CaptainSensible
Joined: Nov 08, 2006
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Leesburg, VA
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Posted on Oct 25 2008 04:23 PM
wooza
Having discovered surf music myself entirely independently of surfing or said culture I've never made that connection, and I usually actively disregard all that "fluff" that I perceive around the genre.
Actually, I lived at the beach long after I started listening to surf/instro music. I grew up in Pennsylvania, listening to my dad's old Ventures albums. And the first time I heard Mr. Moto, Misirlou and Pipeline, the guitar was played by Mike Palm rather than Paul, Dick and Brian, respectively. But living at the beach, at least for me, pulled together both the music and the surf culture.
— Sean
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zak
Joined: Sep 24, 2007
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Posted on Oct 25 2008 04:55 PM
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eltwang
Joined: Feb 26, 2008
Posts: 543
Copenhagen, Denmark
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Posted on Oct 25 2008 05:03 PM
zak
No one seems to mind the fact that the Ventures didn't really travel to space...
LOOOOOL!!!
— El Bluesky
El Ray
El Ray on Bandcamp
El Twang on YouTube
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CaptainSensible
Joined: Nov 08, 2006
Posts: 649
Leesburg, VA
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Posted on Oct 25 2008 05:12 PM
zak
No one seems to mind the fact that the Ventures didn't really travel to space...
That's a dirty rotten lie. Take it back.
But what you lament is true of most things. That is, people's perceptions of how things were is often far different from reality. But those perceptions often dominate what a majority of people think, perhaps because they like the former better than the latter. It is pure romanticism. Early sixties surf music certainly has its own set of myths as do many other musical moments in time. Sometimes the myth is more appealing than the truth.
— Sean
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donsdad
Joined: May 20, 2008
Posts: 169
NW Florida
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Posted on Oct 25 2008 07:46 PM
CaptainSensible
But what you lament is true of most things. That is, people's perceptions of how things were is often far different from reality. But those perceptions often dominate what a majority of people think, perhaps because they like the former better than the latter. It is pure romanticism. Early sixties surf music certainly has its own set of myths as do many other musical moments in time. Sometimes the myth is more appealing than the truth.
That's true, In the '90's I was heavy into what was called "Exotica" . It wasn't really primitive music from remote locations of the globe. It was really what many people would imagine that kind of music to be as they sipped a cocktail and took their mind off of their troubles. The myth was Martin Denny and the reality was natives beating log drums and blowing pennywhistles.
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Kman1
Joined: Aug 29, 2008
Posts: 694
Surf City
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Posted on Oct 25 2008 08:00 PM
zak
I remember reading in Dalley's book a few accounts about Dick Dale having trouble even standing on a surfboard for the "Surfer's Choice" cover shot, and allegedly the photo that's on the cover of "King Of The Surf Guitar" was shot in a swimming pool.
I read that too and the only things I can think is:
1 Dick has been called an amateur surfer, he never claimed to be a great surfer. He's only claimed to be the King, which I think he is.
2. The cover of King of the Surf Guitar, it's much cheaper to shoot in a pool then rent a boat or risk getting a camera wet at the sea, but Zak was right, a lot of it was marketing.
—
Sonichris
I also like to think that all early 60's fender equipment is happy to be playing surf music again. After all, its the music it was meant to play.
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CaptainSensible
Joined: Nov 08, 2006
Posts: 649
Leesburg, VA
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Posted on Oct 25 2008 08:06 PM
donsdad
That's true, In the '90's I was heavy into what was called "Exotica" . It wasn't really primitive music from remote locations of the globe. It was really what many people would imagine that kind of music to be as they sipped a cocktail and took their mind off of their troubles. The myth was Martin Denny and the reality was natives beating log drums and blowing pennywhistles.
Have you ever seen those Ultra Lounge CDs? They cover different musical stylings from the 50s and 60s, including the Exotica you reference. They definitely play up the myths of the time period, but I love them for it.
