-halfs.... —Ivan |
Joined: Nov 10, 2000 Posts: -180 |
double pickingproperly known as alternating strokes, but followed by muted stacatto picking. i don't smash guitars--not a fair fight. but i will set fire to one if it pisses me off |
Joined: Feb 27, 2006 Posts: 60 southern ontario |
I like all the surf techniques, but do tire of anything over done. Songs that are double picked using the Miserlou scale with the usual predictable glissandos are not very creative IMHO. I do admit to being guilty of this with a couple of my songs though! |
Joined: Mar 29, 2006 Posts: 309 Springfield, Oregon |
I can play "Surf Beat" using only my thumb on my fretting hand. I also like to rest my hand on the tremolo bridge on my Ibanez so I can rapidly modulate the bridge with my hand while I'm picking. It produces a sort of detuned chorus-ey effect that makes everything sound Hawaiian. |
Joined: Apr 21, 2006 Posts: 852 Connersville, Indiana, USA |
I went with quick glissando, since my first ever surf guitar creation has that at the end of the "chorus." I'm not exactly sure how I managed getting a glissando in there, with it originally being created with an acoustic guitar, but I do remember imagining how it'd sound on an electric guitar, so I likely created as if I was creating on an electric. I'm glad that I did, now that I have a couple of electric guitars in my collection, and as I've mentioned in other posts/threads, I've played it on every electric guitar I've had my hands on. Tremelo picking would be second choice, if such were an option in this poll. Back when my guitar collection consisted of an acoustic 6-string, and an acoustic 12-string, I discovered how "Miserlou" sounds a la acoustic, after I found out that 80/20 (bright bronze) .12's were just the right set for the 6...having tried more light guage phosper bronze string sets than I care to remember. Matt —Fast Cars & Loud Guitars! |
Joined: Aug 24, 2006 Posts: 204 Newcastle... Australia |
...other: tune my non-whammybar guitar to E minor chord, brass or glass slide on 3rd finger at the 12th fret, strum an upstroke and drop the slide 1/4 - 1/2 a fret and back up again (depends on how big the surf is)....repeat at 5th fret if needed (Am)...works well on acoustic too, but don't kick the tank too hard! adam |
Joined: Oct 25, 2006 Posts: 26 Tucson Arizona |
I'm guilty of vibrato diving and double picking. Sometimes a six pack of beer or a few cups of coffee can inspire a new technique. (which fretboard am I playing on?) |