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SurfGuitar101 Forums » Gear »

Permalink Reviews: Surfy Bear FET Reverb & your chosen tank

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Hey everyone -
This is a review thread. A fantastic build discussion thread continues in at 25+ pages and counting.
So, this is not a build thread.
Many of us are either considering, or are in various stages of their build projects with Surfy Bear's great FET reverb and there seems to be waves of comments like "oh, yeah, the MOD tank is great..." followed later by "...the tail on the MOD is too long and cavernous, gonna try something else...".
Some players have made some very striking comments about this or that tank being better, worse, for sound, quality, etc. but those posts tend to contain very little specs about the actual tanks they paired-up with their FET reverb builds.

For those interested in contributing, I suggest this format:

  • Tank manufacturer/country of origin (i.e. Accutronics MIK or US?)
  • Model/Part number of tank
  • Why you decided to go with that particular tank model/manufacturer
  • Any modifications/adjustments made to the tank or to the SB FET Reverb
  • Describe the sonics of the tank, such as the tail/decay, the amount of drip (if it is subtle, pronounced, how you would compare it to The Astronauts' 'Baja' Big Grin )
  • If you are considering - or have tried - using a different tank and what the results were.

Thanks! and Happy New Year 2015 Smile

Lorne
The Surf Shakers: https://www.facebook.com/TheSurfShakers
Vancouver BC Canada

Last edited: Dec 31, 2014 11:41:14

I too would like to hear some input on this as I have heard many mixed reviews on all the newer pans being made.

Thought about swapping my American made accutronics pan out for a mod but then keep hearing the tail end of the decay is to long.

Don't want to disregard your format, but in brief, "Yeah, what he (Balszs) said" – the new MOD pan sounds too much like an actual acoustic space, a very huge one. To get drip, you have to suffer a reverberation tail with such a long decay that it's intolerable except in maybe very noisy ensembles where bass, drums and other instruments cover it up.
By contrast, my old Gibbs "C" is better suited for surf with a lot of crashy drip and much shorter decay tail.

Strangely, the Accu pan from my '69 Twin doesn't sound so good either with the Surfy Bear. I'm still hunting for an optimal solution.

Squink Out!

Hey JObeast, no problem with the format of the posts...all I wanted to gain from this thread were players' details about the tanks. We're all in this together and if input from the experience of others may save some time and $$ to find solutions closer to what they want to get out of this, it is hard wading through a bunch of non-specific posts.

For me, the stock MIA Accutronics tank in my 63 RI Tube reverb actually sounds quite washy.
At first, when I heard some sound clips in another thread about the quick decay of the MIK Accutronics tank, I thought "hey, that doesn't sound like mine!" but listening back to Dick Dale, The Astronauts, etc. I realized that the tremolo picking and the quick passages really benefit from a quicker decay...which is why I am leaning towards the MIK Accu for my SB FET project.

Lorne
The Surf Shakers: https://www.facebook.com/TheSurfShakers
Vancouver BC Canada

I have mixed feelings about the USA built accutronics pans. Mine is a bit washy but feel unless I find a good gibbs pan I should not bother changing it out.

Then, there is the chance if I did pull the trigger on a Gibbs, they too can greatly range from pan to pan just like any other manufacturer.

I understand about the awesome drip some recordings have with the short decay. It is ear candy.

The thing about vintage pans is that they can be worn out, irreparable. By chance, my Gibbs "C" seems to have responded to epoxy/shim therapy; my more recently-built Accu did not and is functionally dead.

Squink Out!

So here are my results:

MOD 4ab3c1b: Really good tail, but not good for drip

TAD 4ab3c1b: Better for drip, not too long tail but also a not that good sounding tail

Gibbs pan 1122-6611 AO 23580-15: Really good drip, shorter but nice tail, really wet and general brighter sounding compared to the others

Accutronic Belton 4Ab3c1b: Had one on Stage in Mexico and really liked it. The low notes where really drippy sounding. Thought i had not time to check it more

http://www.reverbnation.com/bangmustang
http://www.facebook.com/bangmustang
https://soundcloud.com/bang-mustang

Last edited: Jan 02, 2015 03:43:13

LaFleur wrote:

So here are my results:

I am curious; in your use these are horizontally mounted pans with your Surfy Bear? Or are they mounted vertically ala a regular tank?