— Sean
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donsdad
Joined: May 20, 2008
Posts: 169
NW Florida
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Posted on Oct 25 2008 08:24 PM
CaptainSensible
Have you ever seen those Ultra Lounge CDs? They cover different musical stylings from the 50s and 60s, including the Exotica you reference. They definitely play up the myths of the time period, but I love them for it.
I used to have all of those.After I quit boozing regularly, orchestral pop just didn't really stick with me . I do however regret giving them to my brother ! I still listen to Martin Denny and a little Les Baxter occasionally.
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synchro
Joined: Feb 02, 2008
Posts: 4463
Not One-Sawn, but Two-Sawn . . . AZ.
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Posted on Oct 25 2008 10:46 PM
To me the whole idea of "living" a lifestyle, whether related to music, motorcycles, cars or whatever is a bit preposterous. Frankly, I'm not even sure that the concept of a lifestyle is anything more than a foolish construct of the media in their desperate search to find anything to talk about.
I will concede, however, that most of us are affected by the trends that were dominant when we were growing up. My sister is 8 1/2 older than I am so when she started driving I was 7 years old. A car radio tuned to either KWEB or WDGY was part of every trip I took with her and during that time period we heard a lot of Beach Boys, Jan & Dean, Ventures and numerous "Surf" bands. (In many ways I prefer the term Instrumental Rock but for clarity I'll use the term "Surf".) It was part of what I grew up with and the teens of that era did tend to identify strongly with that sort of music and the beach. Growing up in Southern Minnesota there were few monster waves to ride and no curls to shoot but they made do with out 10,000+ plus lakes, many of which had great swimming beaches. The point is, that in the early '60s there was a lot of surf oriented music being played on Top 40 radio, although the vocal-based songs greatly outnumbered the pure instrumentals.
My own coming of age took place during what was squarely the Country Rock age. From the time I started driving until my mid 20s much of the music I heard on the Top 40 stations was at least influenced by Country Rock but there was plenty of non-country Rock as well. Perhaps some of this was geographic, while my sister spent her high school years in Minnesota I spent mine in Colorado. A lot of young people dressed in blue jeans and western-cut shirts and I dress like that to this day. It's not because I'm trying to "live" some mythic lifestyle. It's because I like the fashions I grew up with.
The idea of a "Surf" lifestyle seems to me to be based on a concept that reality can never live up to. I'm certain that there were some young people in California during the early '60s that went to the beach every day, surfed and listened to the popular music of the time but I'm even more certain that most young people in California at that time were as constrained by the realities of life as any of us are. Except for a relative handful of very privileged youngsters I'm certain that plenty of kids from the "Surf" era sacked groceries, flipped burgers, pumped gas and mopped floors, just like the rest of us . . . even in Southern California. I'm certain that there were plenty of woodies, hot rods and performance cars around but very few people had the means to do nothing with their life except surf all day. (As an aside, Tom Hanks surfs at Malibu on a fairly regular basis but then again he has a job that allows him some flexibility and he lives in Pacific Pallisades.)
If the "Surf Scene" was an influence in Minnesota which has no surf whatsoever I'm certain that it was known in other places as well, places that are landlocked and don't even have swimming beaches still had AM radio stations pumping out "Surf" music during the early '60s. I sincerel doubt that the kids listening to this music in Oklahoma, Nebraska or Wyoming had any pretensions of somehow being surfers just because they listened to Jan & Dean sing about surfing.
As was mentioned earlier in this thread, Rockabilly and Blues both have adherents that feel there is a lifestyle associated with their music to which I say BUNK! I have no interest in dressing like a parody of a '50s Rockabilly musician to play that music nor do I have any interest in living a hard, terrible life in order to make my Blues more "authentic". (One thing that galls me is the concept that you have to be of a certain race to play Blues. That is absolute nonsense in my book.) Jazz, to, had its "lifestyle" in the eyes of some and just because a handful of noted Jazz musicians used heroin there were sycphants that decided to purposely get hooked just to be more like their heroes. The obvious folly of this is beyond any excuse. One of my favorite Jazz musicians was a piamo player named Bill Evans. He got sucked into this sort of thinking and ended up dying in his fifties, a wasted heroin addict on Methadone and a practicing cocaine user, he finally starved himself to death.
