Photo of the Day
Shoutbox

sysmalakian: HAPPY NEW YEAR!
328 days ago

SabedLeepski: Surfin‘ Europe, for surf (related) gigs and events in Europe Big Razz https://sunb...
289 days ago

SHADOWNIGHT5150: I like big reverb and i cannot lie
222 days ago

SHADOWNIGHT5150: Bank accounts are a scam created by a shadow government
222 days ago

sysmalakian: TODAY IS MY BIRTHDAY!
208 days ago

dp: dude
190 days ago

Bango_Rilla: Shout Bananas!!
145 days ago

BillyBlastOff: See you kiddies at the Convention!
129 days ago

GDW: showman
80 days ago

Emilien03: https://losg...
2 days ago

Please login or register to shout.

Current Polls

No polls at this time. Check out our past polls.

Current Contests

No contests at this time. Check out our past contests.

Donations

Help us meet our monthly goal:

48%

48%

Donate Now

SG101 Banner

SurfGuitar101 Forums » Surf Musician »

Permalink Favorite guitar technique?

New Topic
Page 1 of 1

What's your favorite surf guitar technique?

Mine is probably floating vibrato picking, followed by smashing the guitar.

I really like to mute when I play; the drip sound is awesome.

Oh man that's a hard one I'm just gonna go with Staccato Slide Picking, 2 strings? Even better!

<img src="klzzwxh:0000"></img>

I just like normal picking.

That's a very hard one, I mean there isn't one thing I don't like to do but I can say I can't get enough of Kicking the tank I need to join some kind of AA group for tank kickers I'm so addicted Twisted Evil

-Kyle

Beyond The Surf YouTube channel
Beyond The Surf Instagram
The Verbtones @ Instagram
The Verbtones @ Facebook
The Verbtones @ bandcamp

I have an abusive relationship with my tank. Can't help it.

I just hate those days when, bungee chord enabled, the tank kicks back.

~B~

I like nitpicking Rolling Eyes

seriously, isn't versatility what it's all about? I love double picking, but I sometimes find I do it to much and it makes the melody worse, sometimes just normal picking's better. same with glissando's, once you get a hang of it's easily overdone. that's what I find most difficult about playing surf, constantly realizing it's about the song, not about the player. while that's what got me hooked on surf in the first place.

technique, Im lately seriously trying to incorporate "Ivanesque baroqueries" into my playing, the little hammer ons and pull offs around a note. gives it a half gipsy/half indian/half harpsichord (wow, that's three halfs!) sound. too cool! Cool Worship

WR

Rules to live by #314:
"When in Italy, if the menu says something's grilled, don't assume it is."

https://www.facebook.com/The-Malbehavers-286429584796173/

WR
seriously, isn't versatility what it's all about? I love double picking, but I sometimes find I do it to much and it makes the melody worse, sometimes just normal picking's better. same with glissando's, once you get a hang of it's easily overdone. that's what I find most difficult about playing surf, constantly realizing it's about the song, not about the player. while that's what got me hooked on surf in the first place.

I think my favorite style in general might be double picking, but I can much more emphatically agree with WR's "it's about the song" outlook. Double picking can ruin a song when improperly used, as can other songs just sound boring if not double picked.

technique, Im lately seriously trying to incorporate "Ivanesque baroqueries" into my playing, the little hammer ons and pull offs around a note. gives it a half gipsy/half indian/half harpsichord (wow, that's three halfs!) sound. too cool! Cool Worship

I think that's perhaps my favorite peripheral surf "-ism." It lends itself so well to the genre and just sounds so yummy. Very Happy

wooza

WR
Im lately seriously trying to incorporate "Ivanesque baroqueries" into my playing, the little hammer ons and pull offs around a note. gives it a half gipsy/half indian/half harpsichord (wow, that's three halfs!) sound. too cool! Cool Worship

I think that's perhaps my favorite peripheral surf "-ism." It lends itself so well to the genre and just sounds so yummy. Very Happy

Awww, thanks, guys, you're making me blush! I do need to point out that I pretty much got that whole thing from DD. He was always doing that kinda stuff, and I think it sounds very expressive and exotic. Of course, lots of mediterrenean music features those embelishments, so I'm laying them on as thick as I can right now to go with the whole Madeira MO.

Ivan

PS Three-halfs!! YES! Definitely beats two-halfs, wouldn't you agree? We should all strive to have our playing amount to three-halfs.... Razz

Ivan
Lords of Atlantis on Facebook
The Madeira Official Website
The Madeira on Facebook
The Blair-Pongracic Band on Facebook
The Space Cossacks on Facebook
The Madeira Channel on YouTube

Cool double pickingproperly known as alternating strokes, but followed by muted stacatto picking. i don't smash guitars--not a fair fight. but i will set fire to one if it pisses me off Exclamation Twisted Evil Twisted Evil

I like all the surf techniques, but do tire of anything over done. Songs that are double picked using the Miserlou scale with the usual predictable glissandos are not very creative IMHO. I do admit to being guilty of this with a couple of my songs though! Embarassed

I can play "Surf Beat" using only my thumb on my fretting hand. Cool

I also like to rest my hand on the tremolo bridge on my Ibanez so I can rapidly modulate the bridge with my hand while I'm picking. It produces a sort of detuned chorus-ey effect that makes everything sound Hawaiian.

I went with quick glissando, since my first ever surf guitar creation has that at the end of the "chorus." I'm not exactly sure how I managed getting a glissando in there, with it originally being created with an acoustic guitar, but I do remember imagining how it'd sound on an electric guitar, so I likely created as if I was creating on an electric. I'm glad that I did, now that I have a couple of electric guitars in my collection, and as I've mentioned in other posts/threads, I've played it on every electric guitar I've had my hands on.

Tremelo picking would be second choice, if such were an option in this poll. Back when my guitar collection consisted of an acoustic 6-string, and an acoustic 12-string, I discovered how "Miserlou" sounds a la acoustic, after I found out that 80/20 (bright bronze) .12's were just the right set for the 6...having tried more light guage phosper bronze string sets than I care to remember.

Matt

Fast Cars & Loud Guitars!

...other:

tune my non-whammybar guitar to E minor chord, brass or glass slide on 3rd finger at the 12th fret, strum an upstroke and drop the slide 1/4 - 1/2 a fret and back up again (depends on how big the surf is)....repeat at 5th fret if needed (Am)...works well on acoustic too, but don't kick the tank too hard!

adam

I'm guilty of vibrato diving and double picking. Sometimes a six pack of beer or a few cups of coffee can inspire a new technique. (which fretboard am I playing on?)

Page 1 of 1
Top