Smile

Wes
SoCal ex-pat with a snow shovel

DISCLAIMER: The above is opinion/suggestion only & should not be used for mission planning/navigation, tweaking of instruments, beverage selection, or wardrobe choices.

Good call, but since the circuit is so close to the 6G15, why even have Surfy Bear in the title? This thread benefits all analog reverb users.

There seems to be a confusion with the orientation thing. If it ends with B - horizontal, C - vertical. I suggest that if it's already oriented accordingly, don't say anything, as it is as it should be.

Anyway, The Mod C sounds huge. Fun to play alone, totally losing it in a mix- like others said, either too much space, or not enough drip. Gonna order a few other pans.

DreadInBabylon wrote:

There seems to be a confusion with the orientation thing. If it ends with B - horizontal, C - vertical. I suggest that if it's already oriented accordingly, don't say anything, as it is as it should be.

Understood; that was the basis of my question with all the 'B' tanks being mentioned. I'd read here way back (in a long thread when the reverb Wiki was getting discussed/built) that the orientation was there for a purpose and did have an impact in the sound. Hence my question. In a reverb build that mimics a traditional tank, the 'C' pan would be the one called for in theory, no?
Smile

Wes
SoCal ex-pat with a snow shovel

DISCLAIMER: The above is opinion/suggestion only & should not be used for mission planning/navigation, tweaking of instruments, beverage selection, or wardrobe choices.

DreadInBabylon wrote:

Good call, but since the circuit is so close to the 6G15, why even have Surfy Bear in the title? This thread benefits all analog reverb users.

There seems to be a confusion with the orientation thing. If it ends with B - horizontal, C - vertical. I suggest that if it's already oriented accordingly, don't say anything, as it is as it should be.

Anyway, The Mod C sounds huge. Fun to play alone, totally losing it in a mix- like others said, either too much space, or not enough drip. Gonna order a few other pans.

There were some comments made in that large "build" thread and others that I picked up on where players suggested that the SB FET project reacted to tanks differently than the 6G15. Also, I didn't want the focus to be on tanks that were difficult to source due to them being original stock from the 60s, etc. "Yeah, I have an original and it sounds GREAT!"...
Well, this is of some - but not great - value to someone sourcing parts for their builds today.

Lorne
The Surf Shakers: https://www.facebook.com/TheSurfShakers
Vancouver BC Canada

DreadInBabylon wrote:

Good call, but since the circuit is so close to the 6G15, why even have Surfy Bear in the title?

Because there is a difference in the way a FET circuit can handle a much wider range of pans as opposed to a tube circuit (with a transformer)that is far less forgiving. That said it is also possible that mis-matching a pan to the tube output might actually produce the qualities you are looking for similar to swapping out tubes.

Please for anyone answering ... be specific with the model number of the pan you are commenting on. Otherwise it means very little. Kinda like saying I drive a Chevy without specifying the model. That could mean a pickup or a corvette.

Last edited: Jan 02, 2015 13:21:03

in mine i have try 2 tanks
first the one off my drri
2 the tad

drri pan ,really clear sound ,drips well but not as tad ,real pure sound

tad pan much warmer ,more drip ,maybe a little hiss sometimes cause it seems to be more gainy ;i let it cause i have buy for it and i am too lazy to retry again with the drri pan

to my taste it react beetween the set up of the verb and also with the amp ,then it is hard to choose in fact (maybe put 2 pan in the box and switching beetween them )
the tad is much better with palm mute ,but sometimes a little invasing without then you need to descrease the mix (and for the drri pan it is the invert need to push more the mix for better drip )

Good thread, right to the point, the original thread got too confusing and hard to follow.

Not surf but you might like it:
http://donbale.bandcamp.com/
https://www.youtube.com/channel/UCA0g6Sn3e9FULMN0owd9YGw
https://soundcloud.com/fatalamanga

whackystrings and dboomer : You answered. Makes sense, got it! thanks.

