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SurfGuitar101 Forums » Recording Corner »

Permalink Doubletracking

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I have some new home recording gear and I'm trying to improve my recorded sound. I was wondering if Doubletracking was a recording technique used by first generation Surf groups or any of their influences, for example the Ventures, Fireballs, Shadows etc. I don’t have a very good (experienced) ear to tell for sure if I hear it on their recordings. I imagine that Les Paul used the technique.

I think Les Paul may have invented the technique (someone here will surely prove me wrong).

I am guessing the more "studio" oriented groups like the Ventures and Shadows probably incorporated doubletracking.

A band like the Astronauts most likely recorded all 'live'.

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Last edited: Sep 27, 2009 18:44:51

Jagshark
I think Les Paul may have invented the technique (someone here will surely prove me wrong).

I think it was multi-track recording that he used first.

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Years ago we used to place a piece of tape over one of the tape heads to double track (the head that wipes off recordings). I expect that trick is almost as old as the tape recorder.

For me double tracking guitar always induces a little bit of a kind of flanger type of sound. Hate that.

However, I love doing songs in my band where the 1 and 2 guitars play unison parts.

SSIV

A very good example of double tracking can be heard with the bass line for The Beach Boys' "Good Vibrations."

Matt

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LHR
However, I love doing songs in my band where the 1 and 2 guitars play unison parts.

Like on "The Boys Are Back In Town"? Or "Detroit Rock City"?

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LHR
However, I love doing songs in my band where the 1 and 2 guitars play unison parts.

Like on "The Boys Are Back In Town"? Or "Detroit Rock City"?

Hotel California...haha!

SSIV

LHR

WhorehayRFB

LHR
However, I love doing songs in my band where the 1 and 2 guitars play unison parts.

Like on "The Boys Are Back In Town"? Or "Detroit Rock City"?

Hotel California...haha!

I will be hollering out requests for those at my first Surfside IV show, fer sure.

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I'm not sure everyone's talking about the same thing here. Most are, but to clarify: Double-tracking: recording exactly the same part over the original to thicken it - and over-dubbing where you record a different part.

The only thing that sounds doubletracked on Les Paul's recordings to me is Mary Ford's vocals and I'm not absolutely sure there because the close harmony overdub is possibly giving it some of that effect anyway - particularly as it's the same person's voice.

I would imagine Les had to be pretty economical with his overdubs when he was building up tracks using cutting lathes - and just thickening a guitar thus would probably be too subtle to waste a layer on unless he did it simultaneously with a vocal part I guess.

I'm not a huge fan of the effect myself for any lead tracks, instrumental or vocal as I think it has a way of removing the personality from a part. I do think it's very useful for backing vocals though, and you can get a monster natural chorus effect if you detune a guitar slightly or varispeed the tape very slightly before doubletracking it.

BTW.. 'The Boys are Back in Town' etc. are harmony not unison.

I think subtle harmony parts can sound really nice in Surf stuff and I have used them sometimes (not in a Thin Lizzy kind of way though ...lol)

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estreet
BTW.. 'The Boys are Back in Town' etc. are harmony not unison.

I think subtle harmony parts can sound really nice in Surf stuff and I have used them sometimes (not in a Thin Lizzy kind of way though ...lol)

Thanks for the clarification! I'm still fuzzy on "unison," then.

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Unison (or doubling) is when two instruments/voices play/sing exactly the same part.

There's that line in 'A Mighty Wind'
_
Harry Shearer: 'Shall I double it before you or after you?'

Christopher Guest: 'You do it at the same time - that's why it's called doubling'
_
(Just as funny as Spinal Tap if you haven't seen it yet BTW)

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Youth and enthusiasm are no match for age and treachery.

Thanks! Was "A Mighty Wind" recorded in Dobly?

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Haha - in a neat piece of Synchronicity - I'd forgotten about the 'Pipeline' quote in this:

http://www.youtube.com/watch?v=dH15bwH7n8s

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Youth and enthusiasm are no match for age and treachery.

...I do double tracking on bass tracks, and on some pieces of drum tracks: ie: bass drum. I have begun double tracking guitars: stereo amplifiers or microphone setups on a single guitar line.

as far as back in the day technique, I'd imagine that track bouncing was much more common, however; I have heard many old timers discuss "shadow leads" and "tic tack bass", both of which are track doubling techniques used to increase dynamic impact of a part...

dp
I have heard many old timers discuss "shadow leads" and "tic tack bass", both of which are track doubling techniques used to increase dynamic impact of a part...

"Tic-tac bass" is a method of playing, in which a muted baritone guitar doubles the part played by the bass guitar or double bass."
This quote comes from the Wikipedia article on Baritone Guitar

RecRoomSurfer

dp
I have heard many old timers discuss "shadow leads" and "tic tack bass", both of which are track doubling techniques used to increase dynamic impact of a part...

"Tic-tac bass" is a method of playing, in which a muted baritone guitar doubles the part played by the bass guitar or double bass."
This quote comes from the Wikipedia article on Baritone Guitar

Yes...often back in the old Nashville days up until the early 1960s, bassists used an upright acoustic double bass, and would double the line using an electric baritone guitar or electric bass VI (either Danelectro VI or Fender VI)...many of the cool country and instrumental tunes of the AM radio days feature this double-track technique. The double bass would provide the well-rounded low fundamental frequency, the electric would provide a percussive upper frequency "twang" for definition within the mix...
...eventually, recording the Fender Bass eliminated "Tic Tack" approach...

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