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SurfGuitar101 Forums » Gear »

Permalink Plate and Spring in one pedal ?

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Looking for suggestions for a Reverb pedal with Spring and Plate.

For reference (at least in pedals) I enjoy Topanga for Spring and Dr Scientist Reverberator for Plate. I don't play surf, so I don't need a bunch of drip. Looking for late 50's reverb ala Bo Diddley, Duane Eddy, Eddie Cochran, Sun Records, etc

I know there's a ton, but interested in recommendations here.
The one I've been looking has been Hardwire RV-7.

Zoom MS-70CDR

Zoom MS-70CDR

METEOR IV on reverbnation

derekirving wrote:

Looking for late 50's reverb ala Bo Diddley, Duane Eddy, Eddie Cochran, Sun Records, etc

Keep in mind that with the excepetion od Duane Eddy, most of the examples you posted above do not use Reverb.
Slap back, tape style delay/echo is what you are hearing in those artists' sounds.

I agree with Las Barracudas - The Zoom MS-70 or MS-50 is a very versatile and good sounding choice.

Cheers,
Jeff

http://www.facebook.com/CrazyAcesMusic
http://www.youtube.com/user/crazyacesrock
http://www.reverbnation.com/crazyacesmusic

@crazyaces or @lasbarracudas do you know if the Zoom does AD conversion OR does it add the effect to the dry signal?

derekirving wrote:

@crazyaces or @lasbarracudas do you know if the Zoom does AD conversion OR does it add the effect to the dry signal?

Sorry, I can't help you there. It sounds and works good for me so that's all I need to know.

Cheers,
Jeff

http://www.facebook.com/CrazyAcesMusic
http://www.youtube.com/user/crazyacesrock
http://www.reverbnation.com/crazyacesmusic

cool i'll check it out. I'm typically an analog delay or dry player - some gigs require reverb though.

derekirving wrote:

@crazyaces or @lasbarracudas do you know if the Zoom does AD conversion OR does it add the effect to the dry signal?

I'm not sure either, but as stated it offers some really good reverbs and delays.

Pre-sets include a slap-back, echo, 63 Spring, room reverbs, plates, etc, and you can adjust the parameters on just about all of them.

METEOR IV on reverbnation

I use a TC Electronic hall of fame reverb. Great spring & plate and your dry signal is passed thru untouched! I love mine. There are also a few other great sounding verbs in there as well. There's a great modulated reverb that I use on spookier stuff. Just the verb is modulated. Your straight signal is unntouched.

www.instagram.com/_the.outer.limits_
https://www.youtube.com/channel/UCX7iIpcAvL8In2HY9I7QoPw
www.theouterlimits.bandcamp.com
www.facebook.com/vertigogo.surf

I also use the TC Electronic Hall of Fame if not using a tank. Totally agree with Agent71857 on every point.

If you want to come at it from a different angle that gives you room to play in vastly different arenas, you could achieve a slapback sound with either a Catalinbread Echorec or a Strymon Deco. They're both worth a youtube research session if you're unfamiliar. I have the Echorec and hope to get a Deco at some point. I realized it's the only flanger I have eyes (ears) for.

Keeley Memphis Sun?

MXR M300!

About the Zoom MS units...what is the learning curve like? I tend to shy away from pedals that require a lot of dial tweaking but the idea of having a great delay, reverb, echo etc. all in one pedal is appealing. I'm mostly a "set it and forget it" kind of player but if the Zoom is fairly easy to program and use I could see value in owning one. I seldom, if ever need more than three or four different sounds but having those sounds all in one place might be cool.

Currently I'm using a Hall of Fame mini for reverb and a Strymon El Capistan for delays, with a single setting on each that never gets moved much.

Rob_J wrote:

About the Zoom MS units...what is the learning curve like? I tend to shy away from pedals that require a lot of dial tweaking but the idea of having a great delay, reverb, echo etc. all in one pedal is appealing.

Rob,
I didn't find the MS to bee too difficult to navigate. There is a lot in the unit for sure but it's interface is pretty good. I don't usually learn multiple menu platforms naturally or quickly but The MS-50 wasn't too bad for me. A bigger problem is that like you, I tend to set things and leave them and when I go back a few months later to add or change something I have to jog my memory.

Currently I'm using a Hall of Fame mini for reverb and a Strymon El Capistan for delays, with a single setting on each that never gets moved much.

Sounds like you're doing just fine there, pedal wise. If it ain't broke...

Cheers,
Jeff

http://www.facebook.com/CrazyAcesMusic
http://www.youtube.com/user/crazyacesrock
http://www.reverbnation.com/crazyacesmusic

CrazyAces wrote:

Rob_J wrote:

About the Zoom MS units...what is the learning curve like? I tend to shy away from pedals that require a lot of dial tweaking but the idea of having a great delay, reverb, echo etc. all in one pedal is appealing.

Rob,
I didn't find the MS to bee too difficult to navigate. There is a lot in the unit for sure but it's interface is pretty good. I don't usually learn multiple menu platforms naturally or quickly but The MS-50 wasn't too bad for me. A bigger problem is that like you, I tend to set things and leave them and when I go back a few months later to add or change something I have to jog my memory.

One thing that is nice is that for each pedal model the three top knobs work as on an analog pedal and control the usual, three important functions of that particular model. So for the delays your three, actual knobs control amount, time and feedback. This allows quick adjustments on the fly. You can then scroll, click to go "deeper" on the settings but not parameters that you'd usually be messing with live.

Currently I'm using a Hall of Fame mini for reverb and a Strymon El Capistan for delays, with a single setting on each that never gets moved much.

Sounds like you're doing just fine there, pedal wise. If it ain't broke...

Cheers,
Jeff

http://www.facebook.com/CrazyAcesMusic
http://www.youtube.com/user/crazyacesrock
http://www.reverbnation.com/crazyacesmusic

Take a look at the Strymon Flint reverb/tremolo pedal.
The 70's setting on the reverb section is a plate reverb setting and the 60's setting is a really good spring.
The added bonus are some great tremolo types - '61 harmonic tremolo, '63 tube tremolo, and '65 photo cell.

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Last edited: Apr 26, 2017 14:44:10

"Sounds like you're doing just fine there, pedal wise. If it ain't broke..."

Boy, aint THAT__ the truth. Why is it that us guitar players always seem to be wanting to "fix what ain't broke". (or I guess I should maybe speak for myself).

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