Now I do understand that many musical acts dress unusually as part of their act. I don't have a problem with this in and of itself. It's nothing new to our time and as long as people remember it's a costume I don't see much to complain about. I'm sure that many of the Surf bands dressed the part when their music became inextricably linked to surfing in the minds of the music buying public. Undoubtedly Dick Dale was a source of some of this stereotype. He actually did surf even if he was not a great surfer, played instrumental rock and sang about surfing, it's hard to find a more valuable spokesman for Surf music than that.
Still, I think that the correlation between the instrumental Rock of the early '60s and surfing is not absolute. As I mentioned earlier, Dick Dale brought at least some degree of Surf credibility to his music and Murray Wilson realized that surfing was an emerging trend and he worked hard to connect the music his sons were making to that image when, in fact, only one of his sons was into surfing. I still think that twangy, reverb-drenched instrumental Rock would have happened with or without the help of the beach culture. It was a natural outgrowth of what was being listened to in the late '50s. The progession from Duane Eddy to Dick Dale to the Ventures seems pretty logical to me. Had the social trend of the time been cowboys what we hear as Surf music now could have just as easily been thought of as cowboy music.
Spy music is a perfect example of this. Movies from the early '60s used twangy guitar sounds with lots of reverb and because there were more than a few Spy movies at the time this sound became almost synonymous with Spy movies. Western movies frequently used twangy guitars and reverb to try to enhance the effect of wide open spaces in the American west. I won't argue that these two example s are exactly the same thing as Surf music, but I think that there are some very real parallels and all of these came along at roughly the same time.
In any event, it'll be a cold day in Hades before I try to assume some "lifestyle" just to play a certain kind of music. As it is I enjoy playing Classic Rock, Jazz, Surf, Rockabilly, Country, Country-Rock, Spy music and even a bit of Classical music and I wear the same thing for any of them; nice jeans and a western-cut shirt.
— The artist formerly known as: Synchro
When Surf Guitar is outlawed only outlaws will play Surf Guitar.
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synchro
Joined: Feb 02, 2008
Posts: 4463
Not One-Sawn, but Two-Sawn . . . AZ.
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Posted on Oct 25 2008 11:29 PM
CaptainSensible
But what you lament is true of most things. That is, people's perceptions of how things were is often far different from reality. But those perceptions often dominate what a majority of people think, perhaps because they like the former better than the latter. It is pure romanticism. Early sixties surf music certainly has its own set of myths as do many other musical moments in time. Sometimes the myth is more appealing than the truth.
That's a great point IMO. The fact is that most reality is pretty boring. Sitting behind a desk all day and trying to keep a bunch of telephones, computers and routers on speaking terms with one another is usually boring work but occasionally it gets too interesting. The same is true for doctors, lawyers, bicycle repairmen and just about every other trade known to man. (ASP.Net programmers, OTOH, all live glamorous lives of continual excitement and play in kickin' Surf bands just to have a moment's calm in their lives. )
The fact is that business long ago learned that if you tell people a story that they want to believe they will probably buy your product if they accept the story. The Marlboro man is a perfect example of such marketing. The music industry has worked this concept to death and then some. Back when angry hippies were denouncing "the establishment" they made a fortune selling bands that played upon this cultural development. The bands that were part of denouncing material riches tended to live pretty well in spite of their meticulously crafted public personas.
When Duane Eddy came along his album covers depicted the landscape around Phoenix and I'm sure that more than a few people that bought his records imagined that he lived in a beautiful place without winters forgetting that Phoenix was a rough place to spend a summer before air-conditioning became common.
