Posted on Apr 25 2012 07:11 PM
With the album finally coming out (May 1, 2012), I thought I'd bring back this old thread for those interested in the recording process.
It seemed like this recording was going to have a fast turn around from recording to release, but things got bogged down. The first couple of mixes were fine, but things went downhill from there. What I was hoping for, and what I was getting from the studio was not "eye to eye".
After trying a variety of things mastering-wise to get the mixes sounding good, I decided to return to the raw audio files (I was lucky/ smart enough to bring home the sessions on a hard drive from the studio), and get in Brad Conrad (Surf vs the Flying Saucers, Live in Hell) to remix and master the album. There were several issues with the tracks themselves, but Brad spent a lot of time on them, and came up with a great sounding master (thanks Brad!).
I felt the performances were too good to through away, and start from scratch, though the thought did occur to me. I only ended up rerecording all the bass parts, but the live off the floor guitar & drums remained.
My good pal Ed Beals did the cover art once again. Rather than used an original artwork for the cover, he encouraged me to use some Mohawk beadwork that was done by my Great Grandmother. I was thrilled with the results, and couldn't be happier with the artwork.
So, though it was a long time from recording (Feb, 2010) to release (May, 2012), I'm gad I took the time to get it right, rather than releasing something I might not be as happy with. It's great to be able to rely on such talented people to help pull a project together: Brad Conrad, Ed Beals, and my brother Frank (the drummer).
So, in less than a week, the album will be available on CD/download from Reverb Ranch. I hope you like it!
Rev
PS: The next release will have a much faster turnaround, Tiki gods willing!
—
Canadian Surf
http://www.urbansurfkings.com/