Badger wrote:

...the orientation was there for a purpose and did have an impact in the sound. Hence my question. In a reverb build that mimics a traditional tank, the 'C' pan would be the one called for in theory, no? Smile

Well since that's what was used then yes, in theory, if that's what you wanna recreate. That's why I built my Surfy-Bear vertical with a C pan. BUT, I believe the differences in sound would be negligible relating to the more obvious difference in modern pans. The orientation seems to be more a mechanical tolerance thing than a sound thing. See here:

Regarding the orientation of the reverb pan, see our Reverb Wiki:

...orientation of the pan (hanging vertically vs. horizontally in the floor of a combo amp) can influence tonality beyond the convenience aspect of connecting it with the RCA-plugged cables and should be the prime decision-maker in the PN ordered (slightly longer RCA cables can easily be obtained).

It's been pointed out that the difference between the vertical and horizontal reverb tanks has to do with the the "ideal mounting plane" for the tank inside the cabinet. The ideal plane is one that allows the transducer magnet to be centered in the "air gap" between the magnet and the transducer. Tanks made for vertical mount are "the best positioned mechanically to maintain that air gap". Tanks made for horizontal mount have some mechanical compensation added to the magnets position. That is, the magnets in horizontal tanks have been "factory adjusted" to be centered in the air gap for the horizontal mounting plane. This "factory adjustment" is considered less desirable from an electro- mechanical perspective. Some would argue that horizontal tanks are not as "musical" as well, although one would be hard put to fault an older Hammond tank in a Twin Reverb operating up to par.

To make it even clearer:

image
vs.
image

Last edited: Jan 03, 2015 14:14:57

Thanks for that. I remember the mechanical aspects of that discussion back when the wiki was being built; just couldn't recall if anyone mentioned whethere there were tangible sonic differences. (Not reverb immersion experience on this end.)

Thanks.

Wes
SoCal ex-pat with a snow shovel

DISCLAIMER: The above is opinion/suggestion only & should not be used for mission planning/navigation, tweaking of instruments, beverage selection, or wardrobe choices.

Does anyone have experience using a TAD reverb? It seems that the German website does not offer the vertical tank for the 4AB3C1C spec, they just have the model with "B" at the end signifying its horizontal position.

I keep reading that TADs are the European "equivalent" to the MOD.

Lorne
The Surf Shakers: https://www.facebook.com/TheSurfShakers
Vancouver BC Canada

whackystrings wrote:

Does anyone have experience using a TAD reverb? It seems that the German website does not offer the vertical tank for the 4AB3C1C spec, they just have the model with "B" at the end signifying its horizontal position.

I keep reading that TADs are the European "equivalent" to the MOD.

No its not, they are absolutly different sounding. See the description a few posts above.

http://www.reverbnation.com/bangmustang
http://www.facebook.com/bangmustang
https://soundcloud.com/bang-mustang

whackystrings wrote:

Does anyone have experience using a TAD reverb? It seems that the German website does not offer the vertical tank for the 4AB3C1C spec, they just have the model with "B" at the end signifying its horizontal position.

I keep reading that TADs are the European "equivalent" to the MOD.

bjoish wrote:

SaschaReynders wrote:

Yeah, TAD only has a horizontal mount pan for reverb units, but I got one a couple of weeks ago, mounted it vertically anyway and it works and sounds great. And when you order a pan from them, they have all the other stuff you still need as well: grill cloth, handle, knobs, pilot light, ...

Yes, I mailed TAD about this, they claim that their B-version also can be mounted vertically. Seems to be no difference.

Source

Last edited: Jan 06, 2015 09:52:02

bjoish wrote:
Yes, I mailed TAD about this, they claim that their B-version also can be mounted vertically. Seems to be no difference.

Source

Yes, thats what they told me, seems like TAD only sells the B version.

LaFleur, have you noticed any issues due to the orientation using TAD?

I suspect that the ideal orientation might be based on aging. Older pans might have springs that 'hang' little bit more and causes problems in horizontal position.

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