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SurfGuitar101 Forums » Surf Musician »

Permalink Improvise or Play it original?

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Do you improvise solos on surf classics or stick to the original rhythm and melody?

Depends. Sometimes some great heads had some sucky noodling in between. That gets changed. I'm getting more enjoyment out of adapting different tunes lately for my surf rep - case in point, the Mandalorian theme I've been working on.

There's obviously some things that are iconic, but it's on a case by case basis. Heck, I've even freshened up some old surf tunes by doing a harmonized double lead on them.

I never remember them, so yes, improvise!)))

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I will improvise solos 99% of the time. Both live and in recordings. This is my favourite thing to do.

Rev

Canadian Surf

http://www.urbansurfkings.com/

To me it’s super boring when a cover is exactly the same.

Daniel Deathtide

Great question!
Personally I find it very worthwhile to go not note for note, but also imitate the feel, accents, all the subtle style parameters. I learn a whole lot that way. Once I got it down (to a degree...), then it's time to go wild and insert my own.
If I start with improvisation, there's a chance that I'm doing it not because of 'free artist spirit', it's just that I can't replicate what I hear, and it annoys me!

Last edited: May 06, 2021 14:06:07

I make my best effort learning a tune note for note.
Then I add my special sauce so it sounds like me.

I saw a kid once on Youtube who sounded like Nokie Edwards.
His problem:
He sounded like Nokie Edwards.
He didn't add a note of whatever was him to the tune.
Maybe if he keeps at it, some of him will work its way into the mix.
Good, bad, or indifferent.. adding "you" to the tune makes the listener hear ==> you.

J Mo'

Last edited: May 06, 2021 14:26:10

Third choice: play from sheet music. In my teens I learned Walk Don't Run from a transcription in B flat minor. The clef for this key has five flats, and in this key the song doesn't have single open string. From this I learned it is much harder to play as I am told to. Still, without any open strings I can play Walk Don't Run in any key...

Insanitizers! http://www.insanitizers.com

I try to learn a song close to the original. Then I get distracted and fill in the unknowns with my own ideas. Then I work on it until it sounds presentable. The end result is usually different from the original, but I like that.

revmike wrote:

I will improvise solos 99% of the time. Both live and in recordings. This is my favourite thing to do.

Rev

Same here. We have sections in some of our songs, that have room for improvised solos, just to have a change from the strictly arranged parts to something with a more loose feeling. But this only concerns our original songs, as the few cover songs we still play do not have solos.

In my first surf band we also played completely improvised pieces in the sense of spontaneously making up a 2-3 minute song: "Let's play something in A minor and call it 'Rocket to Mars'." On some occastions that lead to some interesting music (at least for us musicians) but a few times it also resulted in a complete train wreck.

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I try to learn the original and know what is happening in the original version. Then I try to come up with my own version of it.
To me that's what it's all about.
Do an interpretation of the song....change the groove, play the melody in a new way, maybe add a solo where there was none and so on.
I also think that a lot of the old recordings were done on the spot - recorded live and the solos where probably improvised. Learning that and playing it exactly the way it was done 50/60 years ago seems kinda strange to me...like learning an improvised solo from hendrix or a jazz guitarist and play it live the same way every time .....although the original player just played it like this once.

It's a good exercise to transcribe stuff note for note, analyse it and learn from it, but to recreate it note for note on a stage is the wrong approach for me. For me, Surf and Rock music in general is not about having a written part and play it the same way every time like a classical musician. It's more having fixed parts and play around them. In surf these variations seem to be more subtle than in jazz or blues or improvised rock, but they still happen and that's the beauty of playing live Smile

Last edited: May 10, 2021 04:05:49

You should decide of you want to be a note player or a note reader.

Happy Sunsets!

whichever allows YOU to play the song with more feeling and emotion. emotionless technical ability bores me to tears as a sound person.

Last edited: May 10, 2021 03:48:25

Ideally do both. To do justice to a song, you should probably learn it well first before trying to improvise over it.

Paul

The Dead Planet Surfers

I do a little of both. I like to give a nod to the original while also taking things in a slightly different direction.

I think there's room for both. One of my favorite tunes is Pipeline, and our guitarist (I play bass) would use the solo to work in the Munsters theme, Batman, and anything else that fit. The crowd always loved it.

It's easy to go the extra mile when you miss the last exit.

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