When the Surf culture came to light and gathered some media attention there were plenty of people in the entertainment business ready and willing to mold their products to fit the public image of the "surfer lifestyle". That doesn't mean that the "surfer lifestyle" was accurately portrayed in the news media, movies or in promotion of Surf music. I'm sure that many surfers were people with many interests just as the members of this forum have a wide variety of interests. Some were no doubt kids that all but lived at the beach but I'd betcha money that their parents had something to say about matters and placed some limits on things. The ones that lived away from their parents had to face reality just like the rest of us and tht includes making a living, something that not everyone can do at the beach.
I know that as a boy I imagined California to be about a mile wide and that everyone lived within sight of the ocean. It's hardly surprising in view of the fact that so much of what I "knew" about California was based upon my perceptions from Surf music and movies. Obviously I believed the story more than I believed what I could see on a map.
donsdad
That's true, In the '90's I was heavy into what was called "Exotica" . It wasn't really primitive music from remote locations of the globe. It was really what many people would imagine that kind of music to be as they sipped a cocktail and took their mind off of their troubles.
That's a great point. Where reality falls short the imagination takes over and usually runs wild.
donsdad
The myth was Martin Denny and the reality was natives beating log drums and blowing pennywhistles.
As it so often is. ![Smile Smile](/media/smiley/images/icon_smile.gif)
Kman1
zak
I remember reading in Dalley's book a few accounts about Dick Dale having trouble even standing on a surfboard for the "Surfer's Choice" cover shot, and allegedly the photo that's on the cover of "King Of The Surf Guitar" was shot in a swimming pool.
I read that too and the only things I can think is:
1 Dick has been called an amateur surfer, he never claimed to be a great surfer. He's only claimed to be the King, which I think he is.
2. The cover of King of the Surf Guitar, it's much cheaper to shoot in a pool then rent a boat or risk getting a camera wet at the sea, but Zak was right, a lot of it was marketing.
That's a good point Kman. Commercial photographs frequently do involve a degree of illusion because it's easier to shoot photos in an environment that is at least somewhat controllable. I was recently asked to take a photo of one of my guitars for a book project. The author asked that I take an outdoor photo on an overcast day because that's the best lighting without using commercial photgraphic equipment. In the record business, a business where time is usually worth more than money, I can't help but think that a lot of photos were shot in studios just to speed up the production process.
— The artist formerly known as: Synchro
When Surf Guitar is outlawed only outlaws will play Surf Guitar.
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Klas
Joined: Feb 26, 2006
Posts: 2294
Stockholm, Sweden
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Posted on Oct 26 2008 03:22 AM
Brian
Klas
Yeah, it would definitely be great if more bands today actually "lived it" a little bit more besides just playing the music, but I can understand it's not for everyone.
What do you mean by "lived it"?
Simply that one should be able to tell that a band is playing surf music without hearing the music. However, note that I said "more bands" as this is obviously not for everyone.
— T H E ✠ S U R F I T E S
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LHR
Joined: Aug 23, 2006
Posts: 2123
The jungle
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Posted on Oct 26 2008 05:53 AM
I am living, does that count?
That interview with Phantom Surfers is funny as hell. A little jaded maybe weren't they? I have mixed feelling about the band, our "schtick" and all of it from time to time. This is fairly existential deviation from the idea of discussing literature.
5 pages of this makes me wonder who is having fun and who is counting screws.
— SSIV
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zak
Joined: Sep 24, 2007
Posts: 2728
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Posted on Oct 26 2008 08:39 AM
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synchro
Joined: Feb 02, 2008
Posts: 4463
Not One-Sawn, but Two-Sawn . . . AZ.
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Posted on Oct 26 2008 10:32 AM
Klas
Simply that one should be able to tell that a band is playing surf music without hearing the music.
I couldn't agree less.
zak
Klas
one should be able to tell that a band is playing surf music without hearing the music.
Oh, so it IS about playing dress-up?
That's really LIVING it, Klas. Living it to the hilt.
I guess that if you wore an oversized tracksuit and lots of bling, you'd be "living" the gangsta lifestyle?
Great point Zak.
— The artist formerly known as: Synchro
When Surf Guitar is outlawed only outlaws will play Surf Guitar.
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Brian
Joined: Feb 25, 2006
Posts: 19304
Des Moines, Iowa, USA
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Posted on Oct 26 2008 10:42 AM
Well, Klas did say it wasn't for everyone. I do have to admit it is pretty cool seeing a record cover like the Finks with their vintage gear and outfits. Many, many other bands play dress up to some degree: Satan's Pilgrims, Ghastly Ones, Bomboras, etc., if nothing more than wearing matching outfits. We've had dozens of page threads on stage wear before, and it does work for many bands.
I wouldn't necessarily say dressing up for a gig or record cover photo shoot means "living the lifestyle", and maybe this is the the source of the confusion/friction in this thread.
— Site dude - S3 Agent #202
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synchro
Joined: Feb 02, 2008
Posts: 4463
Not One-Sawn, but Two-Sawn . . . AZ.
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Posted on Oct 26 2008 11:05 AM
Brian
I wouldn't necessarily say dressing up for a gig or record cover photo shoot means "living the lifestyle", and maybe this is the the source of the confusion/friction in this thread.
That makes sense to me. I have no problem with a band dressing appropriately to their music but this is far from "living the lifestyle" IMO.
Perhaps more to the point, I don't think that you can claim a style of music as belonging to artists that dress or act a certain way. Back in the '90s Junior Brown did a Surf medley dressed in his cowboy hat and played it on a double neck that was half Tele, half lap steel. (It did have a Strat whammy on it.) I would like to think that he'd be judged for the music and not his style of dress or his gear. (He also did some Hendrix as part of his set.)
I love and respect Surf music and have incorporated it into my performances for years but it's only one of the things I play. I take it seriously enough that I bought one of my guitars strictly for how it sounds on Instrumental Rock including Surf. Still, I've never been in a band that plays strictly Surf music and doubt I ever will be. I can love, respect and play the genre without devoting my entire musical existence to it.
There are many dedicated Surf bands out there and I'm all for it. I appreciate that there are people keeoing the torch lit for the rest of us but I doubt that many people are living a "lifestyle" that existed over 40 years ago.
— The artist formerly known as: Synchro
When Surf Guitar is outlawed only outlaws will play Surf Guitar.
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JakeDobner
Joined: Feb 26, 2006
Posts: 12159
Seattle
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Posted on Oct 26 2008 11:10 AM
Great music is great music regardless of who is playing it. Period. However, you have to discover the music first. I know I am less likely to check out a band that clearly looks like a surf band. I avoid these bands because they normally just have a cookie cutter sound which honestly just doesn't do it for me. That is a problem with myspace, you see them before you hear them.
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zak
Joined: Sep 24, 2007
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Posted on Oct 26 2008 04:20 PM
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Kman1
Joined: Aug 29, 2008
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Surf City
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Posted on Oct 26 2008 04:40 PM
The only way I plan on living it is Surfing, which I've wanted to do, which I wanted to do before I was interested in Surf, and playing it, otherwise, I don't dress up, don't use the lingo, unless I'm kidding, or act like it.
—
Sonichris
I also like to think that all early 60's fender equipment is happy to be playing surf music again. After all, its the music it was meant to play.
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BoardwalkerJeff
Joined: Jan 24, 2008
Posts: 376
Santa Monica, Ca.
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Posted on Oct 26 2008 04:57 PM
I don't have a copy yet but is Johnny's interview a re-print from "Incredibly Weird music" from the 90's?
Kind of sounds like it.
FWIW, I was in the Tiki Tones, The Huntington Cads, The Insect Surfers, the Boardwalkers, the Sliders and Del Noah and the Mt. Arrarat Finks all at the same time. each band had it's own "dress code" or lack there-of. all 6 rocked in their own way.
The whole "your band is not cool because..." was old in 95. why are we going there again?
— Jeff Utterback
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